Purge

It certainly has to say right of the bat that the handful of reviewers praising this movie (and even giving it a high rating, which it certainly doesn't deserve) are friends and family of the Director. Nothing against their deception order to help a friend, but blind loyalty and praise isn't doing him or the film any favours. Purge is about as exciting as drying paint watching grass grow. Uneventfully bad. And no redeeming qualities whatsoever. The fact that the Director has done next to nothing since proves my point. He gave it a go (alright, I'll give him respect for that), it backfired horrendously, he brought forward a wretched abortion onto the world, then fizzled away like a fart in the wind (leaving behind the foul stench that is his film).

You check the movies rating here, what you'll see aren't lies, fake news, trolls or whatever (insert conspiracy theory here), it's legitimate votes of 1 that are even far too good for such a terrible film to receive. Let's just hope nothing more will ever come about from this film.

PURGE, an Australian sci-fi film directed by David King and distributed by Troma Entertainment, is one of those rare productions that is truly só unusual in its story and visual flair that it's virtually impossible to compare it to any film. At best, one can see slight parallels here and there with films such as Stanley Kubrick's A Clockwork Orange, George Lucas' debut THX1138 and Andrew Niccol's Gattaca. But that's it, for PURGE has it's own, unique quality.

Made with a minimum of means, but a maximum of talent and resourcefulness, PURGE is set in a parallel universe where people are artificially created by genetic engineering companies and programmed for certain roles in life. To fail to assume the role you've been bred for is to become what is called a Stray and be treated worse than a criminal. These outcasts are therefore condemned to lead an underground life.The androgynous leader of a group of Strays, Peta (Meda Royall), wants to make an end to all the suppression by deprogramming people who've been altered by the state.

Intercut with visually arresting mock commercials, news reports and current affairs interviews, the fragmented story tells of the trials and tribulations of a young woman, Layla (Sarah Breen). She is unable to assume her preordained role as BDSM mistress-slave and forced to join Peta's organization. But Layla is a harder nut to crack than Peta had ever thought, resulting in several tense moments and – stunningly choreographed – fights between the two. This all culminates in a mesmerizing and incontestably surprising finale that you absolutely could not have seen coming.

What is also admirable is the fact that in spite of a profound hearing impairment, King not only wrote, produced and directed the film, but also served as production designer, sound designer and editor, did additional cinematography and even created some of the visual effects. And all this has been done in a way that enhances the bizarre, out of this world and sometimes genuinely unsettling look of this film. Yes, King is without a shadow of a doubt a multi-talent to look out for!

A unique, stylish, unusual and intriguing cyberpunk drama and thriller, as well as a cult classic in the making – that's in brief what PURGE is. I can highly recommend it to anyone who'd like to step into a completely different world!

The purge is a great movie which force us to think what if it happen in reality.the concept of this movie is really outstanding.

Nobody here or in the External Critic Reviews is a friend or family member of the director. They are people the director doesn't even know and wouldn't know if they walked in the door. They are people who simply liked a film which was different.

As an ultra-low budget quasi-sci fi experimental narrative, Purge is most definitely not everyone's cup of tea.

But for me and for people I know, it's an interesting and unusual film made by a filmmaker who approaches film as an art form rather than as simple entertainment.

I won't go into the story here as other reviews have covered that. I'll just say that King is not afraid to use techniques that directly contravene the idea of sucking an audience into a story and pulling them along for the ride.

He even uses titles and text to deliberately jolt the audience out of passive viewing mode just as Jean-Luc Godard did with his political films in the 1970's.

This is one of the many things that makes Purge an interesting film to the people who like it – a profound knowledge of cinema and sense of daring to go beyond the conventional entertainment experience.

It's interesting that Lloyd Kaufamn himself liked Purge and personally picked it up for distribution.

Purge was made for less money than many Hollywood films would spend on makeup alone. But that didn't bother King – it drove him to seek new and different ways of doing things and thus create a film unlike any other.

As Mr Kaufman himself said – a true original....where most films today aren't.

Purge, I believe, is pitched at people who see film as an art form rather than as mere entertainment.

I hope this helps people to decide whether or not it is the kind of film they would like to see – for those who have voted it down haven't helped anyone understand anything at all about the film.