Captain Phillips - Attacco in mare aperto

Although it is basically a true story, I must be one of the few who did not know the ending already, since I had never heard this specific story. How much it matters if you already do or not I cannot say, but for me the film was not really about the resolution until near the end because for most of the time it is about the moment and what is going on there and then. It does this by breaking the story down pretty well into such contained but yet connected moments so that it is effective at the time and also has a flow to it.

There are moments where it doesn't really keep that up – some of them it needs, but others it doesn't. In the tension and in the lulls, the film does well to keep things evenly balanced so that you don't completely turn against the Somalis as if they were generic baddies, but at the same time it never pushes anything down your throat about their situation. The one thing I was surprised that it came on strong about was the military response. I'm not sure if the film was trying to make a comment by playing it quite so "Hollywood" at the end, but to me it did feel a bit odd in the film to have the music, camera-work and dialogue of a Michael Bay movie occurring in a situation where they were facing down a couple of guys with more feet than shoes. It still worked, don't get me wrong, but at the same time it had a generic feel to this aspect that I could have done without – particularly since earlier it seemed smarter than that.

What helps it in these moments (and throughout) is that Hanks is great. He plays it out in a natural and convincing way, whether he is over- confident or in shock. Much has been made of Abdi's performance and I do see why, because it is frequently easy to forget that he is acting because he does seem quite real throughout. The supporting cast perhaps have fewer opportunities for nuance but they are still convincing and play their parts well, particularly those in the confines of the lift raft.

Captain Phillips could have been a little shorter and been better for it and, while I don't totally see the film that others did, I did still enjoy it. It is tense and yet nuanced throughout, only really producing some aspects that don't work quite as well in the meantime.

Captain Phillips is a biopic based on 2009's Maersk Alabama hijacking incident, which was an intriguing story and ordeal of the people involved. This film adaptation mostly plays as a straightforward thriller with only brief backstories. In spite of whatever comment regards to the accuracy this film is getting, it didn't hurt how much of an exhilarating piece of cinema this is. Merits obviously goes to director Paul Greengrass and star Tom Hanks. It's quite predictable what you'll get if you put those talents together, but the result is somehow surprising like you've never see it coming.

There's nothing much interesting happening at the first act when the film was exploring the personal life of Richard Phillips, but that seems to be the point: the dreariness of the intro immediately presumes that he really is just an ordinary guy. Though, there isn't actually enough detail about his personal life in those scenes aside of his job and his family, same with the Somali pirate leader, Muse. Everything becomes more alive when the actual plot starts going. Lives turn upside down, tension rises every minute passes, and the humanity of both Phillips and Muse are becoming more and more visible. It's a down to earth matter of life and death where both sides aren't too perfect enough to succeed or survive, and their actions could end up causing even worse situations.

Even before the release, everybody has already been betting that Tom Hanks will get a nod for this(probably because of the accent or he's just Tom Hanks). Other than mimicking the real Phillips' accent, Hanks really gives his character a palpable sense of fear and pressure. But there is one scene in his performance that will definitely give the viewers a total impact, which it might've made the camera linger. That whole scene could be a trick for some to love this movie even more, but even without it, Hanks is still spellbinding as Captain Phillips. Another amazing performance is first time actor, Barkhad Abdi. Abdi manages to be threatening, sympathetic, and strangely charismatic at the same time as Muse, thus it makes the character more effective.

Now for Greengrass, his aesthetics are all there. Shaky camera bringing momentum in every action scene, action scenes filled with nerve wracking suspense, and sidelines taking place in control rooms. But this is his challenging side, such as United 93, when there aren't any much explosions nor fighting set pieces practically involved. The title might give one an assumption that the film is about a captain who fights off pirates. But it turns out, they're just hopeless victims who do not have a single gun to defend themselves from their armed enemies. The kind of thrill here is anxiety. You will always get the sense that there is something wrong going to happen in every step these pirates take, leading the hostages really need to depend on the government and the Navy SEALs. What's smart about this is it's all mind games. They're troubled by complicated decisions, yet have awareness of naivety. At the second half, the excitement is now relied by figuring out which of them is going to be fooled by whose tricks. By the end of the film, you will then realize how limitlessly enticing it was while realistic at the same time.

Captain Phillips is almost just a very great thriller, then it eventually becomes more powerful. Despite of calling his achievement heroism, it was more like a test of courage. The movie is wise to make sure Phillips is no glossy superhero, but a regular human being who gets to face a situation that may lead anyone to trauma, just to sacrifice the risks of his crew. Simply, that may tend to inspire which is why it's so focused to his point of view. Otherwise, the filmmaking did an astonishing job, although you already know what these people can bring. But surprisingly, it still defies our expectations. It's amazing how Tom Hanks' talent can still surprise many, and how Paul Greengrass' obvious style feels unique and fresh (in this movie, at least). Rating the film can be somewhat difficult. It's so engrossing and excellent, it's hard to notice any terrible flaws about it. Later on, it doesn't matter. Captain Phillips is a satisfying ride that ultimately does its best.

Captain Phillips is a biographical drama thriller movie directed by Paul Greengrass and stars Tom Hanks, Barkhad Abdi, Michael Chernus and Faysal Ahmed.

The best thing particularly I liked the most was the authenticity and realistic approach by the director and it will be like that you are watching a real abduction scene.

Tom Hanks again did a commendable job in the role of an abducted captain. Support cast was also impressive. Background music is another strong aspect of the movie and supports the screenplay.

Screenplay is gripping and will keep you on the edge of your seats. Direction is good. Another strong point of the movie is it's beautifully cinematography.

The movie should be on the list of every movie lovers. In my opinion one of the movie with very close to the reality.

Based on true events, Paul Greengrass' Captain Phillips is the rarest of thrillers, the kind that relies on neither distracting special effects nor circumspect character development. Driven by a powerful, soul-baring performance by the inimitable Tom Hanks, the movie never lags, never oversells the plight of its characters, never reduces anyone or anything to mere caricature.

Hanks is the titular captain of the United States container ship MV Maersk Alabama, cruising along the coast of Somalia with a full load and heading toward the horn of Africa. Two skiffloads of armed Somalis close in, ready to board the vessel. They're pirates, working for a warlord in their impoverished country, and they smell opportunity.

If this were a standard action flick, we might see the heroism of Phillips and his motley crew as they fight the evil pirates and save the world. It's not so here. There are nuances afoot; for once, we get the perspective of the lead pirate (Barkhad Abdi) without falling into the easy trap of feeling empathy toward him.

The pirates board the giant ship, clearly pleased with their find. Muse (Abdi) quickly proves himself to be a strong, humanistic leader; he's single minded (where's the crew? where's the goods?) but not sinister. His gang includes a strong man with a quick temper and Muse's own relative, who'd begged to come along on the mission - a mission that, when successful, would go a long way to improving their lives.

The movie is told in two distinct halves: the time spent by the pirates on the Maersk as they search in vain for treasure and crew, and the time spent in the ship's lifeboat as they make their way to Somalia. The villains are conflicted and desperate. And armed. But they're quickly immersed in an impossible situation.

This is one of the toughest, most naked performances of Hanks' stellar career. It's sometimes painful and heart wrenching to watch. He's an Everyman, per usual, but he's not also a savior or a hero. He doesn't suddenly develop super strength and overpower the bad guys. He's just a guy in charge of a boat and its passengers.

Matching him wit for wit while frantically trying to keep his own wits about him is Abdi as the skinny, intelligent Muse, seemingly a veteran of high piracy (though not against huge container ships). Abdi is a wonder to watch; unpredictable and cunning but a little greedy and rapidly running out of viable options. Truly a talent to look out for, Abdi nails this role.

The ending is predictable only in the most general sense. Bill Ray's screenplay does not duck some plausible consequences to the actions of each main player and leaves us with a scene that is as emotionally overpowering as anything in Hanks' previous Philadelphia.

It seems that every time Tom Hanks makes a good movie, people begin to label it as "Oscar bait," as if the movie were created just as a vehicle to earn an award. Captain Phillips delivers a tight, action-packed story fraught with none of the usual missteps of the genre, and if it is indeed rewarded with the highest of honors, it will be well deserved.

That went a lot higher than my expectations. I was thinking an okay movie, but that was more than just okay. Truly impressive powerful thriller.

The movie's strength points could be summed up:

1. Greengrass's thrillers are really fine, I like his The Bourne Ultimatum with his shaky camera tricks. And here he is doing it again maybe with different techniques. As a thriller, Greengrass managed to make this movie get on your nerves and put so much tension, and that's a success.

2. The Somali crew.. Now, that's some serious impressive sh*t. Some Somali dudes you have never seen their faces in a movie before come and make such spectacular performances, that's something you should admire. It made the movie so believable that you'd sometimes forget it's just a movie. Barkhad Abdi has made a huge step in his career with this movie and that was crowned by his nomination for the best actor in a supporting role. He probably won't get it, but he deserved it.

3. Tom Hanks is just a really fine actor. He was driving the whole thing with his convincing performance. I still can't believe he got my tearing in that scene, or let's just say crying. Greengrass has taken him to squeeze some fine acting skills.

4. Fair screenplay that didn't make you forget that justice should be done, no matter how the conditions the person lives in, but it also pushed the eyes to take a look into the world that would produce such people as pirates.