I crimini di Emily

A debt-ridden woman with an unkind past forced, Emily was cornered into partaking of a shady 'dummy shopper' scam. Things got bad to worse from there, resulting in a movie that was equally entertaining and gripping.

John Patton Ford did an excellent job writing and directing this project. Nathan Halpern's musical scoring was noteworthy though minimal. Jeff Bierman's cinematography was engaging and deep. Detail-driven work all round by the editing, hair-makeup, art direction, production design, costume, and stunt departments.

I personally believe that Aubrey Plaza's Emily is one of her career-highlight roles. She gave a riveting performance as a misunderstood and pressured woman trying to find peace of mind through freedom from debt.

Yousef, played by Theo Rossi, was great. Liz, played by Megalyn Echikunwoke, was quite good. Javier, played by Bernardo Badillo, was notable. Khalil, played by Jonathan Avigdori, was good. Vaz, played by Jack Topalian, was quite good. Armen, played by Roman Mitichyan, was memorable.

All other cast and crew did notable work in "Emily The Criminal" now streaming via Amazon Prime VOD.

This movie, and Aubrey Plaza's role in it, made me reaffirm the fact that our societal systems are designed to drive some people over the edge for no fault of their own. The script left no loose ends. Every frame, even the simple ones, felt like they contained hints of something dark at play.

"Emily The Criminal" was one of the best movies I've seen in 2022. It captured desperation and humanity in understandable and convincing ways. The movie also conveyed a guarantee that any one of us would've made the same decisions as Emily if the circumstances were right.

Realistic portrayals of the job market and its exploitation - unpaid internships, to name one - were also focused upon. The way it all led to Emily choosing crime to pay her bills and survive ended up feeling credible and essential. The script put paid to the adage, "criminals are not born, they're made."

I wanted to see in theater but it only lasted a week at the theater I go to and was sick at the time glad it's on Netflix now. Emily the Criminal is intense, spectacular, and thrilling; very much worthy of praise! Hard to put 600 characters in about this movie some don't need it but I'll try. Anyway the acting/directing is magnificent throughout especially since it was written and directed by John Patton Ford a not known by himself that's always impressive to me. A great example of someone willing to do a lot for money even if it's risky, law breaking or life threatening. This movie stays enjoyable and perfectly suspenseful for some of it.

Holy moly what a surprising gem... with soooooo many terrible movies coming out and finding a decent, let alone, a good movie is like finding a needle in a haystack.

Reminded me a bit of "Good Time," (Safdie brothers film) and I am certain the director was inspired by Good Time, from the opening of the interview to all the very tight shots of everything, documentary style, to the music. Also "Straight Time" (Dustin Hoffman) with the authentic style and BELIEVABLE acting. Never a dull moment from beginning to end, and this is coming from someone who basically gives 98% of movies coming out a bad review, and deservingly so.

From the cinematography, camera work, and music, this was just excellent and Audrey was amazing.

I literally had zero expectations of liking this, since I've been hitting 99 to 1 on finding good movies.

The story was unique and surprising.

This is what other indie filmmakers like Sean Baker should aspire to do. They have great natural approach to filmmaking, but lack story and excitement, as they have in this one.

The movie got better and better, which was even more shocking.

What a breath of fresh air that a movie has a great plot but never forgets about the characters and relationship, and most important, approaches it with such authenticity.

Emily certainly wasn't the most likable character nor brightest of the bunch and they may have made her a bit too dumb, which seemed a bit inconsistent to the rest of her interactions, like going against their simple instructions of what not to do. Usually, that is the writer being lazy or unable to come up with a better way to create drama and/or conflict, so that is my minor criticism.

Other than that, it was really good. In summary, I had know idea what to expect, but every minute was pleasantly surprising.

I can't give it ten stars, because it wasn't without any problems, which I normally would list, but since there are so few good films out I will leave it out because I do recommend this.

Decent movies are becoming rarer nowadays. They're produced like junk food. On an industrial scale and with very little intrinsic value, soul or art. This little gem is definitely not one of those and I'd comfortably place in the fantastic category. Aubrey is outstanding! She's still the same actor you'll recognise instantly but also manages to pull off something completely fresh and unexpected. The story is a cracker. Excellently shot. Pacing is on point. Cast is spot on.

One of my favourite films this year so far, and after being disappointed so many times that's a very pleasant surprise!

Encore!!

This is a very engaging movie. Plaza is good, and Rossi, as her mentor in crime, is even better. They have a good chemistry together, which makes all the difference.

Her initial state --- student debt, no good job available, shared housing, etc. -- makes her desperation for something else understandable. Her step-by-step descent into crime feels credible, as do the details of the criminal schemes themselves.

Well worth watching.