Sconfitta dalla sua fortuna e gravata di debiti, Emily viene coinvolta in una truffa con carta di credito che la trascina nel mondo criminale di Los Angeles, portando alla fine a conseguenze... Leggi tuttoSconfitta dalla sua fortuna e gravata di debiti, Emily viene coinvolta in una truffa con carta di credito che la trascina nel mondo criminale di Los Angeles, portando alla fine a conseguenze mortali.Sconfitta dalla sua fortuna e gravata di debiti, Emily viene coinvolta in una truffa con carta di credito che la trascina nel mondo criminale di Los Angeles, portando alla fine a conseguenze mortali.
- Premi
- 9 vittorie e 25 candidature totali
Recensioni in evidenza
Gripping , poignant , acting as good as it gets and a story that keeps you wanting to see more. I keep this review brief because if you don't see this move you will be the one missing out. Best thing I have watched at home or in the movie theater for some time.
This is a very engaging movie. Plaza is good, and Rossi, as her mentor in crime, is even better. They have a good chemistry together, which makes all the difference.
Her initial state --- student debt, no good job available, shared housing, etc. -- makes her desperation for something else understandable. Her step-by-step descent into crime feels credible, as do the details of the criminal schemes themselves.
Well worth watching.
Her initial state --- student debt, no good job available, shared housing, etc. -- makes her desperation for something else understandable. Her step-by-step descent into crime feels credible, as do the details of the criminal schemes themselves.
Well worth watching.
Aubrey Plaza and Theo Rossi are Terrific Together in this drama and thriller rolled into one. Plaza shows great acting acumen as a "down on her luck" artist who becomes swept up in a crime spree to earn extra income. She is sweet, vulnerable, and relatable in this roll. She plays it really well. Rossi is terrific as her crime mentor. He plays a savvy non-violent criminal with a softer side. The film reminds me of another great film, Uncut Gems, in all the right ways. The acting is sharp. The Direction is first class. The Cinematography is very good. The movie is small in some senses. But it evokes many emotions- from anxiety to sadness, and more. This so worth watching for the performances alone.
I wanted to see in theater but it only lasted a week at the theater I go to and was sick at the time glad it's on Netflix now. Emily the Criminal is intense, spectacular, and thrilling; very much worthy of praise! Hard to put 600 characters in about this movie some don't need it but I'll try. Anyway the acting/directing is magnificent throughout especially since it was written and directed by John Patton Ford a not known by himself that's always impressive to me. A great example of someone willing to do a lot for money even if it's risky, law breaking or life threatening. This movie stays enjoyable and perfectly suspenseful for some of it.
Holy moly what a surprising gem... with soooooo many terrible movies coming out and finding a decent, let alone, a good movie is like finding a needle in a haystack.
Reminded me a bit of "Good Time," (Safdie brothers film) and I am certain the director was inspired by Good Time, from the opening of the interview to all the very tight shots of everything, documentary style, to the music. Also "Straight Time" (Dustin Hoffman) with the authentic style and BELIEVABLE acting. Never a dull moment from beginning to end, and this is coming from someone who basically gives 98% of movies coming out a bad review, and deservingly so.
From the cinematography, camera work, and music, this was just excellent and Audrey was amazing.
I literally had zero expectations of liking this, since I've been hitting 99 to 1 on finding good movies.
The story was unique and surprising.
This is what other indie filmmakers like Sean Baker should aspire to do. They have great natural approach to filmmaking, but lack story and excitement, as they have in this one.
The movie got better and better, which was even more shocking.
What a breath of fresh air that a movie has a great plot but never forgets about the characters and relationship, and most important, approaches it with such authenticity.
Emily certainly wasn't the most likable character nor brightest of the bunch and they may have made her a bit too dumb, which seemed a bit inconsistent to the rest of her interactions, like going against their simple instructions of what not to do. Usually, that is the writer being lazy or unable to come up with a better way to create drama and/or conflict, so that is my minor criticism.
Other than that, it was really good. In summary, I had know idea what to expect, but every minute was pleasantly surprising.
I can't give it ten stars, because it wasn't without any problems, which I normally would list, but since there are so few good films out I will leave it out because I do recommend this.
Reminded me a bit of "Good Time," (Safdie brothers film) and I am certain the director was inspired by Good Time, from the opening of the interview to all the very tight shots of everything, documentary style, to the music. Also "Straight Time" (Dustin Hoffman) with the authentic style and BELIEVABLE acting. Never a dull moment from beginning to end, and this is coming from someone who basically gives 98% of movies coming out a bad review, and deservingly so.
From the cinematography, camera work, and music, this was just excellent and Audrey was amazing.
I literally had zero expectations of liking this, since I've been hitting 99 to 1 on finding good movies.
The story was unique and surprising.
This is what other indie filmmakers like Sean Baker should aspire to do. They have great natural approach to filmmaking, but lack story and excitement, as they have in this one.
The movie got better and better, which was even more shocking.
What a breath of fresh air that a movie has a great plot but never forgets about the characters and relationship, and most important, approaches it with such authenticity.
Emily certainly wasn't the most likable character nor brightest of the bunch and they may have made her a bit too dumb, which seemed a bit inconsistent to the rest of her interactions, like going against their simple instructions of what not to do. Usually, that is the writer being lazy or unable to come up with a better way to create drama and/or conflict, so that is my minor criticism.
Other than that, it was really good. In summary, I had know idea what to expect, but every minute was pleasantly surprising.
I can't give it ten stars, because it wasn't without any problems, which I normally would list, but since there are so few good films out I will leave it out because I do recommend this.
Lo sapevi?
- QuizShot in just 21 days in "the worst parts of L.A."
- BlooperWhen Emily first goes to the Dummy Shopper meeting she's asked, who gave her the number, by Khalil. She tells him it was Javier. Khalil then calls Javier to confirm it. Later on while working together, Javier asks Emily if she texted the number, which he should know she did from the call he received.
- Colonne sonoreString Sextet in A Major, OP. 48, B. 80: IV. Finale. Theme and Variations
Written by Antonín Dvorák
Performed by Anna Kreeta Gribajcevic, Jens Peter Maintz, Fine Arts Quartet
Courtesy of Naxos of America, Inc.
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Dettagli
- Data di uscita
- Paese di origine
- Sito ufficiale
- Lingue
- Celebre anche come
- Emily la criminal
- Luoghi delle riprese
- Puerto Vallarta, Jalisco, Messico(End scene after Emily left the U.S.)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 3.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 2.156.296 USD
- Fine settimana di apertura Stati Uniti e Canada
- 669.161 USD
- 14 ago 2022
- Lordo in tutto il mondo
- 2.157.673 USD
- Tempo di esecuzione1 ora 37 minuti
- Colore
- Proporzioni
- 2.35 : 1
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What was the official certification given to I crimini di Emily (2022) in France?
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