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L'orafo

  • 2022
  • VM14
  • 1h 29min
VALUTAZIONE IMDb
4,8/10
889
LA TUA VALUTAZIONE
Giuseppe Pambieri in L'orafo (2022)
A home invasion thriller with a bloody twist, The Goldsmith offers plenty of violent fun as three burglars learn that crime can be a deadly career. Childhood friends and now adult criminals, Stefano, Roberto and Arianna concoct a simple plan: break into an elderly couple's home and find the valuables in the old man's hidden jewelry workshop. But not this night and not this house, as the doddering couple (Giuseppe Fregni and Stefania Casini prove not as helpless as they may seem for underneath those wrinkles are two totally fucked up killers. The thieves soon become victims as they are locked in a soundproof room and become the experimental guinea pigs for this deranged couple. What begins as a seemingly normal crime thriller soon morphs into a blood and eye sockets horror romp in Vincenzo Ricchiuto's debut feature.
Riproduci trailer1: 43
1 video
26 foto
GialloOrroreSplatter horrorThriller

Determinati a derubare un orafo, tre giovani ladri irrompono nella sua casa di campagna. L'uomo e la moglie si rivelano meno indifesi di quanto sembrino.Determinati a derubare un orafo, tre giovani ladri irrompono nella sua casa di campagna. L'uomo e la moglie si rivelano meno indifesi di quanto sembrino.Determinati a derubare un orafo, tre giovani ladri irrompono nella sua casa di campagna. L'uomo e la moglie si rivelano meno indifesi di quanto sembrino.

  • Regia
    • Vincenzo Ricchiuto
  • Sceneggiatura
    • Vincenzo Ricchiuto
    • Germano Tarricone
  • Star
    • Stefania Casini
    • Giuseppe Pambieri
    • Tania Bambaci
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    4,8/10
    889
    LA TUA VALUTAZIONE
    • Regia
      • Vincenzo Ricchiuto
    • Sceneggiatura
      • Vincenzo Ricchiuto
      • Germano Tarricone
    • Star
      • Stefania Casini
      • Giuseppe Pambieri
      • Tania Bambaci
    • 7Recensioni degli utenti
    • 31Recensioni della critica
  • Vedi le informazioni sulla produzione su IMDbPro
    • Premi
      • 10 vittorie e 4 candidature totali

    Video1

    The Goldsmith | Official Trailer
    Trailer 1:43
    The Goldsmith | Official Trailer

    Foto26

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    + 21
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    Interpreti principali16

    Modifica
    Stefania Casini
    Stefania Casini
    • Giovanna
    Giuseppe Pambieri
    • Antonio
    Tania Bambaci
    • Arianna
    Mike Cimini
    • Stefano
    Gianluca Vannucci
    • Roberto
    Andrea Porti
    • Giulio
    Matteo Silvestri
    Matteo Silvestri
    • Guardia ecozoofila
    Antonio Cortese
    • Yuri
    Stefano Fregni
    Stefano Fregni
    • Prete
    Valentina Carbone
    • Arianna bambina
    Federico Graziani
    • Roberto bambino
    Matthias Cavallo
    • Stefano bambino
    Manuela De Tommaso
    • Ginecologa
    Rita Reggiani
    • Donna sala scommesse
    Silvia Masci
    • Ragazza Sotterraneo
    Alessandro Sgro
    • Ragazza Roberto
    • Regia
      • Vincenzo Ricchiuto
    • Sceneggiatura
      • Vincenzo Ricchiuto
      • Germano Tarricone
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti7

    4,8889
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    Recensioni in evidenza

    7lee_eisenberg

    when you invade a home, you'd better know what you're getting into

    A group of hoodlums breaks into a house looking for something, and in the process takes the owners hostage. Sounds like something that you've seen in a ton of movies, right? Well, that's where "L'orafo" ("The Goldsmith" in English) takes a different turn. You see, there were a number of things that the home invaders didn't know about this particular couple.

    Vincenzio Ricchiuto's movie is a fine addition to the Euro-horror genre. Undeniably shocking, and even kind of gross in a few scenes, it still manages to put a fun spin on the home invasion cliche. I doubt that it'll ever get remembered as an all-time classic, but it doesn't need to be. It's enjoyable for what it is.

    Stefania Casini (Giovanna) co-starred with Robert DeNiro and Gerard Depardieu in Bernardo Bertolucci's "1900".
    8amirkhaw

    Don't breathe, but you can if you want...

    I always find home invasion thrillers to be particularly chilling, because the horror is brought right into your own safe space. The decent ones make me feel so anxious, that I put a baseball bat into the umbrella stand for a good while.

    In any case, it's not a new concept that the victims are able to turn the tables, but it's an adrenaline rush to watch. I mean who doesn't enjoy seeing bad types provoke the wrong people and get an overdose of comeuppance?

    Vincenzo Ricchiuto's debut feature is thoroughly engaging for the first act. The tension build is well constructed and as much of what is happening remains a mystery, it's intriguing enough to have you already searching for clues. Antonio and Giovanna are great as the elderly couple because they're so fragile and sweet but simultaneously quite vicious.

    The payoff is sadly somewhat generic and could have been more imaginative. I have to say though, I did rewind that final shot just because it was so completely odd (you'll see what I mean).

    Overall, this is a solid home invasion thriller that is enjoyable enough.
    10arianaruocco

    Fantastic film!

    Most modern day physiological thrillers fail to keep me captivated with their overused plots and monotonous acting and leave me feeling bored, but with The Goldsmith, I felt the opposite. It's one of the few films that truly captivated my attention from beginning to end. The way the creators handled this film with its subtle plot twists and impending danger verily sparks the intensity of the viewer's imagination as the story progresses growing darker and darker. The combination of present and past flashback scenes were done well especially as the characters were forced to reminisce on their past choices in regards to impacting their current states letting the viewer see their true characters. I think the actors portrayed their characters impeccably well, especially the older couple who were absolutely perfect for their roles. It left me ruminating long after the film finished and now I don't trust old people...
    7kosmasp

    Not all gold

    No pun intended - there is a saying in Germany about not everything being gold that shines. The same can be said about this movie. Furthermore the movie feels a bit like another movie I've seen - recently that is. Because of course not too many ideas that have not been done before. And I don't mean that in a bad way - it is tough to come up with something original.

    It is also tough to be steps ahead of the viewers. I'd say that the movie is quite predictable ... and not just because there is a British movie that is ... or has similar stuff in it. Not a copy (either of them), but both in the same genre ... and both quite similar in the violence department too ... crazy to say the least ... and not for the sensitive souls or those who are faint of heart as they say. If you wonder which english movie I think is similar: I do not remember the title ... sorry for that. But I am certain you'll find it if you look for it. I think the other one is a bit stronger than this one - but that is my personal opinion - and this ain't bad either.
    7kannibalcorpsegrinder

    Generally worthwhile if still hampered by some big issues

    Looking for an easy score, a group of thugs decides to break into the house of an elderly couple on the outskirts of town looking for a series of jewels or other valuables inside, but when they realize the couple might be more deranged than they expected must try to prevent their diabolical plans.

    Overall, this was a pretty solid genre effort. One of the better elements here is the means through which the film manages to utilize the highly underwhelming ploy of a home invasion. The familiar setup of a group of criminals looking to take advantage of the elderly couple that lives there only to find themselves subject to far more danger and terror than they're prepared for is the secondary setup for the genre that leaves the film with a big hill to overcome. As the idea for this one gets exposed nicely enough so that the film can explore an intriguing twist where the couple holds them hostage for their own means toying with them to reveal several secrets they hold, this setup gradually sets the stage for some cruel and graphic twists to come about giving this one some great gore to go with everything as it comes off quite nicely. However, that highlights a major issue here in that the film really only picks up once it's revealed what their deranged hobby really is. Far too much of the middle of the film focuses on the reveals that come about between the group as the idea of them already being scumbags was established so the need to keep harping on it by getting these secrets revealed and announced at this point doesn't do anything special for them. That also extends the running time with very little of any interest during this period where it consists of nothing more than seeing them stuck in a single room unable to escape and talking to a figure in another room over a monitor system that isn't all that interesting or exciting. It's all pretty big issues with this one and is enough to lower this one on the whole.

    Rated Unrated/R: Graphic Violence and Graphic Language.

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    Trama

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      A remake of "The Owners" with Maisie Williams.

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    Dettagli

    Modifica
    • Data di uscita
      • 2022 (Italia)
    • Paese di origine
      • Italia
    • Lingua
      • Italiano
    • Celebre anche come
      • The Goldsmith
    • Luoghi delle riprese
      • Cupramontana, Ancona, Italia(location)
    • Aziende produttrici
      • Almost Famous Production
      • Dea Film
      • Hurricane Studios
    • Vedi altri crediti dell’azienda su IMDbPro

    Botteghino

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    • Budget
      • 250.000 € (previsto)
    • Lordo in tutto il mondo
      • 63.830 USD
    Vedi le informazioni dettagliate del botteghino su IMDbPro

    Specifiche tecniche

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    • Tempo di esecuzione
      1 ora 29 minuti
    • Colore
      • Color
    • Proporzioni
      • 2.39:1

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