VALUTAZIONE IMDb
6,9/10
45.479
LA TUA VALUTAZIONE
Una ragazza adolescente viene presa di mira da un predatore sessuale online.Una ragazza adolescente viene presa di mira da un predatore sessuale online.Una ragazza adolescente viene presa di mira da un predatore sessuale online.
- Regia
- Sceneggiatura
- Star
- Premi
- 1 vittoria e 3 candidature totali
Recensioni in evidenza
David Schwimmer behind the lens of a movie with the synopsis of a movie-of-the-week about internetpredators. Wow, this could go either way I thought. And it did.
The Good: This movie is carried by its young leading star. Liana Liberato is Annie and she makes us feel every emotion she has. Sometimes we just don't get her: her actions or what's she's saying. Then, and this is where the screenplay and direction comes in, there are a few lines of dialog or a well chosen shot and we get what's being said. That symmetry is what makes Trust good.
It's never overly dramatic and definitely does not hold back in depicting the loss of innocence and broken trust within the family or the minds of the family members.
This is B-movie with an A-list cast and the movie works because of the above average actors.
The Less: It's still a little cliché. Dr. Phil would approve this film. The Hallmark-channel feeling is never shed off and although it's bold in depicting it's story: it's also very predictable. There's no grey here, only black and white. This goes also for the characters: the innocent teen, the understanding mother, the work oriented father etc.
Overall: The screenplay mixes good dialog and a dramatic look at teens growing up in the information-age with clichés and predictability. Schwimmer passes his exam as a director, as opposed to a actor turned director. It's not bad and watchable alone for the Tour de Force by Liberato, but don't expect a masterpiece. Because that would be too much credit. I give it a 6 out of 10.
The Good: This movie is carried by its young leading star. Liana Liberato is Annie and she makes us feel every emotion she has. Sometimes we just don't get her: her actions or what's she's saying. Then, and this is where the screenplay and direction comes in, there are a few lines of dialog or a well chosen shot and we get what's being said. That symmetry is what makes Trust good.
It's never overly dramatic and definitely does not hold back in depicting the loss of innocence and broken trust within the family or the minds of the family members.
This is B-movie with an A-list cast and the movie works because of the above average actors.
The Less: It's still a little cliché. Dr. Phil would approve this film. The Hallmark-channel feeling is never shed off and although it's bold in depicting it's story: it's also very predictable. There's no grey here, only black and white. This goes also for the characters: the innocent teen, the understanding mother, the work oriented father etc.
Overall: The screenplay mixes good dialog and a dramatic look at teens growing up in the information-age with clichés and predictability. Schwimmer passes his exam as a director, as opposed to a actor turned director. It's not bad and watchable alone for the Tour de Force by Liberato, but don't expect a masterpiece. Because that would be too much credit. I give it a 6 out of 10.
Trust is an important film. This isn't fantasy, this is reality. For whatever message Trust has, it's also about the emotion, pain, and internet obsession.
If Trust was to be used towards educating, it isn't geared towards the victims, but rather the people around the victim. The victims won't be watching this film (for the subject matter), and it was a smart move to portray the daily lives of teenagers realistically while still showing the pain that occurs when situations like this happen. It's something special when you can believe and feel what is happening on screen and the creators of Trust did a terrific job keeping it true. There are other subjects involved, such as how internet communication is "breaking" the formalities of communication, how easily predators can manipulate people by knowing their strengths and weaknesses, and how you may not actually know your loved ones as much as you think you do. There are many subject matters thrown into Trust, and they all play out realistically to the point where the viewer will most likely relate to them.
The performances were outstanding and, even if this is a 2010 film, should be nominated at the next Academy Awards. Newcomer Liana Liberato steals the show with one of the greatest performances I have seen portraying a broken teenager. In a year where there were a few outstanding performances by young actors (Hailee Steinfeld in True Grit), I think Liana Liberato's underrated performance was the best of last year. Clive Owen gives his most dramatic performance to date and Catherine Keener has a few brilliant moments. Chris Coffey, who plays Charlie the predator, gives a creepy (if brief) performance in the vain of Stanley Tucci in "The Lovely Bones".
David Schwimmer (Ross from the show "Friends") did a surprisingly good job directing Trust. He got the most out of the actors and, considering the serious subject matter, had a bleak, disturbing tone to the film. The combination of a happy neighborhood/school/family worked well with the one black spot which is the daughter, the victim. After the assault happens, you see the world change and everyone's life becomes a little darker.
Should you watch Trust? Yes. The performances and the story alone make it one not to miss. There are a couple of moments where you may shed a tear. It's haunting for any age or gender. These crimes DO occur, and they happen often. While it's not a film you watch with friends; it's not an enjoyable film in the least, Trust is just one effective tale that may stay in with you for a long time.
If Trust was to be used towards educating, it isn't geared towards the victims, but rather the people around the victim. The victims won't be watching this film (for the subject matter), and it was a smart move to portray the daily lives of teenagers realistically while still showing the pain that occurs when situations like this happen. It's something special when you can believe and feel what is happening on screen and the creators of Trust did a terrific job keeping it true. There are other subjects involved, such as how internet communication is "breaking" the formalities of communication, how easily predators can manipulate people by knowing their strengths and weaknesses, and how you may not actually know your loved ones as much as you think you do. There are many subject matters thrown into Trust, and they all play out realistically to the point where the viewer will most likely relate to them.
The performances were outstanding and, even if this is a 2010 film, should be nominated at the next Academy Awards. Newcomer Liana Liberato steals the show with one of the greatest performances I have seen portraying a broken teenager. In a year where there were a few outstanding performances by young actors (Hailee Steinfeld in True Grit), I think Liana Liberato's underrated performance was the best of last year. Clive Owen gives his most dramatic performance to date and Catherine Keener has a few brilliant moments. Chris Coffey, who plays Charlie the predator, gives a creepy (if brief) performance in the vain of Stanley Tucci in "The Lovely Bones".
David Schwimmer (Ross from the show "Friends") did a surprisingly good job directing Trust. He got the most out of the actors and, considering the serious subject matter, had a bleak, disturbing tone to the film. The combination of a happy neighborhood/school/family worked well with the one black spot which is the daughter, the victim. After the assault happens, you see the world change and everyone's life becomes a little darker.
Should you watch Trust? Yes. The performances and the story alone make it one not to miss. There are a couple of moments where you may shed a tear. It's haunting for any age or gender. These crimes DO occur, and they happen often. While it's not a film you watch with friends; it's not an enjoyable film in the least, Trust is just one effective tale that may stay in with you for a long time.
This film was utterly devoid of entertainment value. It was hard to watch, anti- enjoyable even. Its a black, depressing, bleak, grim film. It's like a roller coaster with only low points.
Why I rate this film a 7 is through its production quality, good acting and notably, its ability to powerfully convey it's messages. It shows a plausible story of a naive girl, meeting someone (a peodophile) online, which then leads to a chain reaction utterly destroying her and her family.
It would probably scare the hell out of any teenage girl and increase her weariness of stranger danger.
Why I rate this film a 7 is through its production quality, good acting and notably, its ability to powerfully convey it's messages. It shows a plausible story of a naive girl, meeting someone (a peodophile) online, which then leads to a chain reaction utterly destroying her and her family.
It would probably scare the hell out of any teenage girl and increase her weariness of stranger danger.
I had the privilege to be among the first in North America to screen David Schwimmer's latest film last night at the Toronto International Film Festival (TIFF), with cast members including Clive Owen and Catherine Keener (two of my favourite actors) present as well as the director, Schwimmer himself.
Before the screening, the former "Friends" star provided some valuable context for the film, sharing his personal connection to the topic. It was enlightening to learn that he himself is a dedicated advocate for survivors of sexual assault/abuse and has spent a great deal of time working and interacting with the families impacted, because the film was executed with such a sensitivity and deep psychological understanding around the difficult topic.
Before delving into my review let me just say upfront (for those who are quickly trying to decide whether or not to see this) that this is a good movie, and yes you should see it.
I also went into this film not knowing its rating and I can assure you, that while the subject is very heavy and there are some disturbing scenes and some violence, there is nothing here so sexually graphic that it is too uncomfortable to watch - even my husband who I would consider to be a "sensitive" viewer did not find the film to be graphic.
"Trust" is the kind of movie that relies heavily upon the plausibility of its dialogue and the believability of its actors. If the script was poorly written or the innumerable emotional scenes poorly acted, the whole thing might have been a disaster for Schwimmer.
Instead, Kenner and Owen turned in Oscar-worthy performances that invited viewers into their home, their marriage and their suffering. Under great direction, Owen led his character through a roller-coaster of emotions that was accessible to viewers, as we shared in his character's progression through anger, grief and understanding.
Not to be overlooked, and the true star of this film, is the young Liana Liberato who plays the daughter and the victim with such authenticity that it was at some times painful to watch. Not enough can be said about how incredible she was in this film - I think the career she has ahead of her will speak for itself.
Of course, the best acting in the world would have been wasted if the screenplay was weak, but with Robert Festinger (who wrote the screenplay for "In the Bedroom") on board, you can expect a convincing storyline and dialogue that felt real.
At times, the film comes dangerously close to being cliché or cheesy like a television drama or TV movie-of-the-week. And this is almost inevitable when trying to make a cautionary drama with the underlying objective of raising awareness around a societal issue. However any time you feel the film beginning to veer down this path, it is rescued by the incredible acting and you forget once more that you are watching a film. Even the ending which I thought at first was a bit overly sentimental, quickly took an unexpected and dark turn that, for me, restored its credibility.
This is a powerful and very important film, not just for families but also for David Schwimmer's career because now the sitcom actor-turned- director has established himself as a serious and very capable dramatic filmmaker who is not afraid to take on challenging material.
I'm not sure how well "Trust" will do outside of the film festival or if it would appeal to mass audiences, however I do hope people see it, especially those who care about this important issue.
I would definitely watch a David Schwimmer film again in the future - he has legitimate talent behind the camera and should he make more marketable movies in the future, he might actually make it big as a director.
I give this movie a solid 8 out of 10. Congratulations to Schwimmer and your team on this great accomplishment. And, as a woman and caring citizen, thank you for telling this story.
Before the screening, the former "Friends" star provided some valuable context for the film, sharing his personal connection to the topic. It was enlightening to learn that he himself is a dedicated advocate for survivors of sexual assault/abuse and has spent a great deal of time working and interacting with the families impacted, because the film was executed with such a sensitivity and deep psychological understanding around the difficult topic.
Before delving into my review let me just say upfront (for those who are quickly trying to decide whether or not to see this) that this is a good movie, and yes you should see it.
I also went into this film not knowing its rating and I can assure you, that while the subject is very heavy and there are some disturbing scenes and some violence, there is nothing here so sexually graphic that it is too uncomfortable to watch - even my husband who I would consider to be a "sensitive" viewer did not find the film to be graphic.
"Trust" is the kind of movie that relies heavily upon the plausibility of its dialogue and the believability of its actors. If the script was poorly written or the innumerable emotional scenes poorly acted, the whole thing might have been a disaster for Schwimmer.
Instead, Kenner and Owen turned in Oscar-worthy performances that invited viewers into their home, their marriage and their suffering. Under great direction, Owen led his character through a roller-coaster of emotions that was accessible to viewers, as we shared in his character's progression through anger, grief and understanding.
Not to be overlooked, and the true star of this film, is the young Liana Liberato who plays the daughter and the victim with such authenticity that it was at some times painful to watch. Not enough can be said about how incredible she was in this film - I think the career she has ahead of her will speak for itself.
Of course, the best acting in the world would have been wasted if the screenplay was weak, but with Robert Festinger (who wrote the screenplay for "In the Bedroom") on board, you can expect a convincing storyline and dialogue that felt real.
At times, the film comes dangerously close to being cliché or cheesy like a television drama or TV movie-of-the-week. And this is almost inevitable when trying to make a cautionary drama with the underlying objective of raising awareness around a societal issue. However any time you feel the film beginning to veer down this path, it is rescued by the incredible acting and you forget once more that you are watching a film. Even the ending which I thought at first was a bit overly sentimental, quickly took an unexpected and dark turn that, for me, restored its credibility.
This is a powerful and very important film, not just for families but also for David Schwimmer's career because now the sitcom actor-turned- director has established himself as a serious and very capable dramatic filmmaker who is not afraid to take on challenging material.
I'm not sure how well "Trust" will do outside of the film festival or if it would appeal to mass audiences, however I do hope people see it, especially those who care about this important issue.
I would definitely watch a David Schwimmer film again in the future - he has legitimate talent behind the camera and should he make more marketable movies in the future, he might actually make it big as a director.
I give this movie a solid 8 out of 10. Congratulations to Schwimmer and your team on this great accomplishment. And, as a woman and caring citizen, thank you for telling this story.
This movie deserves nationwide distribution. It is a riveting story and although difficult to stomach at times, it's a MUST SEE for kids, parents and teachers.
I saw this movie last night with my Cinema Society and was appalled to hear that the movie was pulled from distribution.
Are we such a sick society that opts for violence and science fiction movies at the expense of a life altering film as Trust. David Schwimmer is to be applauded for tackling such a disturbing subject matter. The acting was superb- Clive Owen, Catherine Keener and Viola Davis did a superb job.
The crime in this movie beyond the obvious is that such an important film will not be seen by all the people in this country that need to see it.
I saw this movie last night with my Cinema Society and was appalled to hear that the movie was pulled from distribution.
Are we such a sick society that opts for violence and science fiction movies at the expense of a life altering film as Trust. David Schwimmer is to be applauded for tackling such a disturbing subject matter. The acting was superb- Clive Owen, Catherine Keener and Viola Davis did a superb job.
The crime in this movie beyond the obvious is that such an important film will not be seen by all the people in this country that need to see it.
Lo sapevi?
- QuizThe text exchange Will is having online is a transcript from a real conversation between "fleet_captain_jaime_wolfe" and "sadlilgrrl" and is fully available on the web page Perverted Justice.
- BlooperWill states that Annie's new Macbook Pro has a hard drive with a 4 GB capacity. Drive capacities vary from model to model, but at minimum it would be over 100 GB. 4 GB is a typical amount of RAM for a Macbook Pro.
- Citazioni
Gail Friedman: We can't control what happens to us or our loved ones. What happens when Annie goes to college?
Will: What are you saying?
Gail Friedman: People get hurt. There's only so much we can do to protect ourselves, our children. The only thing we can do is be there for each other when we do fall down to pick each other up.
- Curiosità sui creditiChris Henry Coffey, who plays "Charlie," is billed as Graham Weston, the character's real name. The pictures he posts in the chat room to make Annie think he's 16 years old are of actor Tristan Peach, who is billed as Charlie in the credits..
- ConnessioniFeatured in Ebert Presents: At the Movies: Episodio #1.13 (2011)
- Colonne sonoreGive A Little
Written by Isaac Hanson, Taylor Hanson, Zac Hanson (as Zachary Hanson)
Performed by Hanson
Courtesy of 3CG Records
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Dettagli
- Data di uscita
- Paese di origine
- Lingua
- Celebre anche come
- Pérdida de la inocencia
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 4.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 120.016 USD
- Fine settimana di apertura Stati Uniti e Canada
- 58.214 USD
- 3 apr 2011
- Lordo in tutto il mondo
- 595.802 USD
- Tempo di esecuzione1 ora 46 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.35 : 1
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