La storia dello scienziato americano J. Robert Oppenheimer e del suo ruolo nello sviluppo della bomba atomica.La storia dello scienziato americano J. Robert Oppenheimer e del suo ruolo nello sviluppo della bomba atomica.La storia dello scienziato americano J. Robert Oppenheimer e del suo ruolo nello sviluppo della bomba atomica.
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Riepilogo
Reviewers say 'Oppenheimer' by Christopher Nolan is a complex biopic delving into J. Robert Oppenheimer's role in atomic bomb development. Themes of moral dilemmas, scientific responsibility, and nuclear impact are prominent. Cillian Murphy's performance, technical aspects, and historical accuracy receive praise. However, some find the pacing slow, narrative disjointed, and runtime excessive. Critics also note a lack of emotional depth and underdeveloped characters. Despite these issues, Nolan's direction, visual style, and thought-provoking nature are widely appreciated.
Recensioni in evidenza
I align with other reviewers here who have found this. Despite the hype surrounding it, Oppenheimer fell short of expectations. The film proved to be tedious and at many times draining to watch.
I liked the cinematography but the beautiful scenes had an overwhelmingly loud background score that drowned out most of the dialogue and made it hard to comprehend what was going on.
The movie also had several disjointed scene transitions which in my opinion, because of lack of character development and loud background music, only added to the confusion, making it hard to follow the plot coherently. Overall, a disappointing experience that failed to live up to its hype.
I liked the cinematography but the beautiful scenes had an overwhelmingly loud background score that drowned out most of the dialogue and made it hard to comprehend what was going on.
The movie also had several disjointed scene transitions which in my opinion, because of lack of character development and loud background music, only added to the confusion, making it hard to follow the plot coherently. Overall, a disappointing experience that failed to live up to its hype.
As VFX and special effects take over the traditional filmmaking methods, Nolan is among the remaining few directors who still builds grandiose true-to-life sets and reflects cinematic setpieces by filming them instead of digitising them. Oppenheimer is thus a culmination of Nolan's cinematic genius combined with an incredible story that changed the world in more ways than one. It's incredibly intimate and divisive, with the onus of it's justification being put on the audience instead of the narrator.
The cast is just as incredible as you would expect it to be, and the screenplay flows naturally, with a breathtaking score that justifiably draws parallels from Hans Zimmer's profound work in Interstellar. Nolan balances the intimacy between the characters while simultaneously juxtaposing it with some of the most impactful scenes ever shown on the big screen. The movie's runtime takes it's time in setting up it's pieces, with the finale leaving you utterly spellbound at the sheer magnitude and scale of the events transpiring right in front of your eyes.
Lastly, for those who want their daily dosage of immediate dopamine and faster pacing in the theatre instead of experiencing a meticulously guided journey, you could wait a few more months for yet another copy paste Fast and Furious flick or a Marvel movie laden with green backdrops and fan-service.
Because this isn't a film or a flick, this is Cinema.
The cast is just as incredible as you would expect it to be, and the screenplay flows naturally, with a breathtaking score that justifiably draws parallels from Hans Zimmer's profound work in Interstellar. Nolan balances the intimacy between the characters while simultaneously juxtaposing it with some of the most impactful scenes ever shown on the big screen. The movie's runtime takes it's time in setting up it's pieces, with the finale leaving you utterly spellbound at the sheer magnitude and scale of the events transpiring right in front of your eyes.
Lastly, for those who want their daily dosage of immediate dopamine and faster pacing in the theatre instead of experiencing a meticulously guided journey, you could wait a few more months for yet another copy paste Fast and Furious flick or a Marvel movie laden with green backdrops and fan-service.
Because this isn't a film or a flick, this is Cinema.
The film looks great is brilliantly acted but there's virtually no actual plot, it's constantly jump back and forward and evey couple of minutes there's unfeasibly loud music trying to build up the tension. This is more a jazzed up documentary than a film and at a painful three hours long it does not hold your attention the entre way. It could easily be forty minutes to an hour less in playtime.
There were good bits, some great but but on the whole the film is dull and drags. I've seen it once now and have absolutely no desire to ever see it again. I'm baffled by everyone saying what a masterpiece it is. I suppose if you like long panoramic shots with overbearing music it's great but if you want a decent story give it a miss.
There were good bits, some great but but on the whole the film is dull and drags. I've seen it once now and have absolutely no desire to ever see it again. I'm baffled by everyone saying what a masterpiece it is. I suppose if you like long panoramic shots with overbearing music it's great but if you want a decent story give it a miss.
Is it just me or did anyone else find this movie... I hate to say it... boring?. I know I know it's a piece of history and don't get me wrong it was a good movie but idk, going in the theater expecting something "Nolanesque" and it never came so I was kind of a disappointed. I was super excited going in the theater and leaving I was like ,yeah it was good buuuuttt. I guess I was expecting something like inception and or interstellar but those are fictional and I get that this is based off of a true story . I think everyone should watch this movie once and it was very eye opening but I won't ever endure the painful 3 hour movie experience again . It's a one and done movie and I do respect Oppenheimer. Extremely good acting with a boatload of good actors . I also do want to say that there was nothing very IMAX about the movie so you could go to a regular theater and be just fine . Also Emily Blunts ending scene was amazing . All in all I would go as far as to say it's the most boring Christopher Nolan movie but it is a very good movie let's leave it at that . I still give the movie an 8.
I'm a big fan of Nolan's work so was really looking forward to this. I understood there would be some flipping in timelines and I'd need to concentrate. I didn't find this to be a problem at all and the storytelling was beautifully done. The acting was universally excellent. I saw a review saying Emily Blunt was rather OTT but I didn't find that at all.
I think my biggest gripe with the film may mean that I'm just getting old. I found the direction quite jarring with jump cuts galore. While it did keep things moving along apace, it was all rather exhausting. I also found the music and sound very very loud to the point of intrusion. Much like other Nolan films as it goes: Interstellar that I love, also had *very* loud music.
All in all this is a quality watch. It just left me longing for the days when so called 'cerebral' biopics, were a little more tranquil.
I think my biggest gripe with the film may mean that I'm just getting old. I found the direction quite jarring with jump cuts galore. While it did keep things moving along apace, it was all rather exhausting. I also found the music and sound very very loud to the point of intrusion. Much like other Nolan films as it goes: Interstellar that I love, also had *very* loud music.
All in all this is a quality watch. It just left me longing for the days when so called 'cerebral' biopics, were a little more tranquil.
Engineering 'Oppenheimer'
Engineering 'Oppenheimer'
Cillian Murphy and the cast of Oppenheimer discuss what it's like to work with a singular director like Christopher Nolan.
Lo sapevi?
- QuizIn order for the black and white sections of the movie to be shot in the same quality as the rest of the film, Kodak produced a limited supply of its Double-X black and white film stock in 70mm. This film stock was chosen specifically for its heritage - it was originally sold to photographers as Super-XX during World War II and was very popular with photojournalists of the era.
- BlooperThe stop signs are yellow in the film, which is accurate. The United States used yellow stop signs until 1954.
- Citazioni
J. Robert Oppenheimer: Albert? When I came to you with those calculations, we thought we might start a chain reaction that would destroy the entire world...
Albert Einstein: I remember it well. What of it?
J. Robert Oppenheimer: I believe we did.
- Versioni alternativeTo get a U/A rating certification in India, the movie was edited to remove or censor all nudity using CGI. For example, the scene where Tatlock and Oppenheimer have a conversation and the former character was topless, the nudity was censored with a CGI black dress. Many Middle Eastern countries use this exact same censored version for release.
- ConnessioniFeatured in Louder with Crowder: Going Out with a Bang! (2022)
- Colonne sonoreHoliday in Big Band Land
(uncredited)
Written by Gerhard Narholz
Performed by Les Brown and His Band of Renown
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Dettagli
- Data di uscita
- Paesi di origine
- Siti ufficiali
- Lingue
- Celebre anche come
- Oppengeymer
- Luoghi delle riprese
- Los Alamos, New Mexico, Stati Uniti(only interiors, Los Alamos facilities interiors, including Oppenheimer's house, Fuller Lodge Interior and Exterior)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 100.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 330.078.895 USD
- Fine settimana di apertura Stati Uniti e Canada
- 82.455.420 USD
- 23 lug 2023
- Lordo in tutto il mondo
- 975.811.333 USD
- Tempo di esecuzione
- 3h(180 min)
- Colore
- Mix di suoni
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