Come musa dei classici indie di Hal Hartley e come sceneggiatrice e regista dell'acclamato Waitress, Adrienne Shelly è stata una stella splendente nel firmamento del cinema indipendente.Come musa dei classici indie di Hal Hartley e come sceneggiatrice e regista dell'acclamato Waitress, Adrienne Shelly è stata una stella splendente nel firmamento del cinema indipendente.Come musa dei classici indie di Hal Hartley e come sceneggiatrice e regista dell'acclamato Waitress, Adrienne Shelly è stata una stella splendente nel firmamento del cinema indipendente.
- Premi
- 1 candidatura in totale
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Andy Griffith
- Old Joe
- (filmato d'archivio)
Adrienne Shelly
- Self
- (filmato d'archivio)
Recensioni in evidenza
I just finished watching this moments ago and I'm still recovering, the tears haven't stopped welling up. This movie came up in the HBO options to stream and I knew nothing else about it. Oddly about a month ago I had the luxury of seeing Rufus Wainwright and Sara Bareilles, two of my favorite singers, perform the song "She Used to be Mine" from the play version of Waitress that felt overly emotional even though I didn't know the song or what it was about or from. I of course had seen and loved the movie, but had no clue it had ever become a musical/play. Cut to today when HBO recommends this documentary, I have no idea it's about the woman who wrote and directed such a lovely memorable movie. The unfairness of it all was not lost on me. She was murdered at the age of 40, oddly the same age her father was when he passed and left her behind to fear an early death. Yet her voice lives on and her project did what she wanted and she was able to find her happiness before going, which somehow feels like the only justice you'll get for watching this devastating doc. It's true you can never know a person from seeing them on tv or in interviews or through stories about them. This still made me care nearly as much about her loss as her closest supporters. What happened to her could happen to anyone and it's a travesty. This was really well put together and had a lot of funny and tender moments as well, not just sadness. It definitely made me want to go back and watch Waitress again to better appreciate her magnum opus. Hopefully her daughter can watch this many times when she's missing her as I wish I could with my aunt/mother figure who passed too soon.
This film is a beautiful tribute to a thoughtful creative artist, mom, wife, daughter, sister, and friend. An exploration of life, death, mourning, legacy, and the human spirit. I remember when the news of her death broke in NYC. I remember all the inaccurate conclusions about her death being reported and then the truth seemingly coming out. This film finally put my curiosity and questions about what happened to rest and gave me closure. I loved "Waitress" when I first saw it and introduced it to everyone. Same with the musical. I saw it twice on Broadway and cried both times. Go see it! And watch this. This film celebrates her, while not shying away from the darkness and evil that intruded upon her and ended her life. She created a very touching lasting work about the human condition and that can never be taken away. Rest in Peace sweet soul and God bless her family for facing this head on and sharing their story with the world. Thank you.
Andy, thank you for sharing Adrienne with us. Your documentary shows us more about Adrienne than we knew. She was such a talented, beautiful and smart woman. I throughly enjoyed her work and fortunately I can watch her films to my heart's content. Of course I wish she was still here. Waitress is a film I've seen at least a half dozen times. Her writing was so on point and the characters were developed perfectly. It was a natural process for you to make a documentary about her since you're in the business. You're expression of love for Adrienne comes through in every scene. I wish for you and your daughter a happy life.
As "Adrienne" (2021 release; 98 min.) opens, we see home video footage of a Halloween party in 2006, featuring actress-director Adrienne Shelly and her 2 yr old daughter Sophie. The voice over informs us that shockingly Adrienne would be found dead the very next day, November 1, 2006. We then go to "New York City, May, 2019", where the musical "Waitress", adapted from Adrienne Shelly's last movie released just months after her death, is doing great business on Broadway. At this point we are 10 min into the film.
Couple of comments: this documentary is directed by Andy Ostroy, husband of Adrienne Shelly. The movie is two things into one: first and foremost, Ostroy wants to pay tribute to Adrienne and at the same time preserve Adrienne's legacy and memory for Sophie (now 17 years old), as a mother, a wife, an actress, a director. Second, Ostroy wants to fully understand what exactly happened that fateful November 1, 2006. I must admit I vaguely recall this happening, but I didn't know much of Adrienne Shelly's body of work. What I wasn't prepared for is the emotional toll of watching this, considering the senseless death of Adrienne. Bottom line: this movie is clearly a labor of love from Ostroy.
"Adrienne" premiered recently on HBO and is now available on HBO On Demand and HBO Max, where I caught it the other day. Whether you are a fan who is familiar with Adrienne Shelly or you know know next to nothing about her, as was the case for me, I'd readily suggest you check this out, and draw your own conclusion.
Couple of comments: this documentary is directed by Andy Ostroy, husband of Adrienne Shelly. The movie is two things into one: first and foremost, Ostroy wants to pay tribute to Adrienne and at the same time preserve Adrienne's legacy and memory for Sophie (now 17 years old), as a mother, a wife, an actress, a director. Second, Ostroy wants to fully understand what exactly happened that fateful November 1, 2006. I must admit I vaguely recall this happening, but I didn't know much of Adrienne Shelly's body of work. What I wasn't prepared for is the emotional toll of watching this, considering the senseless death of Adrienne. Bottom line: this movie is clearly a labor of love from Ostroy.
"Adrienne" premiered recently on HBO and is now available on HBO On Demand and HBO Max, where I caught it the other day. Whether you are a fan who is familiar with Adrienne Shelly or you know know next to nothing about her, as was the case for me, I'd readily suggest you check this out, and draw your own conclusion.
While I thought Adrienne was fairly well done, it also felt self-indulgent.
What happened to her was, of course, tragic. But, how many people experience the same or worse (e.g., genocide of an entire family... loss of a child to drive-by shooting, etc.) that never get to celebrate their loss via a film, much less, feel justice was served--closure, that Andy has. Not only was the perpetrator caught, and immediately, and is set to spend 25 years in prison, even then, Andy feels it's not enough.
It is the lack of gratefulness, all things considered, that is irritating. He doesn't have to endure years of sleepless nights wondering how his loved one met their fate. He doesn't have to feel angst over the lack of justice. And, he doesn't have to walk through life on his own, as someone who lost their entire family does. He has many reasons to feel gratitude and to move from victim to forgiveness. And yet, he practices and models non-forgiveness to their daughter, and stays in a victim role--15 years later.
Even those whose entire families were brutally slaughtered in African nations, find a way to forgive those who senselessly took everything they held dear. Even those wrongly imprisoned for decades, find a way to move past victim/bitterness. And others, whose refusal to let their losses define them, go beyond forgiveness to show compassion. They are the ones who are free. Andy is imprisoned.
Lastly, I felt it irresponsible that Andy essentially imposed the gravity of his sense of losing a mother, for a daughter, onto their daughter. Sophie 'would have' felt her own loss, had she been allowed to find it on her own.
What happened to her was, of course, tragic. But, how many people experience the same or worse (e.g., genocide of an entire family... loss of a child to drive-by shooting, etc.) that never get to celebrate their loss via a film, much less, feel justice was served--closure, that Andy has. Not only was the perpetrator caught, and immediately, and is set to spend 25 years in prison, even then, Andy feels it's not enough.
It is the lack of gratefulness, all things considered, that is irritating. He doesn't have to endure years of sleepless nights wondering how his loved one met their fate. He doesn't have to feel angst over the lack of justice. And, he doesn't have to walk through life on his own, as someone who lost their entire family does. He has many reasons to feel gratitude and to move from victim to forgiveness. And yet, he practices and models non-forgiveness to their daughter, and stays in a victim role--15 years later.
Even those whose entire families were brutally slaughtered in African nations, find a way to forgive those who senselessly took everything they held dear. Even those wrongly imprisoned for decades, find a way to move past victim/bitterness. And others, whose refusal to let their losses define them, go beyond forgiveness to show compassion. They are the ones who are free. Andy is imprisoned.
Lastly, I felt it irresponsible that Andy essentially imposed the gravity of his sense of losing a mother, for a daughter, onto their daughter. Sophie 'would have' felt her own loss, had she been allowed to find it on her own.
Lo sapevi?
- QuizThe Adrienne Shelly Foundation, which is briefly mentioned in this documentary, was founded in 2007 by Shelly's widower, Andy Ostroy. A memorial to her work, it is a nonprofit organization that awards grants to female actors, writers and/or directors of short films, feature films and documentaries. Among the films supported by a Shelly Foundation grant are the features The Forty-Year-Old Version (2020), Night Comes On (2018) and Pariah (2011), and the documentaries Roll Red Roll (2018), Bombshell - La storia di Hedy Lamarr (2017), The Wolfpack (2015) and Freeheld (2007), which won an Academy Award for Best Documentary, Short Subject. The foundation also gave an early short film grant to Chloé Zhao, who under a decade later became the second woman in history to win the Academy Award for Best Director.
- Colonne sonoreMany the Miles
Written and Performed by Sara Bareilles
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- Tempo di esecuzione1 ora 38 minuti
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