Commissaire Magellan

I am a fan of several different crime genres. This series is particularly entertaining because it takes you back and forth between the crime and the mystery and the ins and outs of Commissaire Magellan's family life. It is a wonderful balance between mystery and light humor. Nothing is over done or overly dramatic. This is a show you can watch with your family/teens/younger teens. There are gruesome or bloody moments, but always post-mortem and very temporary. The storyline is the focus, not the ability to shock an audience, which I find to be over the top, over done and erroneous. The characters are all likeable and believable. It is a nice break from the average crime/mystery show. The comedic relief is appreciated.

Magellan is simply the most formulaic mystery series I've ever seen, at least after season one. So, I've compiled a template for a budding Magellan writer.

Template for a Commissair Magellan Screenplay:

1) Open with short scene with the victim earlier the day of the murder.

2) Next scene, usually at night, the murder, tastefully done, little gore.

3) After stock footage of the town is standing in for the fictional town of Saignac, Magellan is at breakfast with his daughter and his nephew, Ludo. In the middle of the cute breakfast colloquy Megellan must get a call from his work colleague Selma telling him of the murder, to which he responds "I'll be right there" and he immediately leaves. (Note to screenwriter: The call about the murder must come at breakfast, not in the afternoon at the Police Station, or any other time.)

4) At the crime scene Magellan and Selma speak to several people who knew the victim and one gives them the name of a very likely suspect.

5) They go to interview that suspect, whom they determine is not likely to be the killer, but that suspect tells them something that leads them to another suspect, and it continues that way through several suspects.

6) One of the suspects should take a runner when he sees the two cops and Selma, being the younger of the two and in better shape, chases after him. This suspect is male and should not end up being the murderer.

8) While unraveling all sorts of family and business secrets among the suspects our two cops discover that the parentage of one of the younger characters is different than what everyone believes. (This is optional as it doesn't have to be in every episode, but the majority of them.)

9) Approximately ten minutes before the end of the episode the most likely suspect at that point must be murdered as he/she knows too much. But this second murder must quickly lead them to find the real killer.

10) During the course of the investigation there should be three scenes of Magellan at home with his daughter and live in comic relief character, the ne'er-do-well, insufferable Ludo. (Note to writer: These scenes should be cute and delightful, but so far they've been mostly ridiculous, silly and annoying.)

It should be noted that the Ludo character replaced prosecutor and Magellan's best friend Gavrillac, who was in the earlier episodes It was always unbelievable as to how the otherwise intelligent prosecutor could act so stupid. With respect to Ludo that's not a problem!

There is almost no deviation from the above formula in every episode, so if you are binge watching this night after night as I did, it becomes frustrating. Can't they do something original and break out of the mold, but they never do. Yet, despite all this I was hooked.

Indeed, it is a tribute to the writers can come up with such interesting plots and characters within these very strict guidelines.

Season 1 of Magellan was extremely enjoyable. All the actors and plots worked out. Then the wonderful Nabil disappeared and was replaced by an ever complaining character at the end of season 1. Season 2 starts with 2 girls younger than in season 1! Since when this would make sense to anyone? And not only that, but their character is unpleasant. Is the writer different ? 10 stars for season 1, 4 stars for season 2

Commissaire Magellan is an enigma: he is kind of annoyingly sympathetic but also an utter bore and very conservative living in a French small town. Still this show survived for quite a few seasons - I guess the reason is that it avoids senseless violence and action action action scenes - which I too appreciate.

Cinematography is similar, nothing stands out, which again is good, on the other hand it's also really boring again, so it fits the show. The first few episodes have terrible lighting and a brownish tint to it - so it looks even more dated.

Acting generally is ok, nothing special again.

The stories themselves tend to be rather convoluted though. Episodes are around 90 minutes long! They should be 60 minutes though. I've got the feeling there are too many pages added just to lengthen the script.

Music: it drags along in the background not drawing much attention, except in the episode 7 ('Undercover Miss' in the US), an episode called 'La miss aux deux visages' in original where the musics composer borrows very liberally from Antonio Jobim's 'How insensitive'! Or was it a love letter to Jobim?

All in all: very pétit bourgeois !

I love this 6,great scenery, mostly fantastic actors. Magellan is a cross between Vera and columbo. At least two murders per episode, although one only had one murder. What was stupid to me was the changing of the daughter's. Yes one was old enough to leave, but then they bring in a much younger girl than the youngest. She's always in adult conversations, she has a smart mouth and does she, attend school regularly??? Simon's friend Paul was ok in the beginning, then he wore his welcome out. But I would rather have him, than the bum nephew ludo. He's very unlikable, he's lazy and dirty looking. I hope there are more seasons of this series, just get rid of ludo and the entitled daughter.