Slow

It is very strange to define it because each verdict sounds very subjectiv.

A dancer and and a sign language interpreter meets for a task of job. But their relation becomes more profound . And complicated, him being asexual, she being passioned by...life.

The easy thing is to appreciate the acting, both , Greta Grineviciute and Kestutis Cicena being just great.

Second, to applause the story ( and music ) reminding few Soviet films from the last 1980 decade, defined, like Slow, by well suggested melancholia. Because it is not so pleasant story to understand - feel the relation between main characters , relation based by honest definition of vulnerability.

For me, just a profound beautiful movie , especially for sweet- bitter air and for fair portraits of ordinary people in complicated relation of love.

A great acting duo. The movie about others and also about yourself. Slow and fast, it makes you think about the questions left behind. Only after the end of the movie I finally understood why the movie started like that. Pros: realistic, lively, visually beautiful, good soundtrack, the movie allows you to see a different relationship with different points of view and their choices. Small cons: details, maybe more dialogues, were sometimes too artificial (for example, talking with other actors).

I have seen both movies from this great director. This one is different and has much more power in small things.

If you have had or have a love with someone who is asexual or erotophobic, it is a great movie to share.

I wish I could have seen it at the beginning of the relationship, it helps a lot to understand what feelings and thoughts are going through both parties.

Dovydas played by Kestutis Cicena and Elena played by Greta Grineviciute do a great job.

Marija Kavtaradze tells a story that is unconventional in everyday life and complex to understand for the rest if you have not experienced or lived it.

I have missed some good moments during the film to visualize the true, pure and real love they experience. But overall good script.

As an aroace myself, it is always delightful to see more producers, directors, and writers start to dive into the asexual cohort and increase the visibility of our group of people.

The film is very slow-paced, effusive, and relaxing. The two protagonists are likeable and authentic, making the watching experience quite entertaining. On top of that, the soundtrack is spot-on. The guy, an asexual character, is a nearly perfect example of ace, at least as the official definition suggests, while the female protagonist is very sexually active, so the clash of the two in a romantic relationship is basically about the ever-lasting topic: Are sex and love inseparable? Although the story and the conflicts between the two are pretty predictable-if you're also ace you know the drill-the film itself is not a letdown for its smoothness and completeness. Nevertheless, I wish the film could dig deeper into the asexual character's personal struggles and his history.

Approaching "Slow" or "Tu man nieko neprimeni" as a Lithuanian, I had hoped for a step forward in our film industry. Regrettably, this film succumbs to the same issues that often plague Lithuanian cinema: protracted scenes that contribute little to the narrative and an overemphasis on mundane everyday life moments. This film could have easily shed a significant portion of its runtime and still conveyed its intended message effectively.

While the film's underlying theme of asexuality held promise, it often deviates off course with superfluous dance sequences, peculiar moments like the main character Dovydas eating a sandwich or a McDonald's burger for no apparent reason, and awkward English interjections in Lithuanian dialogue. These numerous diversions detract from the film's primary theme and overall potential.

Admittedly, there were some commendable moments, such as the endearing portrayal of the two main characters engaging in the seemingly mundane task of hanging laundry. For me, this touching scene stands out amid the film's shortcomings. Nonetheless, these fleeting highlights fail to outweigh the movie's overall drawbacks.

I remain hopeful that Lithuanian cinema will rise above its stagnation and embrace more concise and impactful storytelling. However, "Slow" is a disappointing step in the wrong direction.