VALUTAZIONE IMDb
4,1/10
1161
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaIn a squalid apartment in Berlin, an unconventional director strives to capture unadulterated feelings, raw passion and undiluted sex for an experimental film project about love.In a squalid apartment in Berlin, an unconventional director strives to capture unadulterated feelings, raw passion and undiluted sex for an experimental film project about love.In a squalid apartment in Berlin, an unconventional director strives to capture unadulterated feelings, raw passion and undiluted sex for an experimental film project about love.
- Regia
- Sceneggiatura
- Star
Matthi Faust
- Hans Alexander Dahn
- (as Matthias Faust)
Ute Schwidden
- Stimme
- (voce)
Recensioni in evidenza
The movie is about making a movie about sex they did a good job in my opinion of making it look like it was two people in love not just a cheap porno. It look realistic and honest too bad more movies weren't done like this. There's nothing wrong with showing sex in my opinion, but make it look like it's real make it look like it's loving make it look like the people that are making love to one another are enjoying each other honestly and I got that out of this movie. The character seem to be real, and in my opinion, did a good job of portraying that . Too bad they weren't more like it a little bit titillating and real.
Bedways is a bare-bones Berlin chamber piece about a filmmaker and two performers circling art, intimacy, and who gets to call the shots. Most of it unfolds in a sparsely lit apartment, concrete floors, rumpled sheets, and a camera that sits uncomfortably close. The vibe is chilly yet curious, with long pauses, awkward laughter, and talk about what counts as real on screen. A few moments linger, morning light on a mattress, a quiet smoke by the window, the sense that everyone is trading nerves and bodies for a scrappy project.
I like the intent. It pushes back on the slick romance market, choosing messy honesty instead. Still, the experiment drifts, some scenes feel like acting drills and the power dynamics get announced more than they are felt. If you are up for an earnest, low-budget provocation with a couple images that stick, it is worth seeing once, patience required.
I like the intent. It pushes back on the slick romance market, choosing messy honesty instead. Still, the experiment drifts, some scenes feel like acting drills and the power dynamics get announced more than they are felt. If you are up for an earnest, low-budget provocation with a couple images that stick, it is worth seeing once, patience required.
Nina wants to make a film about sex. She has no DP (director of photography), has a rented camera, and a male role. There is no script, little budget, and she only has a concept of what she wants to do. She auditions a female role, and there is a discussion of what names they are to use. The film is broken down into days, with each day being a progression in the script. They settle on Hans and Marie. Each day gets deeper into the film, but it seems clear Nina still does not have an idea of how she wants the film to develop. Some of what happens between Hans and Marie may or may not be part of the script. For instance, Hans is a chain smoker, and Marie mentions he stinks of smoke, and she starts to dislike him. But is that part of the intended tension in the film?
I've seen this movie a couple days ago. Story was so complicated so realizing what the movie try to say was really hard. Another hard thing is enduring watch to the end. Normally I prefer watching movies till the end cos maybe film can be better soon but this time u gonna see when u watch either this not gonna happen, i mean movie will begin bad and gonna end like this. Totally waste of time. Don't even try to watch it. Camera angles were terrible and it was shoot like a holiday shoot. Even if its a amateur film the director should obey some rules. He could use a better technology for example. Anyway look where ever u want it was awful.
Bedways shows you a female movie director shooting a rehearsal for a movie she's still looking for a producer. But we don't know what exactly she is up to, and so the actor and actress she's working with. She just keep telling them to have sex.
After half an hour of the movie, the "actress" asks: "what's this all about?" And the answer is: "I don't know yet. That's what we're trying to discover." So, that could be the director's message, why a movie should be about something?
There are three main characters in Bedways, all of them looks depressed and bored. Dialogues are disjointed, questions left unanswered or replied by irrelevant sentences, in one point we even get a one way conversation.
I try to find anything good about this movie. At first I think the lighting is good, but then they blew it over the top. And the sex scenes are aplenty, but kind of turn you off. So, I think Bedways just gives the Indie film a bad impression.
After half an hour of the movie, the "actress" asks: "what's this all about?" And the answer is: "I don't know yet. That's what we're trying to discover." So, that could be the director's message, why a movie should be about something?
There are three main characters in Bedways, all of them looks depressed and bored. Dialogues are disjointed, questions left unanswered or replied by irrelevant sentences, in one point we even get a one way conversation.
I try to find anything good about this movie. At first I think the lighting is good, but then they blew it over the top. And the sex scenes are aplenty, but kind of turn you off. So, I think Bedways just gives the Indie film a bad impression.
Lo sapevi?
- QuizAll the sex scenes in this movie weren't simulated. Director RP Kahl talked about the casting: "I wanted actors who hadn't done much before, because otherwise the explicit scenes would automatically be associated with the familiar face. In the end, we had an open casting call and a few calls on the Internet. Such things don't really exist anymore. We also made it clear right away what the special features of the project would be, and that filtered things out again. And if you then look for people who can really play well, who are interesting as personalities and who dare to do something like that, then in the end there aren't so many left. Surprisingly, I was spoiled for choice with the women, but there weren't too many men besides Matthias. But it was actually not difficult to find someone."
- Citazioni
Marie Traunstein: So it's all about sex?
Nina Bader: No... Yes, some of it.
Marie Traunstein: A porno movie?
Nina Bader: Nonsense.
- ConnessioniRemade as Rehearsals (2012)
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Dettagli
Botteghino
- Budget
- 250.000 USD (previsto)
- Lordo in tutto il mondo
- 12.580 USD
- Tempo di esecuzione
- 1h 16min(76 min)
- Colore
- Proporzioni
- 1.33 : 1
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