Trust

David Schwimmer behind the lens of a movie with the synopsis of a movie-of-the-week about internetpredators. Wow, this could go either way I thought. And it did.

The Good: This movie is carried by its young leading star. Liana Liberato is Annie and she makes us feel every emotion she has. Sometimes we just don't get her: her actions or what's she's saying. Then, and this is where the screenplay and direction comes in, there are a few lines of dialog or a well chosen shot and we get what's being said. That symmetry is what makes Trust good.

It's never overly dramatic and definitely does not hold back in depicting the loss of innocence and broken trust within the family or the minds of the family members.

This is B-movie with an A-list cast and the movie works because of the above average actors.

The Less: It's still a little cliché. Dr. Phil would approve this film. The Hallmark-channel feeling is never shed off and although it's bold in depicting it's story: it's also very predictable. There's no grey here, only black and white. This goes also for the characters: the innocent teen, the understanding mother, the work oriented father etc.

Overall: The screenplay mixes good dialog and a dramatic look at teens growing up in the information-age with clichés and predictability. Schwimmer passes his exam as a director, as opposed to a actor turned director. It's not bad and watchable alone for the Tour de Force by Liberato, but don't expect a masterpiece. Because that would be too much credit. I give it a 6 out of 10.

Just like the other reviewers, this was a very hard watch. As a S. A. survivor, this was incredibly triggering. However, this needs to be shown to all girls starting at 7th grade, IMO. A friend of mine was groomed in this same way and this type of incident reverberates through the community and for a lifetime. I'm impressed that David Schwimmer took this on. This story felt so true and sadly, for many, this is so true. In movies about this subject, I feel they "Hollywood" up the victims and the assault. This movie is completely realistic to how a victim reacts and thus becomes a survivor. Thank you so all of those who created this film. It's heartbreaking, but we need to see it. The world needs to help young girls and protect them so much more than they know.

I watched this film without any expectations. To be honest I saw David Schwimmer was involved and let my head devalue the film before it even started.

Boy was I wrong. Trust had me hooked from the first few minutes. The subject matter is controversial to say the least but I feel it has been handled very well here. In no way does it feel exploitative, in fact in some areas I felt it was almost like a documentary.

Extremely hard to stomach in places it does not overdo the shock factor as it may have done in other hands. The cast are superb, there is not as I can see a weak link anywhere.

The only problem with this film is it's certification. Rating it R means that the people who should be watching it can't. IMHO this film should be given to every high/secondary school worldwide as Schindler's List was.

If you have kids watch this film. Them watch it with your kids! This is a subject that needs to be out there and I commend Mr Schwimer for having the guts to make it!

This film was utterly devoid of entertainment value. It was hard to watch, anti- enjoyable even. Its a black, depressing, bleak, grim film. It's like a roller coaster with only low points.

Why I rate this film a 7 is through its production quality, good acting and notably, its ability to powerfully convey it's messages. It shows a plausible story of a naive girl, meeting someone (a peodophile) online, which then leads to a chain reaction utterly destroying her and her family.

It would probably scare the hell out of any teenage girl and increase her weariness of stranger danger.

My issue is with how the 'crime' is framed - the words 'assault' and 'rape' are tossed about liberally. What is never mentioned is 'seduction', the enticement of naive young women /girls by appealing to their romantic fantasies, which has a long social and literary history. The need to feel 'loved' and 'special'. No violence is ever used. A plot point unnoticed or unmentioned by any of the posters is the father's profession. Advertising. Marketing stuff to 'tweens' using highly sexualized images. Tweens are children between the ages of 9 or 10 and 13. They're fed a constant diet of the ways to be 'desirable' and 'sexy, usually by buying stuff to make them look older and more sexually available . How can parents overcome this barrage of noxious merchandising - especially if that's what provides their good upper middle class life. It also provide the psychological conditions, along with the anonymity of the Internet, for the seduction of very young girls. Charlie is an utter creep, but he's aided and abetted by an economic order that will do anything to find new 'markets'.