VALUTAZIONE IMDb
6,2/10
5271
LA TUA VALUTAZIONE
Segue le vite della famiglia Charles mentre affrontano i temi dell'eredità familiare e altro ancora, nel decidere cosa fare con un cimelio, il pianoforte di famiglia.Segue le vite della famiglia Charles mentre affrontano i temi dell'eredità familiare e altro ancora, nel decidere cosa fare con un cimelio, il pianoforte di famiglia.Segue le vite della famiglia Charles mentre affrontano i temi dell'eredità familiare e altro ancora, nel decidere cosa fare con un cimelio, il pianoforte di famiglia.
- Regia
- Sceneggiatura
- Star
- Premi
- 26 vittorie e 57 candidature totali
Malik J Ali
- Willie Boy
- (as Malik J. Ali)
Eilan Joseph
- Papa Boy Walter
- (as Hanniel Joseph)
Recensioni in evidenza
I was surprised at the low rating for this film. I was not familiar with the play or the previous movie version, however, like other August Wilson's work, I really liked it. There was some strong acting and a it's a moving and memorable story.
Again, as in her acting in Till, I was so impressed with Danielle Deadwylers performance. She is definitely a stand out. I hope she get the accolades she deserves during the award season.
The story deals with slavery, a subject many are uncomfortable with, however it is a major part of American history. I thought it was handled thoughtfully. Don't let the subject matter stop you from seeing this!
Again, as in her acting in Till, I was so impressed with Danielle Deadwylers performance. She is definitely a stand out. I hope she get the accolades she deserves during the award season.
The story deals with slavery, a subject many are uncomfortable with, however it is a major part of American history. I thought it was handled thoughtfully. Don't let the subject matter stop you from seeing this!
August Wilson's work has been an important part of theater work in the Black Communities. Achieving many themes and style approaches that other plays haven't approached before hand.
With the Piano Lesson, while not perfect, it still remains an intense dialogue-filled journey. Throughout, the ambitious direction and atmosphere of The Piano Lesson is successful with it's narrative setting and ground. Exploring themes of slavery, trauma, horror, and Black American society that are interesting. With solid camerawork, production designs, and strong performances from the entire cast, especially Danielle Deadwyler whom I believe will get more recognition in the near future.
The narrative, although it feels a bit long and dragged on some components, it achieves as it's characters and good dialogue moments are investing and engaging. The presentation color is a bit dull, some of the pacing was a bit too dry, and the worst aspect was the musical score, the score felt overdramatic and at times, ruined some of the best scenes that could have been a bit more impactful.
Overall, I do recommend it for those who love August Wilson.
With the Piano Lesson, while not perfect, it still remains an intense dialogue-filled journey. Throughout, the ambitious direction and atmosphere of The Piano Lesson is successful with it's narrative setting and ground. Exploring themes of slavery, trauma, horror, and Black American society that are interesting. With solid camerawork, production designs, and strong performances from the entire cast, especially Danielle Deadwyler whom I believe will get more recognition in the near future.
The narrative, although it feels a bit long and dragged on some components, it achieves as it's characters and good dialogue moments are investing and engaging. The presentation color is a bit dull, some of the pacing was a bit too dry, and the worst aspect was the musical score, the score felt overdramatic and at times, ruined some of the best scenes that could have been a bit more impactful.
Overall, I do recommend it for those who love August Wilson.
The Piano Lesson is pretty solid. Malcolm Washington did a great job directing his first feature film. The cast here is all fantastic, with Samuel L Jackson being the standout in my opinion. The film has gorgeous cinematography and uses visual effects well. The movie has moments that are pretty scary, moments with could character tension and moments that are genuinely funny. The exposition is a bit confusing at times which makes the story a little hard to follow at certain parts. The pacing is also a little off. But overall the Piano Lesson is an entertaining and pretty unique movie that tackles themes about family while also mixing in supernatural elements. I enjoyed it.
Rating - 6.8:
Overall, a film very similar to other August Wilson works, as it uses authentic dialogue and good acting, especially from Danielle Deadwyler, to tell a profound story; but the movie is held back by its amateur filmmaking and inconsistent tone.
Direction - Pretty Bad: The direction on a macroscale feels very amateur and not that well executed; the direction on a microscale is fine as it mimics other August Wilson movies in that it allows the actors to act with minimal intervention, similar to a play; the storytelling is a bit muddy as they did not know what tone they wanted to go with throughout the movie; tension is not built that well because they try to force this horror, ghost story that is not that well executed
Story - Decent: The concept deviates from the original play and makes the movie an unnecessary supernatural ghost story, which kind of hurts the story dealing with the generational trauma from their ancestors; the plot structure is nothing special; the character writing is not that great because they keep introducing many characters and do not do a good job providing them backstory to make you root for them, except for maybe Deadwyler's character
Screenplay - Good: The dialogue is very authentic to the source material and other August Wilson works; the humor is pretty true to other August Wilson works; the symbolism is profound as the whole movie deals with generational trauma this family has dealt with from slavery and racism; the foreshadowing is present but kinda expected
Acting - Pretty Good to Good: Samuel L. Jackson - Good (Feels like he pulls a lot from his experience as an actor in this role, but he does not feel like he is used as much as he should have been), John David Washington - Pretty Good to Good (Plays the lead role decently well, as this character feels like it plays to his strengths as an actor), Ray Fisher - Pretty Bad (Really feels off in comparison to the rest of the cat as his comedic humor feels very forced), Michael Potts - Pretty Good to Good, Erykah Badu - Pretty Good, Skylar Aleece Smith - Pretty Good, Danielle Deadwyler - Very Good (Steals the show in all her scenes as she shows a wide range of emotions and accurately displays a mother trying to hold onto her family and ancestry), Corey Hawkins - Good (Plays his role well and has good chemistry with Deadwyler), Rest of the cast - Pretty Good to Good (The cast as a whole works well together; it was evident that the director let the actors act in a way similar to the play)
Score - Decent: Used decently well throughout the movie; for a movie called 'The Piano Lesson' it would have been great to have at least heard one piano motif throughout the movie, so not having this feels like a wasted opportunity
Cinematography - Pretty Bad: Felt pretty amateur and not that well executed, especailly in the climax
Editing - Pretty Bad: Felt pretty amateur
Sound - Pretty Good: Helps enhance those horror elements
Visual Effects - Pretty Bad: Felt pretty tacky
Production Design - Good: Felt authentic to the time period
Costumes - Good: Felt authentic to the time period
Pacing - Pacing is pretty slow as it tries to mimic the play's pacing
Climax - Climax is chaotic and poorly executed; the ending felt very anticlimactic
Tone - Tone is a big issue for this movie because there never felt like there was a consistent tone as they tried to make this movie both a historical drama and a ghost story; they tried to do a lot of things and couldn't do any of them well
Final Notes - Saw premiere at the Austin Film Festival.
Direction - Pretty Bad: The direction on a macroscale feels very amateur and not that well executed; the direction on a microscale is fine as it mimics other August Wilson movies in that it allows the actors to act with minimal intervention, similar to a play; the storytelling is a bit muddy as they did not know what tone they wanted to go with throughout the movie; tension is not built that well because they try to force this horror, ghost story that is not that well executed
Story - Decent: The concept deviates from the original play and makes the movie an unnecessary supernatural ghost story, which kind of hurts the story dealing with the generational trauma from their ancestors; the plot structure is nothing special; the character writing is not that great because they keep introducing many characters and do not do a good job providing them backstory to make you root for them, except for maybe Deadwyler's character
Screenplay - Good: The dialogue is very authentic to the source material and other August Wilson works; the humor is pretty true to other August Wilson works; the symbolism is profound as the whole movie deals with generational trauma this family has dealt with from slavery and racism; the foreshadowing is present but kinda expected
Acting - Pretty Good to Good: Samuel L. Jackson - Good (Feels like he pulls a lot from his experience as an actor in this role, but he does not feel like he is used as much as he should have been), John David Washington - Pretty Good to Good (Plays the lead role decently well, as this character feels like it plays to his strengths as an actor), Ray Fisher - Pretty Bad (Really feels off in comparison to the rest of the cat as his comedic humor feels very forced), Michael Potts - Pretty Good to Good, Erykah Badu - Pretty Good, Skylar Aleece Smith - Pretty Good, Danielle Deadwyler - Very Good (Steals the show in all her scenes as she shows a wide range of emotions and accurately displays a mother trying to hold onto her family and ancestry), Corey Hawkins - Good (Plays his role well and has good chemistry with Deadwyler), Rest of the cast - Pretty Good to Good (The cast as a whole works well together; it was evident that the director let the actors act in a way similar to the play)
Score - Decent: Used decently well throughout the movie; for a movie called 'The Piano Lesson' it would have been great to have at least heard one piano motif throughout the movie, so not having this feels like a wasted opportunity
Cinematography - Pretty Bad: Felt pretty amateur and not that well executed, especailly in the climax
Editing - Pretty Bad: Felt pretty amateur
Sound - Pretty Good: Helps enhance those horror elements
Visual Effects - Pretty Bad: Felt pretty tacky
Production Design - Good: Felt authentic to the time period
Costumes - Good: Felt authentic to the time period
Pacing - Pacing is pretty slow as it tries to mimic the play's pacing
Climax - Climax is chaotic and poorly executed; the ending felt very anticlimactic
Tone - Tone is a big issue for this movie because there never felt like there was a consistent tone as they tried to make this movie both a historical drama and a ghost story; they tried to do a lot of things and couldn't do any of them well
Final Notes - Saw premiere at the Austin Film Festival.
I caught this at a Tiff screening on Sept 11, 2024 and it did not disappoint. The film is adapted by a play of the same name by August Wilson, which follows two siblings, one who want to sell a precious family heirloom (Washington), a piano, for money, the other (Deadwyler) who wants to keep it. The acting in the film, especially from Deadwyler is unreal; you cannot avert your eyes from her performance, as well as strong supporting actors the entire time. The film itself, while the slightest bit too long, is very well made. Malcolm Washington comes in strong with his directorial feature debut, and has a promising future ahead. The film is deeply disturbing and at times plays a bit too much into supernatural elements, but overall, if you are looking for a good thriller with great performances, this should be on your radar when it releases on Netflix.
Lo sapevi?
- QuizSamuel L. Jackson, John David Washington, Ray Fisher, and Michael Potts all starred together in the Broadway production of The Piano Lesson from 2022-2023.
- BlooperWhen Boy Willie is talking about his plans, at one point Doaker places his right hand in front of his chin and the left on the table. However, on the next immediate cut, he has both hands on the table with fingers interlaced.
- Citazioni
[first lines]
Boy Charles: Hey, son. You remember how to whistle?
Young Boy Willie: Yes. sir.
Boy Charles: All right. You see anybody coming, I need you to whistle. You understand?
Young Boy Willie: Yes. sir.
- ConnessioniFeatured in The 31st Annual Screen Actors Guild Awards (2025)
- Colonne sonoreWashington Post 2
Written by John Philip Sousa
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Dettagli
- Tempo di esecuzione
- 2h 7min(127 min)
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1
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