Breath

Loved it. Having grown up in Western Australia in the 70's I loved every bit of this movie. Every bit that I could relate to that is. The feeling of being dumped in the surf, the chopper style pushies with banana seats, the poppity clatter of an old Kombie motor, the sandy WA bush, slipping on the rocks, the feeling of going up and over a wave just before it breaks, the rush of catching a wave, dancing badly at the school social, suntanned young skin, holding a girls hand, getting up at dawn to go surfing.. and of course, holding my breath under water just that bit too long. Couldn't help but not relate to avocado's in WA in the 70's.. I don't ever remember them.. and I'm a bit of a nerd when it comes to WA number plates.. the Kombi had black plates with white characters. The number format was right, even the first letter U was authentic, but sorry I don't ever recall black background with white letters.

It may take time to see how Breath is regarded in the list of all-time best Australian movies but regardless of how Simon Baker's debut feature as director ends up being regarded in due time, Breath is easily one of the most impressive local film's in year's and arguably one of the best film's yet made about the power and alluring nature of surfing.

Based on Tim Winton's novel of the same name, Breath centres around teenage mates Pikelet and Loonie (played impressively by newcomers Samson Coulter and Ben Spence) who in a small coastal town in Western Australia begin a love affair with the waves and a friendship with the older and married surf loving Sando that will shape the course of their lives.

Its a personable and relatable tale, one that is very close to Winton's heart as an avid surfer and a long time resident of Western Australia and Baker not only does a great job at mixing in teenage coming of age scenarios but perfectly captures the majestic and ominous beauty of the ocean.

Breath looks beautiful, captured thoughtfully by Baker and his DOP's Marden Dean and Rick Rifici, its one of the more visually captivating local film's to come our way in sometime and therefore justifys an added reason to capture this adaptation on the big screen outside of its nicely crafted character drama.

With Pikelet and Loonie we have two teenage boys we've likely all come across before in our time, Pikelet the quiet and introverted type and Loonie the more carefree and rashly thinking troublemaker and as these two unlikely commrades attach themsleves to the lives of the somewhat sad Sando and his troubled wife Eva (played by Elizabeth Debicki), Breath creates a real and lived in world where things are set in course for the shaping of these characters lives.

Final Say -

Breath is a methodically paced and baggage free coming of age drama that is anchored by a respect and capturing of Australia's relationship with the sea.

An experience long removed from the world of The Mentalist, Simon Baker has here marked himself down as a director of note with what will be one of the year's best Australian films.

4 lamb chops out of 5

I have never read the author but will read his work, the film is beautifully filmed, good story line and well acted. Coming of age movies can be gooey but this is believable and a joy to watch.

A coming of age novel, for years this book languished on my bookshelves in spite of the exhortations from my daughter to read it. In expectation of seeing the film, I read it over a weekend and was captivated although wasn't a fan of Tim Winton before I read "Breath". The film is faithful to the book apart from the sanitizing of auto-erotic asphyxiation. Spoiler alert so I won't say any more. The film is masterful: Simon Baker's direction and his performance as Sando is believable and superlative; the young men playing Pikelet and Loonie are superb; the cinematography is beyond belief. Unfortunately, Elizabeth Debicki lets the side down. Looking like a younger, blonde version of Cher, she is barely audible or intelligible. Nonetheless this is a stunning contribution to the Australian film industry's history. Four stars.

Valiant first directing attempt by Baker. This is worth watching for the scenery of the South coast of Western Australia alone. The surf sequences are also very well put together, and really draw the viewer into the waves and the ocean.

That's about where my praise ends though. Frankly, the film never quite achieves the heights that some reviews claim. Unlike the presentation of the scenery and surfing, the characters are not well drawn out, and struggle to develop any telling depth. The boy coming of age, the crazy mate, the high school girlfriend, the stereotyped parents, the mentor. All of them are frequently used templates by the author (Winton), this feels like the same tale he's told before, just with different characters and setting.