VALUTAZIONE IMDb
7,6/10
3131
LA TUA VALUTAZIONE
Il travagliato rapporto tra Gianni e Nino, ambientato nella Sicilia gretta e pregiudicata del 1982.Il travagliato rapporto tra Gianni e Nino, ambientato nella Sicilia gretta e pregiudicata del 1982.Il travagliato rapporto tra Gianni e Nino, ambientato nella Sicilia gretta e pregiudicata del 1982.
- Regia
- Sceneggiatura
- Star
- Premi
- 7 vittorie e 6 candidature totali
Simone Raffaele Cordiano
- Totò
- (as Raffaele Cordiano)
Recensioni in evidenza
AUTHENTIC CHRONICLE OF A FATEFUL LOVE AFFAIR OF YESTERDAY IN THE PRESENT TIME
Italy doesn't currently stand out on the global independent scene (much less the LGBT+ scene), and that's a shame, since, along with the French, they were the pioneers of independent cinema. They have a rich and abundant history of works, many of which are cult titles around the world. But here we have perhaps a future cult work. I hope I'm not mistaken.
We have a film based on real events, about a love affair that began in the last century, in the early 1980s, where its characters wander through a town in southern Italy (which still stands out for its prominent conservatism today), going back and forth between circumstances that anyone could easily identify with. The plot itself, while widely touched upon in independent cinema (and practically a standard) with thousands of films that have already addressed this subject of first love, here the optics and perspective are totally different from other films with similar plots.
There are no stereotypes here. And if there are any, they are minimal and necessary for the work. The director (as far as I know, this is his debut film) was quite emphatic in showing us the somewhat atypical perspective of the characters, never overstepping or focusing on those who, narrowly, attack, and this is so evident even in the most tense scenes. This treatment is subtle, as if this film were a powerful denunciation of the hypocrisy of Italian society at that time (and which still persists in various places in Italy) and, why not, in Europe and the world. A kind of protest film, albeit sweetly crafted so that the casual viewer wouldn't be scared or bored, although its pace is somewhat slow, it was necessary because the director wanted to take the time to show, with the patience of a monk, the daily lives of his protagonists. This was so evident at the end. It seems you have to guess what happened or assume it. Or better yet, investigate the real case on which the film was based (interestingly, its director is originally from Sicily, where the events actually occurred).
The performances were sublime. From what I could see, the actors are natural. This gives it a unique and unrepeatable tone of spontaneity. This, combined with the excellent production, direction, and stunning photography (as if a nod to the Argentine scene, so distinctive for its rich photography), makes this film a modern gem, which hopefully will elevate Italian cinema to the status it once held. There are examples.
Perhaps if this film were made during the same time as the legendary and controversial Pier Paulo Pasolini, the consequences would be similar to those of the director of this film. Perhaps with that precedent, he shows off a delicate and well-crafted film to, as I already mentioned, make a subtle but powerful protest against this hypocritical society that condemns plausible things but ignores more worrying facts.
If you're looking for a very interesting film to watch, for a truly memorable weekend... you might even weep your eyes until you get there, this will be the film for you.
The title of my review was taken from the song "Demasiado Corazón" by Willie Colón.
Italy doesn't currently stand out on the global independent scene (much less the LGBT+ scene), and that's a shame, since, along with the French, they were the pioneers of independent cinema. They have a rich and abundant history of works, many of which are cult titles around the world. But here we have perhaps a future cult work. I hope I'm not mistaken.
We have a film based on real events, about a love affair that began in the last century, in the early 1980s, where its characters wander through a town in southern Italy (which still stands out for its prominent conservatism today), going back and forth between circumstances that anyone could easily identify with. The plot itself, while widely touched upon in independent cinema (and practically a standard) with thousands of films that have already addressed this subject of first love, here the optics and perspective are totally different from other films with similar plots.
There are no stereotypes here. And if there are any, they are minimal and necessary for the work. The director (as far as I know, this is his debut film) was quite emphatic in showing us the somewhat atypical perspective of the characters, never overstepping or focusing on those who, narrowly, attack, and this is so evident even in the most tense scenes. This treatment is subtle, as if this film were a powerful denunciation of the hypocrisy of Italian society at that time (and which still persists in various places in Italy) and, why not, in Europe and the world. A kind of protest film, albeit sweetly crafted so that the casual viewer wouldn't be scared or bored, although its pace is somewhat slow, it was necessary because the director wanted to take the time to show, with the patience of a monk, the daily lives of his protagonists. This was so evident at the end. It seems you have to guess what happened or assume it. Or better yet, investigate the real case on which the film was based (interestingly, its director is originally from Sicily, where the events actually occurred).
The performances were sublime. From what I could see, the actors are natural. This gives it a unique and unrepeatable tone of spontaneity. This, combined with the excellent production, direction, and stunning photography (as if a nod to the Argentine scene, so distinctive for its rich photography), makes this film a modern gem, which hopefully will elevate Italian cinema to the status it once held. There are examples.
Perhaps if this film were made during the same time as the legendary and controversial Pier Paulo Pasolini, the consequences would be similar to those of the director of this film. Perhaps with that precedent, he shows off a delicate and well-crafted film to, as I already mentioned, make a subtle but powerful protest against this hypocritical society that condemns plausible things but ignores more worrying facts.
If you're looking for a very interesting film to watch, for a truly memorable weekend... you might even weep your eyes until you get there, this will be the film for you.
The title of my review was taken from the song "Demasiado Corazón" by Willie Colón.
Maybe honesty is the basic virtue of this film about teenagers, their love, about Sicily and answers to what can not be accepted .
It is a film of details, landscapes, people, tastes, colors, forms of seduction and intimancy.
And , in same measure, it is an admirable expression of freshness , from acting to dialogue, from the moments of pure happiness to clashes in so many senses.
A true story sounds, foer many reasons, a good kick to see it. But Stranizza d amuri has the precious gift to be an universal story, out of gay case, out of a place from Europe, out of cliches or melodrama.
In many senses, a simple confession about love, people and rules of a land.
It is a film of details, landscapes, people, tastes, colors, forms of seduction and intimancy.
And , in same measure, it is an admirable expression of freshness , from acting to dialogue, from the moments of pure happiness to clashes in so many senses.
A true story sounds, foer many reasons, a good kick to see it. But Stranizza d amuri has the precious gift to be an universal story, out of gay case, out of a place from Europe, out of cliches or melodrama.
In many senses, a simple confession about love, people and rules of a land.
The movie features a talented cast, this film is powerful and moving portrayal of the struggles of two teenage boys who fall in love in a conservative and prejudiced society. This movie needs to be praised for its stunning cinematography, strong performances, and emotional impact. This film has had a significant impact on audiences, with many praising its beautiful visuals, powerful story, and emotional impact. I love also for it's attention to detail, creating complex characters and situations that speak to a specific time and place while also resonating strongly today.
Overall,"Fireworks" (2023) is a searing and beautifully made film that is a must-see for anyone who loves powerful and emotional stories. Gabriele Pizzurro your my new crush!
Overall,"Fireworks" (2023) is a searing and beautifully made film that is a must-see for anyone who loves powerful and emotional stories. Gabriele Pizzurro your my new crush!
A movie of sadness, joy, struggle, heartbreak, betrayal... it captivates the heart and mind through a most difficult time in Sicilian society in the 1980's. The enormous love shared by two won out over the ridicule and rejection of others. Watch this movie, it might be just above a snails pace at times, but overall is worth the time.
Gabriele Pizzurro and Samuele Segreto do an outstanding job in acting and the subtle expressions that make the movie so believable... then when you learn its based on a true story, it leaves you contemplating it for days. Very touching...
You will enjoy this movie very much.
Gabriele Pizzurro and Samuele Segreto do an outstanding job in acting and the subtle expressions that make the movie so believable... then when you learn its based on a true story, it leaves you contemplating it for days. Very touching...
You will enjoy this movie very much.
Firework is strange. We take risks with what is potentially dangerous, and turn them into something beautiful. The explosion of gunpowder, rocket propelling skyward, to the stunning array of colors within.
While asking "what's your favorite color?" is considered a cliché for a first date, we commonly associate colors with our emotions. I believe it's because we experience life through a spectrum of colors from our earliest moments, from picking up our first crayon to gazing in awe at fireworks. When we take the time to delve deeper and ask why someone favors a certain color or what memories it evokes, we uncover a trove of life experiences, nothing less than a carefully crafted questions.
Love is strange. We take risks with what is potentially dangerous, and turn them into something beautiful. Now do i only understand that love is like firework, and it is the most powerful declaration of emotions.
Just like how Gianni and Nino's love ignited the establishment of the world's first Arcigay Association.
While asking "what's your favorite color?" is considered a cliché for a first date, we commonly associate colors with our emotions. I believe it's because we experience life through a spectrum of colors from our earliest moments, from picking up our first crayon to gazing in awe at fireworks. When we take the time to delve deeper and ask why someone favors a certain color or what memories it evokes, we uncover a trove of life experiences, nothing less than a carefully crafted questions.
Love is strange. We take risks with what is potentially dangerous, and turn them into something beautiful. Now do i only understand that love is like firework, and it is the most powerful declaration of emotions.
Just like how Gianni and Nino's love ignited the establishment of the world's first Arcigay Association.
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- QuizThis film has a 100% rating based on 9 critic reviews on Rotten Tomatoes.
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Dettagli
Botteghino
- Lordo in tutto il mondo
- 1.349.188 USD
- Tempo di esecuzione2 ore 14 minuti
- Colore
- Proporzioni
- 2.35 : 1
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