Seguite il leggendario uomo di legge Bass Reeves, uno dei più grandi eroi di frontiera e uno dei primi vice sceriffi afrodiscendente a ovest del fiume Mississippi nella storia americana.Seguite il leggendario uomo di legge Bass Reeves, uno dei più grandi eroi di frontiera e uno dei primi vice sceriffi afrodiscendente a ovest del fiume Mississippi nella storia americana.Seguite il leggendario uomo di legge Bass Reeves, uno dei più grandi eroi di frontiera e uno dei primi vice sceriffi afrodiscendente a ovest del fiume Mississippi nella storia americana.
- Candidato a 1 Primetime Emmy
- 4 vittorie e 13 candidature totali
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I enjoyed the first 5 or 6 episodes, but the last ones were a little out there and short. The last episode left me with questions unanswered, perhaps that was the intent. Over all a 7 at best. I enjoy most of Taylor Sheridan's stories/shows/endeavors, but I am glad this one is not setup for another season - or don't think it is. The shows with multiple seasons take far too long between them - so much so that I loose interest and let alone remember what was in the prior season. I truly believe it would be better to conclude some of his other shows like Yellowstone (if it is ending); or 1923 before coming out with more new ones.
I love this new western series and grateful it's creators saw fit to leave the "f" bombs at the door. Please make more westerns like Bass Reeves! The actors are talented and believeable, the story line is easy to follow after the first episode, which has to give you background so you'll understand Bass and his motivations. It's good to see Donald Sutherland and Dennis Quaid. From what I've read, I understand this is an anthology and next season we will follow a new character, but I'm sad to lose the thread of Reeves. Maybe we can get a spin-off? More clean westerns would be a real treat Hollywood.
Turns out this is well made, well filmed. Great show. So what is it with these paltry little 8 episode seasons we keep getting nowadays. ??
Epic fail by the makers.
Apparently based on a True story (no, I hadn't heard about this either !). Ina h episode was good. An underlying story running along through the series but just not enough details and episodes so what could have been a sprawling epic was left as too short, too time lapsed over periods of time and therefor just slightly unsatisfying. Hope it that this is successful so they some item can be made with better continuity and detail. (Oh and more than 8 episodes please!!!)
Epic fail by the makers.
Apparently based on a True story (no, I hadn't heard about this either !). Ina h episode was good. An underlying story running along through the series but just not enough details and episodes so what could have been a sprawling epic was left as too short, too time lapsed over periods of time and therefor just slightly unsatisfying. Hope it that this is successful so they some item can be made with better continuity and detail. (Oh and more than 8 episodes please!!!)
If you liked 'The Good Lord Bird' this is very similar. Well filmed, good acting. Seems higher budget than you might expect. I'm only a few episodes in, but enjoying it. You can always tell when a tv series is based on a book because the storytelling tends to be better as does the character development.
If you're into Westerns, civil war style stories and the challenges of the mid 1800's, you'll no doubt like this. Also great to see Barry Pepper and Shea Whitman in the cast. David Oyelowo is a great leading man and brings so much to this series. Looking forward to finishing it and hopefully more series to follow.
If you're into Westerns, civil war style stories and the challenges of the mid 1800's, you'll no doubt like this. Also great to see Barry Pepper and Shea Whitman in the cast. David Oyelowo is a great leading man and brings so much to this series. Looking forward to finishing it and hopefully more series to follow.
"Lawmen: Bass Reeves," a recent addition to Taylor Sheridan's repertoire, begins its narrative journey at a slower pace than his renowned works like "Yellowstone" or "1883." Initially, this slower tempo might feel less captivating, especially for those accustomed to the gripping beginnings typical of Sheridan's series. The show employs numerous time jumps, a storytelling technique that, while effective in progressing the narrative, contributes to a somewhat disjointed initial rhythm.
A striking aspect of the series is how swiftly we see Bass Reeves and his family age. This rapid progression, while necessary for the story, can at times feel abrupt, leaving viewers longing for a more gradual depiction of their growth and evolution.
However, the series finds its footing with the introduction of a clear antagonist. This pivotal moment seems to steer the narrative with a newfound sense of purpose and direction, transforming it into a more traditional hero-versus-villain tale. The gunfights, a staple in such stories, do fall into the familiar trope where villains inexplicably miss their shots, even against a hero in plain sight. This element, albeit clichéd, doesn't detract significantly from the overall enjoyment of the series.
The show concludes with a finale that feels like a fitting conclusion to the legend of Bass Reeves. It encapsulates his journey sufficiently, giving viewers a sense of completion. While the ending is well-executed, the pacing of the series as a whole suggests that a few additional episodes could have provided a more balanced narrative flow. The initial slowness and the somewhat rushed conclusion leave one contemplating what could have been with a more evenly paced storyline.
In summary, "Lawmen: Bass Reeves" is another commendable effort by Sheridan, showcasing his storytelling prowess. Despite not reaching the heights of popularity seen in "Yellowstone" or "1883," it stands as a solid portrayal of a legendary figure. The show navigates through its pacing challenges to deliver a story that is engaging and, ultimately, satisfying. It's a testament to Sheridan's ability to craft compelling narratives, even when they tread a more conventional path.
A striking aspect of the series is how swiftly we see Bass Reeves and his family age. This rapid progression, while necessary for the story, can at times feel abrupt, leaving viewers longing for a more gradual depiction of their growth and evolution.
However, the series finds its footing with the introduction of a clear antagonist. This pivotal moment seems to steer the narrative with a newfound sense of purpose and direction, transforming it into a more traditional hero-versus-villain tale. The gunfights, a staple in such stories, do fall into the familiar trope where villains inexplicably miss their shots, even against a hero in plain sight. This element, albeit clichéd, doesn't detract significantly from the overall enjoyment of the series.
The show concludes with a finale that feels like a fitting conclusion to the legend of Bass Reeves. It encapsulates his journey sufficiently, giving viewers a sense of completion. While the ending is well-executed, the pacing of the series as a whole suggests that a few additional episodes could have provided a more balanced narrative flow. The initial slowness and the somewhat rushed conclusion leave one contemplating what could have been with a more evenly paced storyline.
In summary, "Lawmen: Bass Reeves" is another commendable effort by Sheridan, showcasing his storytelling prowess. Despite not reaching the heights of popularity seen in "Yellowstone" or "1883," it stands as a solid portrayal of a legendary figure. The show navigates through its pacing challenges to deliver a story that is engaging and, ultimately, satisfying. It's a testament to Sheridan's ability to craft compelling narratives, even when they tread a more conventional path.
Lo sapevi?
- QuizInspired by the true story of lawman Bass Reeves (1838-1910), the first Black deputy U.S. Marshal in the upper Midwest Territory.
- ConnessioniReferenced in CBS News Sunday Morning: Episodio #44.24 (2022)
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Dettagli
- Tempo di esecuzione
- 45min
- Colore
- Mix di suoni
- Proporzioni
- 2.00 : 1
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