The Last Rites of Joe May

From the title and opening scene I was so engaged to see what lay ahead for the main character, Joe May. I also felt several strong and differing emotions and was reminded that this is how film (/art) should make you feel.

Every component that made up this film; acting, soundtrack, setting, cast, etc, seemed to merge together perfectly to make it "real". So real that at least a portion of the characters reminded me of people I've known. In addition, one or two themes really struck home and have me thinking about life a little differently today. I expect everyone will relate/connect to certain aspects of this DON'T MISS film.

The first time we see Joe May he is being released from the hospital, we can see from the start this is not a healthy man. A bout of pneumonia kept him in the hospital for a seven week stay. Joe is played by Dennis Farina in what turned out to be one of his last roles and he completely nails the character. Joe May is a two bit hustler with not much going on.

When he is released from the hospital he goes back to his apartment and apparently it has been quite some time since he has been there because somebody else lives there now, A woman named Jenny played nicely by Jamie Anne Alman. Jenny is a nurse and has a young ten year old daughter. While Joe was in the hospital the landlord assumed he was dead so he simply got rid of Joe's belongings and rented the apartment to Jenny. Jenny feels bad for poor old Joe and actually lets him move in telling him she could use the help paying rent. Jenny also has an abusive boyfriend who is also a cop and from the get go, this cop does not like Joe.

We see Joe try and get things going to make a few bucks here and there and he goes back to see Lenny, a man he knew as a kid and made money with from time to time over the years selling stolen merchandise on the streets. Joe confronts him at a diner while Lenny is having breakfast with two other men, Joe tells him he would like to get back to work hopefully selling what he considers his specialty, radios and electronics. Lenny, played by Gary Cole, downplays the role which really makes the performance believable. Lenny is more interested in his pancakes and coffee than anything Joe is saying. When Joe asks him for work, the man can barely even make eye contact with Joe. He decides to give Joe a connection and he tells him to see a guy named Seymour.

Joe goes to see Seymour who runs a meatpacking company and hands Joe an enormous side of frozen lamb. How exactly Joe is supposed to sell this is never really explained however a very disgruntled Joe walks out and tries to sell the meat around town and getting zero takers. The sight of Joe lugging this huge side of meat around the streets is truly heartbreaking but funny at the same time. It's a great visual. It made me think of Ray Milland in "Lost Weekend" as he carries his typewriter all over town trying desperately to hawk it.

Joe also goes to see his son around Christmas time to reconnect with him but this goes nowhere and we really get the idea that Joe has no options left. The one thing Joe seems to enjoy is raising pigeons on the roof of the building he lives in with Jenny. Something about tough guys raising pigeons on rooftops has always worked in films. I thought of Brando in On the Waterfront or Stallone in The Lords of Flatbush. It works in this film too.

Joe also has a hand in taking care of Jenny's young daughter and the two of them build a nice relationship. When Jenny goes out of town with her abusive boyfriend she asks Joe to watch her daughter. The scenes with Joe and the daughter lead to some of the most moving moments in the film. Jenny comes back with bruises on her face and she knows she will never be able to get away from this man. Of course as in all movies with women in abusive relationships we wonder why this nice and attractive woman would even be with this jerk.

When Jenny is beaten again and has to be hospitalized she finally decides to move but knows that eventually this violent man will track her down. Joe decides to take matters into his own hands, I don't want to spoil the ending but let me just stay Joe accomplishes what he wanted to do. Feeling that he is nothing but an ailing two bit loser he has one last shot to leave the world a better place and do good and his actions get him more respect than anything he has ever done before. This is a little gem of a picture.

Only 8 other reviewers but everyone loved this little movie--kinda has the heart of Rocky1 and all the tragedy of Death of a Salesman (in Chicago vs NYC)--It's like I wish I didn't ever see this movie yet bec I always want the excitement you feel when you discover a gem like this--no scares, no SFX or faux artsy it's time to say Oscar BS---more people need to watch this great little movie

I have always loved Dennis Farina's work, and I think he is one of our most underrated actors. I was drawn to this movie by the enthusiastic reviews of other Farina fans, and I was enthralled from the very beginning. One of the beauties of the film is its great understatedness. The dialogue plays a minimal part here in portraying where people are coming from; visual portrayal and facial expression are paramount here. Musical background is minimal, and what there is - in the form of Italian opera - is used masterfully. This is a sad but beautiful story of people in extremis, and like so many great stories - both literary and cinematic - it's a story of redemption. It's one of the few films I have seen that can be classified as great tragedies. Having said that, there's no question that the film is bleak and dark. This is the great role that was meant for Dennis Farina, and he hits it out of the park. Ave, atque, vale, Mr. Farina.

The Last Rites of Joe May is Dennis Farina's bittersweet swan song, his final exodus from a long, epic and beloved career, showcasing the actor in the role he was always meant to play, and a lead role no less. He did a few other films after this one and a priceless cameo on Family Guy, but this is the spiritual final entry, and when you look at the story of the film, it's both eerie and fateful that the man would go on to pass away just a few years later. He plays Joe May here, a Chicago wiseguy and short money hustler who has been in the hospital with pneumonia for almost a year. Upon returning to his borough, he finds his apartment rented out to a woman (Jamie Anne Allman) and her daughter (Meredith Droeger), all his belongings sold, and his presence pretty much forgotten, with some even under the belief that he has died. The woman takes pity on him and let's him stay in his apartment with them if he helps her out, and he goes back to the same hustling, or at least tries too. All his ventures have gone dry, his former boss (a splendid Gary Cole) giving the cold shoulder. Joe starts to realize that one must face the eventual consequences of a life lived in selfishness and foolhardy actions, as he finds himself alone in the world and shunned even by his own son. He gets a shot at redemption upon having the little girl in his life, and being there to help out her mother who has one lowlife monster of a boyfriend that just happens to be a cop. Farina is sensational in every scene, and it's a shame the guy didn't ever get more lead roles. He makes Joe a grim yet sympathetic being who serves as a sorrowful reminder of how we all will arrive at the end of our road someday, and how important it is to line said road with good deeds, kindness, respect and worthwhile ventures, even if they only show up in the last few miles of it. This is a Tribeca festival film so it's tough to find, but anyone with a love for Farina or simple, well told and emotional stories should definitely check it out. The beautiful piano score adds to the loneliness of Joe and his state of mind, as does Farina's performance which a a gift to filmgoers and contains see of the hardest work and piercing truth I've ever seen from the guy. RIP.