Arrietty - Il mondo segreto sotto il pavimento

I went into this film with very limited expectations. I'm not especially a fan of animated movies, and have only seen a small handful of anime productions. So it came as a very unexpected surprise to discover that I absolutely loved this movie. It just seemed to get everything pretty much right. The visual artistry was quite beautiful, with a great deal of invention in the scenes where the little Borrowers navigate through the wide expanses of the house they live underneath. The music was quite stunningly appropriate, with the lilting Celtic sound just perfect in tone for this melancholic story, with some lovely vocal work too. And these images and sounds were combined together into a simple narrative that had an enormous amount of heart to it. I felt a warm buzz long after leaving the theatre.

The Borrower Arrietty is a beautiful film. I cannot really find fault with it. So from this reviewer who has very limited knowledge of anime I give it a near perfect nine.

A "smaller-scale" Ghibli movie than what we're used to, but a good one. The Secret World of Arrietty is the story of a family of "borrowers" a tiny race of people who live within the homes of ordinary humans and who are supposed to stay hidden from them at all times. 

It's visually as beautiful as you'd expect from Ghibli, with even simple backgrounds looking as lovely as a painting. Instead of the fantastical lands of most Ghibli films like Spirited Away or Howl's Moving Castle, The Secret World of Arrietty is set in an ordinary home. But the simple beauty of everything and seeing the lovingly-drawn detail in everyday items from the view of smaller eyes makes this one of the more memorable Ghibli movies from a visual standpoint, in my opinion. 

As for the story, it's simple and effective, and deals with nothing more than the human occupants of a home, including a young boy with a heart condition, and the family of borrowers that also lives there unknown. Arrietty herself, the daughter of the family of tiny people, continues the tradition of fantastic female characters that comes from Studio Ghibli. 

This isn't an action-packed movie with a grand climax or anything like that, but I found it satisfying and pleasantly watchable. Arrietty left me with good feelings and avoided being heavy-handed with messages as some Ghibli movies can tend to do. I liked it a lot (better than Howl's Moving Castle and Tales from Earthsea, if not quite as much as Ponyo), and I'll be happily seeing it again at the theater when it comes out in the U.S.

In Tokyo, the boy Sho has a heart condition and is neglected by his parents. He moves to the house of his Aunt Sadako and her housemaid Haru to wait for a heart surgery, but he is depressed with the absence of his mother.

Meanwhile the fourteen-year-old Arrietty lives on the underground of Sadako's house with her father Pad and her hysterical mother Homily. They are Borrowers, tiny people that collect simple things they need in the house. Sho sees Arrietty on the garden and during the night, she participates for the first time of a harvest with her father. Arrietty accidentally drops a sugar cube in Sho's bedroom, but on the next morning Sho leaves the cube near a window in the basement.

Arrietty's parents decide to move to another place since they have been discovered by an inhabitant of the house. But there is the menace of Haru that wants to capture the tiny people.

"Kari-gurashi no Arietti" is a beautiful and melancholic tale of friendship between different ones. Arrietty is a lovely and sweet character and it is impossible not falling in love with her. The conclusion is open despite the message of hope, since the fates of Sho and Arrierry and her family are inconclusive. We hope that the boy recovers from his heart surgery and Arriety and her parents find a new home. My vote is seven.

Title (Brazil): "O Mundo dos Pequeninos" ("the World of the Little Ones")

In a world engulfed by Kevin James comedies and ghastly and unnecessary reboots, the public is honoured with the animated Arrietty: a heavenly and gentle tale inspired by Mary Norton's novel 'The Borrowers'.

Arrietty Clock is a 14 year-old girl who lives with her family underneath a home inhabited by humans. The Clock family borrows items it needs to survive from the people living 'above' and love their beautiful, delicate home. However, when a young boy arrives (Shô) to stay with the human family, Arrietty is accidentally discovered by him. Due to fears of borrowers being seen and captured by human beings, the family fear for her safety. Shô finds himself fascinated by Arrietty and a bond builds between the pair, breaking the boundaries between human and borrower.

Arrietty is an intimate and emotional anime resembling the style of Spirited Away.

Arrietty is an intimate and emotional anime resembling the style of Spirited Away.

The film has currently been released in two languages: Japanese and English. The UK version has voice casting from Saoirse Ronan and Mark Strong, whilst the US version stars Will Arnett and Amy Poehler.

What Arreitty has is heart – it cares for its viewers and expresses this with irrevocable beauty. All viewers, young and old, will be unable to help being swept up in this animated treasure and taken aside by just how visually, narratively and emotionally stunning it is. Arrietty is the cinematic equivalent of whatever one believes to be the definition of 'beautiful'.

Hiromasa Yonebayashi's animation, aided by manga artist, film director and animator Hayao Miyazaki, swallows the screen in a sea of plush foliage, raindrops and climbing vine.

Every individual item is intrinsically detailed from a microscopic teapot to a leaf swaying in the wind. The artistic nature of Arrietty is a marvel of dedication and effort. This film is certainly the best animated film of 2011.

Furthermore, the film features rounded and wonderful characters, all of whom have an important role to play. Arrietty is a great role model for children, particularly young girls. She cares and wants to support her family, she's strong, hard-working, determined and she isn't prejudiced. She understands Shô and learns to enjoy his company. Regardless of the reality, the film's heroine provides plenty of positive energy and a great moral compass.

Arrietty is a love-letter to childhood enchantment, to that feeling of awe and magic and the belief in another.

Verdict: ●●●●● Sumptuous and marvellous storytelling aided by eye-watering beauty, Arrietty is simply sublime.

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This was stunning. I saw it just days after going to the Ghibli Museum in Japan, and it was breathtaking. I'm glad since I loathed the last Ghibli film I saw (Pom Poko). Arriety is the exact cure needed for such loud and obnoxious 3D CGI movies that come out every other week. It's quiet and full of soul. There are moments here that you wouldn't even get in a live action movie. Subtle moments of life and nature, that the animators could have saved time and money by not including them. Luckily for us, the details are all present. A shot lingers just long enough for a ladybird to take flight, or the mother to stir her tea after a conversation. What Ghibli understand, more than anyone, is that kids don't need bright/crass/non stop films. The quiet nature of Arriety is so relaxing, with gorgeous music from Cecile Corbel. First time director Yonebayashi shows that Ghibli has much more life and talent to give.

I was very familiar with The Borrowers, and was a bit disappointed I was getting something original from Ghibli. I'd already seen the excellent TV Mini-series and the over-the-top American film with Goodman. Ghibli have taken everything great about the story, and toned down the designs and motives, making this a realistic and engaging fantasy. The father is stoic and caring. Arriety is adventurous, but never annoying. Her heart is in the right place, but she doesn't get into a ridiculous amount of trouble. Being Ghibli we get a lovely little cat character, Niya. The designs are ace, and the world of the borrowers and the human beans merge beautifully.