Bay rong

Clash or Bay Rong is an action movie made in Vietnam marked the second collaboration of Johnny Tri Nguyen and Veronica Ngo the queen and the king of action movie from Vietnam after the impressive The Rebel that put Vietnam on the list of Asian country that can produce bad-ass movie but unlike The Rebel the plot of Clash is too convoluted and mellowdramatic for it own good.The movie trying hard to make the audience care about Quang and Trinh as a character but forget it just a simple cops and robbers story and a bad one.The cinematography is ugly and most of the time poorly lit when the characters standing in the dark but to be honest as soon as the bad stuff go away you will feel rewarded by the action cause it freakin deliver.If you looking for an action movie with a heart choose The Rebel but if you already saw The Rebel choose Clash it a good to waste time

Bay Rong or Clash is more than just a fast paced action movie with solid fighting scenes, rough shooting sequences and a few car and motorcycle chases even though these elements are very present in this worthwhile flick.

The movie also has a story line that seems to be quite thin at first sight but it gets more and more developed as time goes by. One even gets a few twists towards the end that keep the pace of the movie high until the end. With a little bit more than ninety minutes, the movie hits a nearly perfect running time for a flick like this.

The good effects caused by the well elaborated story is also due to some major character development. While some characters seem superficial at first sight, they get more and more important as the story goes on. Especially the main characters played by a charismatic and cool Johnny Tri Nguyen and a tough and powerful woman with a breakable side portrayed by the amazing Thanh Van Ngo really impress and are well chosen for their roles. They also develop a convincing partnership and later on love story that develops logically and without too many stereotypes throughout the movie. Only the villains are less convincing as their side of the story is not very well explained and the movie wastes some potential on here as the main villain is intriguingly portrayed.

The movie is overall very well done and should please to fans of action movies of all kinds and maniacs of Asian cinema in general, too. On the other side, the movie somewhat lacks of impressive moments. There are some well done emotionally charged parts, the action choreography is professional enough to convince and the story also has its highlights but nothing truly stands out or will make you keep this movie in mind for a long time. It's a flick that I would definitely watch again with my friends as it's profound enough to grip your interest but also entertaining enough to be watched during a party without paying that much attention. That's why this movie is just situated between a seven and an eight point rating for me but as it lacks a little bit of identity, I ultimately chose the lower rating.

I was line producer this film. Today I find it in here. It is pity I can not find my name in "Cast and Crew" How can we miss the important position in here. I was worked so so hard for this film. From pre to shoot, I think we should respect all of positions,

Sorry find this issue too late in here.

Through the shooting time, I was hard to find the good location and manage crew. You know, it was afflicted to shoot the action film in Vietnam in 13 years ago.

Shortly, if it was miss from IMDb in the typing "Cast and Crew" part. Please look the poster again to fill in this part "Cast and Crew". My name is Nguyen Thi Minh Son or shortly in MINH-SON NGUYEN. Necessarily, this is the legitimate interests of film maker.

Thank you!

Son.

I picked out CLASH from the shelves on the strength of it being a Vietnamese martial arts thriller – and knowing the calibre of recent Thai fare in the same genre, I was hoping it would be up to the challenge. Sadly, it turns out to be a bit of a lacklustre effort, one that's hampered by a low budget and a lack of creativity and freedom in delivering the action.

As soon as the central team are holed up in a dilapidated, run-down old country house as their base of operations, I knew this would be a shot-on-the-cheap kind of movie. And so it turns out to be. Strangely, the plot seems to be virtually copied from the Frankenheimer movie RONIN, right down to the hotel stakeout, the double cross, and the reveal of one character's background at the end. Needless to say, it doesn't hold a candle to that movie.

Instead, this is the kind of predictable and slightly cheesy fare that appears to have been done on the cheap. The script is poor and the performances are nothing to write home about, which leaves us with the martial arts to contend with. I can report that the fights are pretty well staged, if not reaching the same level of greatness that we saw in ONG BAK, for example. Johnny Nguyen is a great fighter, but the camera doesn't love him like it loves him in WARRIOR KING and it's all just a little bit by rote. The same goes for Ngo Thanh Van – she's arresting, but only on a B-movie level.

The result is a film that's average at best, and which feels a little bit stale and past it's sell by date. Nevertheless, I plan to check out a few more Vietnamese movies to see what they're capable of delivering.

Expectations for any martial arts action film are usually the same: be entertained by lots of great fight scenes. Johnny Nguyen's martial arts expertise doesn't disappoint in Clash, but the film fortunately goes deeper than just that which places it in an elite category of martial arts action films.

Thanh Van "Veronica" Ngo plays Trinh/Phoenix and creates a beautiful, brutal, yet warm and caring lead character that is the centerpiece of the film. When she fights it is masterful, and when she breaks down over those she loves it is touching. Being able to believe in her diversity of actions and emotions shows her mastery of the character.

Johnny Nguyen wrote the story and has created a role for himself, Quan/Tiger, which not only has him taking a back seat to Trinh, but has created a complex character who has secrets, who has emotions beyond being angry at the bad guys, and of course who can grace the scene with his amazing fight sequences. As the dutiful right hand man of Trinh he follows orders, yet does so with a protective eye at every turn. It is obvious as the film progresses that Tiger is developing feelings for Phoenix and at the moment they are finally alone and safe from the chaotic world outside he expresses how he feels by saying, "I don't wanna call you Phoenix anymore, I want to call you by your real name." A subtle way of expressing his feelings that is easily understood by Trinh who made it clear that Rule #1 is never use your real name so you remain an anonymous person. Their moment doesn't degrade into a cheesy roll in the hay but becomes a conversation about the complexity of their lives while acknowledging the mutual feelings and finally the love scene (aka "roll in the hay"). A beautifully conceived scene.

And with the great acting and the complexity of the characters, there are some brief moments of genuine humor (not bad one liners), Christopher Wong's original adrenaline rush score and of course plenty of martial arts fight scenes that don't disappoint, in particular, raiding the house and fighting the "Frenchies." And all that leads to a conclusion that is not what you would predict (thankfully) and yet lends itself perfectly to the hard truth about the complexity that will continue to be their lives beyond this one mission.

If there is a downside to the film, it is the "briefcase." The item that everyone wants is never defined as to it's importance both in it's content and what it has the capability of doing in the wrong hands. From the beginning of the film the depth of the mission is unclear and the briefcase becomes just a prop with no tangible value. However, when you only expect action from a martial arts film and you get so much more with the development of the characters, who cares about the briefcase!