Aggiungi una trama nella tua linguaSold at a brothel deep in the woods to work as a caretaker, a hapless deaf girl must summon the courage to fight for her life.Sold at a brothel deep in the woods to work as a caretaker, a hapless deaf girl must summon the courage to fight for her life.Sold at a brothel deep in the woods to work as a caretaker, a hapless deaf girl must summon the courage to fight for her life.
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Absolutely horrendous hideous movie. Pushes bounties that should not be pushed/witnessed, and I highly DO NOT recommend this for anyone on the fritz regarding their boundaries.
A Serbian Film is often quoted as the most extreme movie, but for me the first 1/2 of this exceeds even that. It isn't over the top and it's purely atrocious. This movie isn't mindless brutality, it introduces convincing stories and emotions; making the movie significantly more difficult to sit through.
8/10 as the quality of this movie was very good... and the plot itself existed.. and was even good at that.. plus it really pulled one in emotionally. But make no mistake, this movie is not one meant to be enjoyed. If you found even an ounce of enjoyment from the first 1/2 of this movie; I wish you a short future.
A Serbian Film is often quoted as the most extreme movie, but for me the first 1/2 of this exceeds even that. It isn't over the top and it's purely atrocious. This movie isn't mindless brutality, it introduces convincing stories and emotions; making the movie significantly more difficult to sit through.
8/10 as the quality of this movie was very good... and the plot itself existed.. and was even good at that.. plus it really pulled one in emotionally. But make no mistake, this movie is not one meant to be enjoyed. If you found even an ounce of enjoyment from the first 1/2 of this movie; I wish you a short future.
The Seasoning House of the title is a Balkans Brothel, it's 1996 and young girls are being kidnapped during military attacks and sold to the owner of the Seasoning House. One such girl is Angel, a death and mute sufferer who the house owner takes a shine to and uses her as his assistant. When Angel strikes up a friendship with one of the girls, it is the catalyst for violence unbound.
A thoroughly bleak and distressing viewing experience, but in turn it's also bold and brilliant film making. Debut director Paul Hyett paints a grim portrait of an all too real problem in certain parts of the world, but thankfully he never once lets the material slip into exploitation territory.
The brothel is unsurprisingly an utterly desperate place, rife with squalor and abject misery. The windows are boarded up with crooked pieces of wood, the beds are filthy, the walls stained with years of dirty grime and the after effects of vile human actions. The girls are battered and bruised, chained to the beds and injected with drugs to make them compliant towards anything the human monsters so wish to do to them.
For practically 70 minutes we the viewers are holed up in this awful place along with the girls. Daylight is only briefly glimpsed through the window shards, we can smell the fear along with the dankness, and claustrophobia is rife. Angel (a brilliant Rosie Day) is our conduit as Hyett builds relationships between her and the two other main characters. Viktor (Kevin Howarth) the ruler of this vile kingdom, and inmate Vanya (Dominique Provost-Chalkley), the latter of which is deeply touching and superbly crafted by those involved.
Film then switches in tone after some truly awful scenes have paved the way for what transpires in the final third of the story. This switch to more conventional horror cinema has proved divisive, but the way Angel moves about the house, how she finds fortitude, is fascinating, and she has well and truly earned our utmost support as she seeks to erase some dastardly evil wrongs from history (headed by a suitably scary Sean Pertwee). This is not a cheap rape revenger movie, it's a survivalist horror, and some of the horrors inherent in The Seasoning House are tough to stomach, but necessary to balance the art and the reality. Stunning. 9/10
A thoroughly bleak and distressing viewing experience, but in turn it's also bold and brilliant film making. Debut director Paul Hyett paints a grim portrait of an all too real problem in certain parts of the world, but thankfully he never once lets the material slip into exploitation territory.
The brothel is unsurprisingly an utterly desperate place, rife with squalor and abject misery. The windows are boarded up with crooked pieces of wood, the beds are filthy, the walls stained with years of dirty grime and the after effects of vile human actions. The girls are battered and bruised, chained to the beds and injected with drugs to make them compliant towards anything the human monsters so wish to do to them.
For practically 70 minutes we the viewers are holed up in this awful place along with the girls. Daylight is only briefly glimpsed through the window shards, we can smell the fear along with the dankness, and claustrophobia is rife. Angel (a brilliant Rosie Day) is our conduit as Hyett builds relationships between her and the two other main characters. Viktor (Kevin Howarth) the ruler of this vile kingdom, and inmate Vanya (Dominique Provost-Chalkley), the latter of which is deeply touching and superbly crafted by those involved.
Film then switches in tone after some truly awful scenes have paved the way for what transpires in the final third of the story. This switch to more conventional horror cinema has proved divisive, but the way Angel moves about the house, how she finds fortitude, is fascinating, and she has well and truly earned our utmost support as she seeks to erase some dastardly evil wrongs from history (headed by a suitably scary Sean Pertwee). This is not a cheap rape revenger movie, it's a survivalist horror, and some of the horrors inherent in The Seasoning House are tough to stomach, but necessary to balance the art and the reality. Stunning. 9/10
"The Seasoning House" was really not what I had expected it to be from the movie cover. But I must say that I wasn't sorely disappointed that the movie turned out to be something other than what I had thought it to be.
This movie is brutal, not just visually, but also emotionally. Especially because the movie is shot the way that it is, and it is nicely edited. There is just something very realistic, albeit horrible nonetheless, to this movie, and that is really what makes "The Seasoning House" work out so well.
The story is about a group of young girls brought to a remote house, against their will, where they are forced into servitude and have to perform sexual acts for customers that frequent the house. The mute girl Angel (played by Rosie Day) works the house as a helper, also against her will, when fate brings those who killed her family to the house, and things spiral out of control, as fate deals Angel an unforeseen card.
Now, "The Seasoning House" is a very brutal movie, as I mentioned before. Visually because of the scenes portrayed and the horrors that take place in the house where the girls are kept as slaves, drugged and abused. And emotionally because of the events that unfold in the story, and also because the characters are characters you can relate to and very quickly build up some kind of empathy or antipathy for very quickly.
Director Paul Hyett managed to put together something really unique here, and this is definitely a movie that you need to watch. And once watched, it is most likely a movie that will stick with you for a long time afterwards.
The cast were doing great jobs, although the English language with a pseudo-Eastern European accent wasn't really doing the trick. But it was a minor inconvenience, because the rest of the movie overshadowed this flaw.
"The Seasoning House" is well worth watching, despite it being rather grotesque in its story and imagery. But it just goes to prove that movies doesn't all have to be glamor and happy days...
This movie is brutal, not just visually, but also emotionally. Especially because the movie is shot the way that it is, and it is nicely edited. There is just something very realistic, albeit horrible nonetheless, to this movie, and that is really what makes "The Seasoning House" work out so well.
The story is about a group of young girls brought to a remote house, against their will, where they are forced into servitude and have to perform sexual acts for customers that frequent the house. The mute girl Angel (played by Rosie Day) works the house as a helper, also against her will, when fate brings those who killed her family to the house, and things spiral out of control, as fate deals Angel an unforeseen card.
Now, "The Seasoning House" is a very brutal movie, as I mentioned before. Visually because of the scenes portrayed and the horrors that take place in the house where the girls are kept as slaves, drugged and abused. And emotionally because of the events that unfold in the story, and also because the characters are characters you can relate to and very quickly build up some kind of empathy or antipathy for very quickly.
Director Paul Hyett managed to put together something really unique here, and this is definitely a movie that you need to watch. And once watched, it is most likely a movie that will stick with you for a long time afterwards.
The cast were doing great jobs, although the English language with a pseudo-Eastern European accent wasn't really doing the trick. But it was a minor inconvenience, because the rest of the movie overshadowed this flaw.
"The Seasoning House" is well worth watching, despite it being rather grotesque in its story and imagery. But it just goes to prove that movies doesn't all have to be glamor and happy days...
A powerful kick in the guts.
The first frame of the film reads '1996 - Balkans'. By that time the 'Dayton Agreement' had been signed, yet Slobodan Milosevic, the president of Socialist Republic of Serbia (Serbia, current) and Ratko Mladic (commander-in-chief of the Army of Republika Srpska) continued the ethnic cleansing by setting up 'sex camps' for the Serbian Army where twenty to fifty thousands of Bosniak (Bosnian Muslims) women were systematically raped to intimidate, humiliate and produce a generation of Serbs, all with a political agenda.
"The women knew the rapes would begin when 'Mar na Drinu' was played over the loudspeaker of the main mosque. 'Mar na Drinu,' or 'March on the Drina', is reportedly a former Chetnik fighting song that was banned during the Tito years.
"While 'Mar na Drinu' was playing, the women were ordered to strip and soldiers entered the homes taking the ones they wanted. The age of women taken ranged from 12 to 60. Frequently the soldiers would seek out mother and daughter combinations. Many of the women were severely beaten during the rapes." - Seventh Report on War Crimes in the Former Yugoslavia: Part II, US submission of information to the United Nations Security Council.
This is a story of one such sex camp.
What I learned from Sarajevo was to stop complaining about anything.
What I took from the film is that it takes one tough cookie to absorb it all in and then explode with a vengeance in the enemy's face.
The first frame of the film reads '1996 - Balkans'. By that time the 'Dayton Agreement' had been signed, yet Slobodan Milosevic, the president of Socialist Republic of Serbia (Serbia, current) and Ratko Mladic (commander-in-chief of the Army of Republika Srpska) continued the ethnic cleansing by setting up 'sex camps' for the Serbian Army where twenty to fifty thousands of Bosniak (Bosnian Muslims) women were systematically raped to intimidate, humiliate and produce a generation of Serbs, all with a political agenda.
"The women knew the rapes would begin when 'Mar na Drinu' was played over the loudspeaker of the main mosque. 'Mar na Drinu,' or 'March on the Drina', is reportedly a former Chetnik fighting song that was banned during the Tito years.
"While 'Mar na Drinu' was playing, the women were ordered to strip and soldiers entered the homes taking the ones they wanted. The age of women taken ranged from 12 to 60. Frequently the soldiers would seek out mother and daughter combinations. Many of the women were severely beaten during the rapes." - Seventh Report on War Crimes in the Former Yugoslavia: Part II, US submission of information to the United Nations Security Council.
This is a story of one such sex camp.
What I learned from Sarajevo was to stop complaining about anything.
What I took from the film is that it takes one tough cookie to absorb it all in and then explode with a vengeance in the enemy's face.
All over the world there are women suffering some sort of abuse and oppression, and in some parts of the world it is more prevalent. "The Seasoning House" focuses on an anonymous eastern European country in which there is war, kidnapping, and forced prostitution. It could be a more graphic version of "The Whistleblower."
A young deaf girl given the name Angel (Rose Day) was kidnapped from her home after her mom was killed by soldiers. She became the caretaker of the other kidnapped women who were forced into prostitution. She befriended one girl, and it was her death that forced Angel into violent action.
"The Seasoning House" is a jarring movie that really illustrates how women in all parts of the world are victimized. Unfortunately, not many women (if any) have a Liam Neeson to pursue their kidnappers and punish them. The cold reality is that most women's cries for help go unheard or unanswered. At least in "The Seasoning House" one girl fights back.
A young deaf girl given the name Angel (Rose Day) was kidnapped from her home after her mom was killed by soldiers. She became the caretaker of the other kidnapped women who were forced into prostitution. She befriended one girl, and it was her death that forced Angel into violent action.
"The Seasoning House" is a jarring movie that really illustrates how women in all parts of the world are victimized. Unfortunately, not many women (if any) have a Liam Neeson to pursue their kidnappers and punish them. The cold reality is that most women's cries for help go unheard or unanswered. At least in "The Seasoning House" one girl fights back.
Lo sapevi?
- QuizDirector of Dog Soldiers and The Descent, Neil Marshall, makes an uncredited cameo near the end of the film as a boiler room thug.
- BlooperThe movie takes place in 1996 yet the wad of money contains the redesigned 5 dollar bill which didn't come out to 2008.
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Dettagli
- Data di uscita
- Paesi di origine
- Sito ufficiale
- Lingua
- Celebre anche come
- The Seasoning House
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 850.000 £ (previsto)
- Tempo di esecuzione
- 1h 30min(90 min)
- Colore
- Proporzioni
- 2.35 : 1
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