Un tranquillo guardiano del banco dei pegni con un passato violento assume un giro di traffico di droga e organi nella speranza di salvare un bambino che è il suo unico amico.Un tranquillo guardiano del banco dei pegni con un passato violento assume un giro di traffico di droga e organi nella speranza di salvare un bambino che è il suo unico amico.Un tranquillo guardiano del banco dei pegni con un passato violento assume un giro di traffico di droga e organi nella speranza di salvare un bambino che è il suo unico amico.
- Regia
- Sceneggiatura
- Star
- Premi
- 19 vittorie e 18 candidature totali
- Old Woman
- (as Soo-ryeon Baek)
- Section Chief
- (as Kyeong-eup Nam)
- Detective Kim
- (as Kwak Byung-gyu)
- Bear
- (as Sang-Kyeong Son)
- Loan Shark Company Worker
- (as Cheol-woo Han)
Recensioni in evidenza
By all accounts, the movie should have evoked little more than a shrug. After all, anyone who has seen even just a moderate amount of action movies will have seen countless movies with variations of this basic plot. One might think of "Leon" or "Man on Fire" for some closer examples, or movies such as "Taken" in other respects.
What made this movie into my favorite action movie in a long while is the execution of that basic plot. "This Man" manages to create just the right dark, gloomy mood to match the story and all the characters are believable. None of the scenes appear contrived or overly tear-jerker. Another vital aspect for an action movie is, of course, that the action sequences are very well done. The movie is quite graphic, but not gratuitously so or for its own sake such as in many a recent horror movie (the Saw series comes to mind).
I guess the movie could be likened to a good apple pie - certainly nothing revolutionary, in fact quite the staple of its genre, but who would want to turn down a really good apple pie with quality ingredients?
It's very Korean in its thinking, which is always refreshing to me. Saying that, I was surprised by how much it reminded me of TAXI DRIVER. It's not a re-tread by any means, but it almost felt like the director was paying tribute to the earlier film in a couple of scenes. I have no idea if this is true. Most people I have talked to about this movie have never seen the other.
This is an action film and it does not disappoint on that level. Some of it is pretty brutal, but by the finale you will most likely feel that everyone gets what they deserve and, if anything, a few deserved more. This is because they manage to build characters we care about with out slowing down too much. The pacing is nicely done with properly placed comic moments as well. Some of the humor was a bit dark, which was also nice.
What surprised me was how much I cared for the main characters. The child was sweet but not overly so. I'm used to the child being inserted for sentimental or "Ahhhh" effects--like in the first RUSH HOUR--but that is mostly avoided here and it feels much more genuine over all.
There are cruel moments in the film but the film itself did not feel cruel. That is why I liked it. So often films are either mindless, or mean-spirited, and this one avoided these pit-falls.
To develop and to show us characters and relationships. Of course it is heightened. Of course the movie takes liberties in many areas. But it is well played and well acted. The action set pieces are quite something - and while there are many characters, it is all digestable enough and condensed to a point where it works like a clockwork ...
8.3/10
Lo sapevi?
- Citazioni
Tae-Sik Cha: You live only for tomorrow.
Man-seok: What?
Tae-Sik Cha: The ones that live for tomorrow, get fucked by the ones living for today.
Man-seok: What are you babbling about?
Tae-Sik Cha: I only live for today. I'll show you just how fucked up that can be.
- ConnessioniFeatured in WatchMojo: Top 10 Movie Fights in Bathrooms (2014)
- Colonne sonoreDear
by Mad Soul Child
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Dettagli
- Data di uscita
- Paese di origine
- Siti ufficiali
- Lingue
- Celebre anche come
- El hombre de ninguna parte
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Lordo Stati Uniti e Canada
- 528.175 USD
- Fine settimana di apertura Stati Uniti e Canada
- 35.751 USD
- 3 ott 2010
- Lordo in tutto il mondo
- 44.723.232 USD
- Tempo di esecuzione1 ora 59 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.35 : 1