Ore dopo la tragica morte del loro fratello minore in circostanze inspiegabili, tre fratelli hanno la vita gettata nel caos.Ore dopo la tragica morte del loro fratello minore in circostanze inspiegabili, tre fratelli hanno la vita gettata nel caos.Ore dopo la tragica morte del loro fratello minore in circostanze inspiegabili, tre fratelli hanno la vita gettata nel caos.
- Regia
- Sceneggiatura
- Star
- Premi
- 3 vittorie e 9 candidature totali
Birane Ba
- Le négociateur
- (as Birane Ba de la Comédie Française)
Yassine Bouzerou
- Avocat
- (as Yassine Bouzrou)
Recensioni in evidenza
This film is great. All the losers slamming it are just low-key right-wing supporters who are disappointed it didn't end up like they were thinking it would. It was heading the way they wanted and then when it took a turn they got pissed. They can't fathom the situation, so they have to cry foul. It doesn't fit with their perception of how things "really are" so they have to bash it. It's a fictitious story, but they would have you believe that it's too far removed from reality, which is not the case.
The "critics" trying to rip on technicalities like cinematography or camera work or whatever are just reaching here. I'm a video editor. This film is incredibly shot. Almost every scene is a one-shot continuous camera shot and done perfectly. And these people are complaining about it?! They're just reaching for something that isn't there because the actual subject matter makes them uncomfortable. The lighting in every scene is superb, and the backdrop is unwaveringly urban to the point you can taste the concrete. It's near perfect. It is so well done.
Just watch this film and enjoy it for what it is. Don't let these fake and butt-hurt "reviewers" deprive you of an excellent watch. They always feel the need to come on here and try to dissuade you right away because it's not up their alley, but don't miss out on an overall top-notch flick.
The "critics" trying to rip on technicalities like cinematography or camera work or whatever are just reaching here. I'm a video editor. This film is incredibly shot. Almost every scene is a one-shot continuous camera shot and done perfectly. And these people are complaining about it?! They're just reaching for something that isn't there because the actual subject matter makes them uncomfortable. The lighting in every scene is superb, and the backdrop is unwaveringly urban to the point you can taste the concrete. It's near perfect. It is so well done.
Just watch this film and enjoy it for what it is. Don't let these fake and butt-hurt "reviewers" deprive you of an excellent watch. They always feel the need to come on here and try to dissuade you right away because it's not up their alley, but don't miss out on an overall top-notch flick.
...too much of everything. It makes the impression that the director and the d.o.p. Were working for their reel and their reputation instead for the film. The long shots, the fire works, the steadycam shots, the drone shots...everything is kinda used all the time and frequently without serving any purpose except of being there and looking cool. And thats the biggest problem of the film. It feels like the wet dream of any music video director, but not like an generic and authentic film. It lacks of bravery to look ugly...sure it looks good if a dude on a horse is riding through the smoke weaving the french flag in the middle of a revolt...but does it really need to be there?
This is very good. The initial scene is one of the best intros...in the cinema history. As simple as that. Technically the film is always great and one of those that I would really have preferred to watch in a cinema room. Unfortunately, Netflix doesn't want that.
I see some people criticising the plot or the script. Well, the plot is good IMO. For a film that happens in one night I think it touches in many things and isn't even politically correct (a lot of the spectators would have preferred to blame only the police because for them is always white and black). The script is...honestly, good enough? Yeah, some dialogue is not that great, but what do you think would be the real dialogue in a situation like this one? Do you really know how these people or most people usually speak in these scenarios?
A very good film. Really surprised to see this is the first film of one of the main actors and one of those films that will force me to watch previous films of this director.
I see some people criticising the plot or the script. Well, the plot is good IMO. For a film that happens in one night I think it touches in many things and isn't even politically correct (a lot of the spectators would have preferred to blame only the police because for them is always white and black). The script is...honestly, good enough? Yeah, some dialogue is not that great, but what do you think would be the real dialogue in a situation like this one? Do you really know how these people or most people usually speak in these scenarios?
A very good film. Really surprised to see this is the first film of one of the main actors and one of those films that will force me to watch previous films of this director.
ATHENA is an urban war movie with a political touch by Romain Gavras who follows the lead of his father -the Greek well known director and screenplay writer- Costa Gavras. The film is all about how the lives of 3 French siblings with an Algerian descent immerse into chaos after the death of the fourth younger brother under unclear circumstances. The pain of the loss becomes rage and then... BOOM! Everything explodes at ATHENA building complex in Paris and the social strife begins. Although the film has all the necessary elements to be mentioned as a contemporary Greek tragedy and besides the insane long take opening scene it also has a lot of weak spots and blurry motives.
Athena is one of the most surprising films I've seen this year and I think it's safe to say I ended up loving it, I didn't know what to expect going in and this film wonderfully surprised me, while it's basically a retelling of the year between George Floyd's death and the trial in 2021, but it managed to put a few twists and turns in also.
It's a visual spectacle with a brilliant atmosphere, beautiful cinematography and truly bone cracking fight scenes, our main character, Abdel, is brilliant, Dali Benssalah put on a truly raw and powerful performance perfectly portraying the pain we all felt during the time of violence and riots.
The musical score is absolutely wonderful, wow, it's some of the best I've heard since Causeway, Athena manages to give us a driven character story while also having a somewhat breathtaking ending to pull it all together, and I'm proud to say I loved it.
Athena gets an A-
It's a visual spectacle with a brilliant atmosphere, beautiful cinematography and truly bone cracking fight scenes, our main character, Abdel, is brilliant, Dali Benssalah put on a truly raw and powerful performance perfectly portraying the pain we all felt during the time of violence and riots.
The musical score is absolutely wonderful, wow, it's some of the best I've heard since Causeway, Athena manages to give us a driven character story while also having a somewhat breathtaking ending to pull it all together, and I'm proud to say I loved it.
Athena gets an A-
Lo sapevi?
- QuizThe first scene was the last one to shoot, due to the complexity needed to pull off the entire sequence. It is comprised of 7 different shots stitched together in post to give the idea of an unbroken 10-minute take.
- ConnessioniFeatured in Making Athena (2022)
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Dettagli
- Data di uscita
- Paese di origine
- Sito ufficiale
- Lingua
- Celebre anche come
- Moussa
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
- Tempo di esecuzione1 ora 39 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.2 : 1
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