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Collision: Christopher Hitchens vs. Douglas Wilson

  • Video
  • 2009
  • Not Rated
  • 1h 30min
VALUTAZIONE IMDb
7,3/10
294
LA TUA VALUTAZIONE
Collision: Christopher Hitchens vs. Douglas Wilson (2009)
Un documentario

Aggiungi una trama nella tua linguaThe documentary COLLISION pits leading atheist, political journalist and author Christopher Hitchens (God Is Not Great: How Religion Poisons Everything) against fellow author and evangelical... Leggi tuttoThe documentary COLLISION pits leading atheist, political journalist and author Christopher Hitchens (God Is Not Great: How Religion Poisons Everything) against fellow author and evangelical theologian Pastor Douglas Wilson on a debate tour arguing the topic "Is Religion Good For... Leggi tuttoThe documentary COLLISION pits leading atheist, political journalist and author Christopher Hitchens (God Is Not Great: How Religion Poisons Everything) against fellow author and evangelical theologian Pastor Douglas Wilson on a debate tour arguing the topic "Is Religion Good For The World?". Lives and worldviews collide as Hitchens and Wilson wittily and passionately... Leggi tutto

  • Regia
    • Darren Doane
  • Star
    • Douglas Wilson
    • Christopher Hitchens
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    7,3/10
    294
    LA TUA VALUTAZIONE
    • Regia
      • Darren Doane
    • Star
      • Douglas Wilson
      • Christopher Hitchens
    • 7Recensioni degli utenti
  • Vedi le informazioni sulla produzione su IMDbPro
  • Vedi le informazioni sulla produzione su IMDbPro
  • Foto

    Interpreti principali2

    Modifica
    Douglas Wilson
    • Self
    Christopher Hitchens
    Christopher Hitchens
    • Self
    • Regia
      • Darren Doane
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti7

    7,3294
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    Recensioni in evidenza

    5machngunjoe

    5 stars for good debates -5 for a crappy documentary

    I thoroughly enjoyed listening to both debaters, if only all arguments in politics for example could be so civilized. Ironically it was the film itself that prevented my entertainment and made it hard for my intellectual curiosity to be aroused.

    Major concept problems with the film.

    Shaky camera work, crazy zoom ins and zoom outs, deliberate focus adjustments, but I think the worst crime is I never really heard the argument. The film chopped the debate up so everything the both of them said was out of context, meaning you didn't know what was said before or after to set up the discussion.

    Rock music was also injected at times, which was cliché at best.

    Overall, I could obviously tell the film makers were trying to make what would be a debate on one topic, exciting. So they sold their artistic 'souls' if you will, to the devil, by putting in all these random film techniques, none of which met the real style of the film. They would have been better off sitting those two guys down at a table and just let them have at it. I was more entertained by watching youtube videos of Chris Hitchens and the other guy (sorry I forgot his name).
    8RandyL712

    Great subject matter nearly derailed by terrible camera-work

    I'm a huge fan of any sort of religious or philosophical debate subject matter. I absolutely love contemplating the intricacies of this stuff.

    The subject matter is straightforward, and I enjoyed seeing both Hitchens and Wilson present all manner of arguments for their positions on all manner of tangential issues regarding Christianity. They stick mostly on morality which got a bit tiresome frankly, (I thought Wilson's repetitive god-based reasoning were fairly easy to absolve however.) It was interesting to hear them go 'round and 'round about this issue or that. I thoroughly enjoyed the debates.

    What I absolutely loathed was the cinematography style. The camera never stood still. It was zoomed into Hitchens' face, darting around as if the cameraman was trembling uncontrollably. This isn't a punk music video! But you wouldn't know it from the obnoxious heavy metal soundtrack either. Totally inappropriate to the subject matter, distracting, and frankly they should re-edit the entire film to remove as much of the extreme-closeups, shakiness, and death metal as possible.
    10tommytyler

    Great movie

    Consistently gave apologetic arguments that completely dismantle the unbelieving worldview. You could tell that Hitchens was having difficulty answering Doug's questions and it was good to see the respect and friendship they had for each other and Doug continues to have that respect even though Christopher has gone to meet the Lord
    10rzajac

    Loved it! Great exposition for Hitchens & not too chabby for Wilson, either

    I've been a big fan of Hitchens for some time, and was very curious to watch as he took on the "big" challenge. I suppose it was just a matter of time.

    It's interesting: Hitchens has spent--some would say misspent--a lot of energy sparring with distinctly unworthy opponents. While it would be easy to say that Hitchens has lowered himself to do so, to be fair it's arguable that the field is rife with shabby "champions" of faith, and it was only natural that he wind up sharing the stage with same.

    Don't get me wrong. In the case of Wilson, I still feel Hitchens prevails. The key to the glory of "Collision" is not that Hitchens is evenly matched. It's that the film does a very good job of creating a third realm in which we see an interplay of different takes on humanism. Wilson, by constitutionally agreeing that, in the end, real answers must be found, aids no less than HItchens in tracing the outlines of this third realm; one in which (if we're perceptive) we may acquire tools of our own as we search for truth.

    So, for example, I drew a kind of provisional conclusion in which I can see that there is a very interesting answer to Wilson's repeated challenges to Hitchens--the challenge to assert a foundation for his humanistic moral probity. Since Wilson feels compelled to assert that his foundation consists of a Biblical character portrait of the divine which informs his morality, it naturally begs the question: Why is the portrait of Hitchens's character any less compelling than the portrait of the divine offered by the Bible? In the end, I'm not convinced that Hitchens loses even that battle.

    The image of the divine drawn via a creative approach to interpreting scripture can be characterized this way and that way.

    And what *is* the foundational image of the "divine" (as it were) of Hitchens' prophetic lightning bolts "from on high"? I'm pleased to report that Hitchens continues to found his morality on a truly refined wit and warm good humor, albeit coupled with the genuine (hot) interest in real-world human affairs that sometimes lashes out.

    Sound familiar? It should. And: Is there some genuine, well-intentioned reason that this is supposed be one-upped, out of the box, by the fundamentalist Chistian moral foundation repeatedly cited by Wilson? I don't think so.

    This is the special genius of Hitchens, and worthy of thoughtful consideration, and possibly emulation... though I would fain get all capital-'R' religious about it. And therein also lies the humility of Hitchens. I can see this, and it's pretty apparent Hitchens quietly and persistently knows this as well.

    And--not forgetting this is a film review--this hopefully highlights why "Collision" is a wondrous good venue for Hitchens *and* the fundamentalist set.

    If you ponder these things--and you want to see a good and proper launching point for apprehending Hitchens' place in the "new atheist" pantheon--see this movie.

    Add to this that the film is lovingly edited and finely produced, and you have a real winner for all parties.
    2david_toronto

    A disappointed Hitchens fan

    I would have given this film a 9 for sure if it hadn't been for the terrible camera-work. Whoever did the editing had WAY too much fun jiggling the camera, putting in flashing effects, cutting in and out. I guess it was meant to be hip or something. At first I thought I had put the Bourne Supremacy on by mistake. I was even starting to get a little motion-sick. Add to the flashing images and close-ups on Wilson's nose or the left side of Hitchen's face, you also have completely mismatched background music accompanying nearly every word that was said. The visuals were, for me, a total defeat for what could have been the best Hitchens debate documentary to ever come out. I think Wilson is the best opponent Hitchens has ever faced. He's educated, determined and passionately attached to his Christian faith. Wilson is one who begins to approach Hitchens's education, analytical and debating skills and devotion to the cause. Why, guys, why oh why did you spoil it all with the poor camera-work?

    Altri elementi simili

    Collision
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    Collision

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      Christopher Hitchens: Let's say that the consensus is that our species, being the higher primates, Homo Sapiens, has been on the planet for at least 100,000 years, maybe more. Francis Collins says maybe 100,000. Richard Dawkins thinks maybe a quarter-of-a-million. I'll take 100,000. In order to be a Christian, you have to believe that for 98,000 years, our species suffered and died, most of its children dying in childbirth, most other people having a life expectancy of about 25 years, dying of their teeth. Famine, struggle, bitterness, war, suffering, misery, all of that for 98,000 years. Heaven watches this with complete indifference. And then 2000 years ago, thinks "That's enough of that. It's time to intervene," and the best way to do this would be by condemning someone to a human sacrifice somewhere in the less literate parts of the Middle East. Don't lets appeal to the Chinese, for example, where people can read and study evidence and have a civilization. Let's go to the desert and have another revelation there. This is nonsense. It can't be believed by a thinking person. Why am I glad this is the case? To get to the point of the wrongness of Christianity, because I think the teachings of Christianity are immoral. The central one is the most immoral of all, and that is the one of vicarious redemption. You can throw your sins onto somebody else, vulgarly known as scapegoating. In fact, originating as scapegoating in the same area, the same desert. I can pay your debt if I love you. I can serve your term in prison if I love you very much. I can volunteer to do that. I can't take your sins away, because I can't abolish your responsibility, and I shouldn't offer to do so. Your responsibility has to stay with you. There's no vicarious redemption. There very probably, in fact, is no redemption at all. It's just a part of wish-thinking, and I don't think wish-thinking is good for people either. It even manages to pollute the central question, the word I just employed, the most important word of all: the word love, by making love compulsory, by saying you MUST love. You must love your neighbour as yourself, something you can't actually do. You'll always fall short, so you can always be found guilty. By saying you must love someone who you also must fear. That's to say a supreme being, an eternal father, someone of whom you must be afraid, but you must love him, too. If you fail in this duty, you're again a wretched sinner. This is not mentally or morally or intellectually healthy. And that brings me to the final objection - I'll condense it, Dr. Orlafsky - which is, this is a totalitarian system. If there was a God who could do these things and demand these things of us, and he was eternal and unchanging, we'd be living under a dictatorship from which there is no appeal, and one that can never change and one that knows our thoughts and can convict us of thought crime, and condemn us to eternal punishment for actions that we are condemned in advance to be taking. All this in the round, and I could say more, it's an excellent thing that we have absolutely no reason to believe any of it to be true.

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    • Data di uscita
      • 27 ottobre 2009 (Stati Uniti)
    • Paese di origine
      • Stati Uniti
    • Lingua
      • Inglese
    • Aziende produttrici
      • Crux Pictures
      • Gorilla Poet Productions
    • Vedi altri crediti dell’azienda su IMDbPro

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    • Tempo di esecuzione
      1 ora 30 minuti
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      • 1.78 : 1 / (high definition)

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