Rang zi dan fei

At the time of this writing, this is listed as China's highest-grossing domestic film. I went into it expecting some kind of action-packed blockbuster (especially with the title "Let the Bullets Fly," got me expecting stylish John Woo style gunfights or something). I should have known that this film couldn't be identified by blockbuster terms; it's actually a pretty weird and goofy film, with far less emphasis on action and much more on setting up intricate dialogues and intricate plot points. On its own merits, the film is very fast-paced and dense; it has some gunfighting and action, and a few rather violent scenes, but most of it is focused on the storytelling.

The storytelling is satisfying. Even though the comedy can be a huge hit-or-a-miss, and there are a few unbelievable scenes, the characters shine through and dominate the spotlight. It's hard not to enjoy the antics of the bandits and the thugs, and their complex interactions. It's especially hard not to appreciate the complexity of the plotting and counter-plotting that both gangs go through; with the rapid-fire pacing, it may be convoluted for some viewers, but I was never fully lost. Each scene is set up to advance the plot in strange new directions, leading up to a rather fun climax. In the end, I enjoyed watching the chemistry between the characters and their intricate mind games, more than the action.

This film has quality photography, and some really fast editing. Acting can be very over-the-top, but Chow Yun-Fat and Jiang Wen both put on iconic performances. Writing is quite witty and sharp. This production has fine-looking period sets, props, and costumes. Certain special effects look awful, but they are few and very far between. Music for this picture is okay (it includes a pretty odd use of drums and chanting toward the end).

Chances are that some folks will find the comedy, fast pacing, and complex plot a little hard to follow, so I'd recommend it as a rental. Connoisseurs of Asian cinema will probably enjoy this a little more easily than average western audiences.

4/5 (entertainment: 4/5, story: 4.5/5, film: 4/5)

There are so many funny metaphors but you do need to be somewhat acquainted with Chinese to understand them. I think this will be a difficult film for non-Chinese to grasp, especially with a lot of deadpan satire and dark humor. It is extremely funny in a way, especially the scene between Jiang Wen and Carina Lau where she displayed a series of objects to him in bed. You won't "get it" if you don't understand Chinese proverbs and surreptitious meaning. So I'm not surprised if this movie will be rated exceptionally intelligent to its Chinese audience but will appear to many as silly, improbable and illogical.

This movie is really funny and brutal at the same time. Which is a hard thing to balance. Violence is "real" (with consequences for the characters involved that is), but the humor still works. Two factors play into that in my estimation: The script and the really good actors playing in this.

Mixture works and the CGI effects are really good too. Then you also have some wonderful dialogue between the main characters that is so rich, the translation might not do it entire justice (watched it with subtitles on and was hard to follow from time to time). But it's apparent how much fun they had shooting this movie. If you like eastern movies, I do not need to convince you to watch this. But maybe this can be your entry into a whole new (fascinating) world for you ...

Jiang Wen is a good actor and great director. He reminds me of Clint Eastwood, who is also a good actor and great director. Wen Jiang only have 4 films as director, he is not productive but every film he made is masterpiece to me. I love the Devils on the Doorstep most, it tell some truth no one fear to say.

Let The Bullets Fly is newest work of Jiang Wen. I watched the Chuan idiom edition today, very love it. Chuan idiom is one of Chinese hundreds idiom, the people live in Sichuan Province and Chongqing use it in their daily life. The reason why the movie have a idiom edition because the script is adapted from a novel of a old Sichuan writer. That's too much fun to watch the movie with the familiar idiom. However I love it not because the idiom, the reason is it's a good movie.

This movie is mixture of Quentin Tarantino and Sergio Leone, full of bizarre funny idea and masculinity. The last film The Sun Also Rises is criticized too vague, so this one is totally a commercial film. But as the one said in this film, he can made money without knee to others, Jiang Wen not knee to business, there's no disgusting ads and low-grade lines only passion for a good work, that's not easy for present Chinese film. This is why I respect him.

Some sensitive people like me aware some political metaphor in this film, this feeling is similar to the one I felt in Devils on the Doorstep. Jiang Wen knows Chinese deeply, or maybe he just so brave and smart can tell the public what he knows. Someones know the truth but they keep it and exchange it with fortune. Someones speak it loudly and directly, they only scared the public and get suffering. Of course in Jiang Wen's way, only small amount of people know what he want to say, but that's enough. Truth always rests with the minority.

Although this is a good movie, the non Chinese native speakers may found a little difficult to understand it, it like more a Cult than a commercial film to them.

"Pocky" Zhang is a notorious bandit who robs trains and any other soft target. When a train robbery turns up no loot, a different prize is sought as it does contain a con artist (Tang) who was on his way to Goose Town to pose as their Governor for a while then make off with the taxes. Zhang agrees to spare Tang in exchange for the role and together they head to Goose Town, however once there they discover that the role of Governor is secondary to that of Godfather – a role held by Master Huang.

I came to this film having heard that I wouldn't "get it" because it was a Chinese film which was not for the international market. Whether this is the case or not I do not know, but perhaps regardless of nationality, the film only partially worked for me. The plot and the characters weren't an issue for me and I enjoyed the back and forward of the various twists and turns of the story. The action was not quite as good and those coming here for the action suggested by the title will almost certainly be disappointed since it doesn't deliver on that front as much. The comedy aspect is a strange mix and maybe this is the thing that I wouldn't "get" by being from Northern Ireland.

At times it is quite playful and witty but then at the same time it is pretty violent . In and of itself, I don't have a problem with this because it can work but in this case I didn't feel like it did as the violence was almost too jarring and too heavy or serious to really be able to be darkly funny in the way needed. The direction is a little bit excessive in the same way – not making its different extremes really work together particularly well, but it does still have some things about it which I enjoyed and mostly the tone of the film is consistent. The winner for me was the performances from the lead actors because they sold their characters better than the material did. Chow overplays it perhaps but he is a good foil for the rather calmer playing from Wen Jiang (who I really liked here). Xiaogang Fen is fun too in support as Tang.

Although I am not Chinese, I did still quite enjoy this film even if I didn't think it totally worked. The comedy aspect is odd and the violence doesn't always work with it as it should, although the playful spirit of most of the film combines well with the delivery of Chow and Wen to make it better than it otherwise would have been.