The Motel Life

snow. animation. common acting. dark story. a mixture between Of mice and men , blue song and usual scenes from a gloomy America. it is not great or good or impressive. only decent. each actor does a good work and the presence of Krist Kristoffen remains the profound note of movie. a film like an old Dodge Dart. too common for many, not brilliant for the others. but interesting and almost touching. an adaptation. a testimony. realistic and full of ash taste. a film who can remember few basic things of ordinary life or be boring. but not bad. sure, it is not a revelation, Emile Hirsch and Stephen Dorff makes theirs character in well known manner but that is one of film virtues.

I became a fan of Stephen Dorff after his role in Sophia Coppola's Somewhere and Emile Hirsch in the great Alpha Dog. Even the smaller roles with Kris Kristofferson and Dakota Fanning are remarkable in this movie. But all the good acting still keeps the flick just a notch above average. Its not so much about life in a motel or all that, but the lives and decisions of two brothers and all the drama that goes with it. Dorff plays an immature amputee who is dependent on Hirsch and does a great job. Man, just watching Dorff complain and cry is almost nerve-racking. The dark, cold, snowy, gloomy scenes make you feel the weather, but I wish there was more to the story line than just good acting and the scenery.

Plot abstract - brothers grow up with bad luck always looking for them; almost every imaginable thing that can go wrong does. But, they still have each other's back and their storytelling. From an acting, filming and creative storytelling pov it's a four or five but a couple of things moved it down the charts for me. First, no subtitles and for a film which is storytelling dependent that is a no-no. Not only difficult for any hard of hearing, etc. but the enunciations and unique dialogue were difficult to follow anyway. Second, the pacing and over redundancy of the main theme made watching really slooow. Perhaps intended to embellish the cold desolate mood which the director also provided with other filming techniques but it turned out to be too much. Like having the same meal repeatedly, it loses it's taste eventually.

Dorff is very good, but everyone is really solid.

Not much happening, but Dorff's tales are good. It's sad but captivating.

The Motel Life (2012)

Brimming with conventional thriller possibilities, including a serious tinge about brothers remaining loyal to the end, "The Motel Life" ends up a near miss in scene after scene. We learn quickly that there is a pact made between the two because of a mother who dies and leaves them little to live on. And we see how one brother has killed someone in his car by mistake (it seems) and so ends up dragging both brothers into the flight from justice.

This all sounds solid, yes. But there are just those endless little things that set it wrong. The acting varies from excellent (Frank, one of the two brothers) to strained (Jerry, who overacts) to awkward (a couple of their friends playing stereotypical parts). The plot has elements of intensity, for sure—too many, you might say—but it also rings too many familiar bells. There is death, gambling, amputation, prostitution, drinking, gay-bashing, attempted suicide, theft (of a dog!), and an extended hospital scene that ends with great and necessary drama.

To say the flaws here are the result of the low budget is to miss what might have been a golden opportunity: making a truly original story out of these young men caught between honor and ordinary crime. That is, there is a raw edge here that could have been exploited with less aggressive writing that tips every angle into sensational excess. Only the steady, thoughtful leading actor, Frank, played by Emile Hirsch, holds it all together and makes it, in the end, at least worth watching. To his credit, a small but key part by Kris Kristofferson is also compelling and gives the movie some weight.

Co-directors Polsky and Polsky are new to movie-making, and it shows. But it's also apparent that something deeper is at work that might grow and be rewarding, especially with a better screenplay. Let's hope this is just a first tentative step forward.