Day of the Flowers

A few weeks ago I had the opportunity to see 'Day of the Flowers' and arrived with no idea of what to expect, the word CUBA however never fails to set up a frisson of excitement and I was not disappointed in the slightest by this super mix of Scottish and South American culture and characterisation. Indeed, in retrospect I can see that it was a perfect feisty and amusing match,the acting was sensitive,credible and each part played with skill which reeled the audience in to the story perfectly. Artistic filming and some lovely detail (the horses for example?) and enough music and dance to whet my appetite - although I could have watched Carlos Acosta and the bands for a very long time given the opportunity. It was vibrant and fun - I didn't leave feeling emotionally drained; just happy! I wonder if there may be a sequel lurking in the writer's mind? Ailie should surely get back to her roots one of these days!!! jx

Day of the Flowers is a an enjoyable picture despite having a strictly formula script. The first formula is two opposite personalities thrown together by necessity (e.g. 48 Hours, In Her Shoes, etc). Here we have two Scottish sisters, Rosa a committed socialist and Ailie her designer cloths wearing spoiled sister, reunited for funeral of their father. Problem is that their stepmother wants to make a golf trophy out of their father's ashes while Rosa wants to take them to Cuba, where their father spent some time during the revolution and scatter them in Havana. Once the sisters take the ashes to Cuba we enter the Fish-Out-Of-Water phase of the formula with every cliché ridden situation thrown in. However, the performances are generally appealing and the direction is brisk. Throw in the nice Havana background and Cuban music and you have an entertaining film which does not strive to be anything higher than that.

This was fun.

Thankfully, this wasn't the rom-com it was billed to be by the Edinburgh Festival's guide - the character's happy-go-lucky adventures mesh easily with a more complex portrayal of a Scottish family's relationship with Cuba.

Carlos Acosta particularly makes a strong debut. Perhaps fans of Cuban dance would be disappointed that there was not more actual dancing included in the narrative structure but then this story stays fixed on the central portrayal of the sisters and their conflicts.

Colourful cinematography and a quick pace made for a pleasing movie experience.

I just loved this film. I was intrigued to see Carlos Acosta in an acting role as I had recently seen him as a Royal Opera House Covent Garden principal dancer. I wasn't let down as he was such a natural with a wonderfully understated presence on screen. And when he did dance I wanted to see more. It was a joy to watch! What made the film even better was the script from beginning to end. I believed in the sisters. They were real to me. The setting in Glasgow so familiar in contrast to the action in Cuba. What poverty can reduce people to. A place made attractive by its music and sunshine. This is a gem of a film. I want to watch it again.

I didn't know what to expect: I suppose another pro-Cuban story with the achievements of Carlos Acosta propping up a sameness of this genre. How wrong could I have been? This was a great wee film that soon got me caught up in its pathos - straight into the plot with great and sensitive humour. The story was totally believable and the sisters - excellently played by the actors - were ably supported by Acosta, Simpson and the cast. No goody-goody Cubans sacrificing all for the revolution but a look a the dark side as well. As in every good movie, plot and sub plot rotate and change and co-relate.

This film, for me, had all of this and laughs all the way. All in all, a thoroughly enjoyable film - from its left wing origins through to the realities of life in today's Cuba... warts and all. Well done to Houston, Roberts & co for a fine wee film.