Beyond the Black Rainbow

OK so for convenience, I'll just break it down to the kind of people who will like this movie, vs. those who won't. You pick your category and then you will know if you should see it. Because 1 out of 20 people will love this, and the rest will think it is the worst movie ever.

You will love it if: 1: You felt 2001 could have been even slower paced and still be awesome 2: You love really thinky sci-fi even if it doesn't involve people shooting aliens 3: You are crazy in love with 80's hair styles and weird synth music (this movie takes place in 1983, and takes that responsibility VERY seriously) 4: You loved Agent Smith's delivery of lines in The Matrix, and would have liked it if he talked even more slowly and threateningly 5: You think the only good sci-fi is 70's Russian sci-fi

You will hate this movie if: 1: You enjoy having more than one person deliver lines over the course of two hours (basically one speaking part in this movie, though the actor does a good job) 2: You don't like when movies are very, very pretentious 3: You like your movies to generally make an effort to make sense (at one point I swear the main guy gets a phone call from Speak-n-Spell) 4: You don't like when movies spend a considerable amount of their running time trying to injure the viewer's senses 5: You like a really good ending (if you look over the reviews, whether people loved or hated this movie everyone agrees the ending was weak)

All things considered, I really liked this movie, and so did the people I saw it with. But that's a bunch of film geeks. If you're a weird film geek too, I recommend it.

It's the cold, shiny time of 1983. In what looks like a sci-fi future vision via the Kubrickian '60s a utopia is created to try to grant happiness to the masses via a complex regime of meditation, nature, and pharmacology--and absolute isolation in the sterile confines of building that somewhat resembles a fluorescent spaceship crash-landed within the sparse flora of a desolate earth. This utopia has been tainted by evil, and our savior is a near mute, beguiling beauty that must break through harm's way in order to regain some normalcy to her life, a life born to such a world and never matured entirely, and if this task is not achieved could possibly alter the future for us all. This is the topsy-turvy, slowly moving, marvelously rendered, and absolutely bewildering world of Beyond the Black Rainbow. This film, written and directed by Panos Cosmatos (whose daddy made several he-man action films in the actual '80s), turns lo-fi film grain, stark sets, odd camera angles, and eternal pauses in dialogue and action into a strange mosaic that is more of a compilation of what came to define hard science fiction films from the late 1960s to mid 1980s. The film begins like a post-script to "2001", or an early David Cronenberg film mutates into what resembles the "Rising" shorts of Kenneth Anger, and finally settles into the paranoia of Lucas' "THX 1138" mixed again with the mutations of the body that so intrigued Cronenberg's early efforts. This film for a small subset of film buffs, and in conception and tone most resembles the genre shot comp that was 2009's "Amer". Where that film aped sequences from Italian giallos, this seems to be doing the same for American and Russian science movies. This film feels like an experiment, or more to the point an exercise, but it is a worthwhile, rewarding viewing for their trouble in taking the trippy voyage laid out before them. I recommend it to viewers with patience and acceptance of story lines that are mostly devoid of linear narratives (you know who you are). -CP 8/10

If you enjoyed Tarkovsky's Solaris, Kubrick's 2001: A Space Odyssey or Godard's Alphaville then this might be up your alley. It's a slow paced surreal sci fi film, with warbling, droning synth music, 80's film colouring and the occasional blurred visuals as if you are sedated. Which if fitting as it tells the story of a powerful young girl being held captive and under sedation by a mysterious and futuristic cult, that seems to be conducting some kind of scientific experimentation. Very little really happens in most of the film, just striking visuals, long stares, pulsing lights (matched by a pulsing synth soundtrack), and slow shots of the kind of things that people thought to be futuristic back in the 80's. If you like the sound of any of this then check it out, if not then definitely give it a miss and save yourself the time.

Does this summary says enough? If you don't know what I mean let me explain. If you will have 100 geeks well I guess maybe 5 will like this kind of flick. It do has the feeling of 2001 A Space Odyssey. It is extremely slow and a pure throwback to Sci-Fy from the seventies without aliens.

The score used is also back to the eighties or late seventies, the colour grading on the other hand did remind me of Begotten (1990). Extra saturated moments and editing that also makes you go insane.

The story itself is simple as it could be, captured and trying to escape, as simple as that.

If you like your movies very weird this is your thing. If you like stories full of questions, pick it up. It do has a horror feeling here and there what makes it more weird. But I can agree with most reviewers, bad ending.

Gore 0/5 Nudity 0/5 Effects 3/5 Story 2,5/5 Comedy 0/5

I heard about this title mid 2011 and has been near the top of my list ever since, not sure what the delay was in distribution but it's been quite a wait, which fuelled my desire to see this film. The instant I saw the trailer I was certain this was my kind of film, vague dialogue hinting a hidden depths, long drawn out scenes with sinister undertones and beautifully crafted futurism styled sets (maybe a little to Kubrick-esk) but still great looking. Everything was in place for a successful romp around a mercurial world spawned and brought to life in nightmarish vision by Panos Cosmatos.

But, for all it's promise and as much as I really wanted to love this film it did fall a little flat. The set design is beautifully crafted, and the high photography levels of some of the scenes is something to be admired, but on occasion a little arbitrary as some scenes did not drive character or narrative forwards nor did it express or emphasis emotions.

The narrative is overly grand which I like (keep it simple) and is deliberately slow and off-paced, which will definitely separate the film lovers from the average watcher that may have stumbled across this film, as you will need to invest a little concentration. There was a downfall to the film as mysterious and menacing atmosphere that it postured at the start did dissipate throughout the film.

This is a first attempt by a director who clearly has a cinematic eye with a good understanding of film taking inspiration from some great directors. Unfortunately he didn't quite create the level of intrigue found in a Kubrick film or a deliver the ruptured reality of a Lynch film and missed the overall depth of a Tarkovskiy film, but it wasn't without it's own moments.

Definitely worth your time - A steady start from a new director but it's worth remembering art house isn't an exact science, hopefully he will get the chance to produce more in the future.