5lbs of Pressure

A sad tale of small-world crime, drug, revenge, drama and father's love and redemption. From beginning to end, there's brutality, sadness, throat-clamping situations and some very intense moments whether emotional or heart-breaking in a brutal way.

The character of Luke Evans deserved better, and the way the movie finished just doubled the sadness that's scattered throughout like deadly white powders.

• Screenplay/storyline/plots: 5.5
• Development: 7
• Realism: 7
• Entertainment: 6
• Acting: 7.5
• Filming/photography/cinematography: 7
• VFX/CGI: 7.5
• Music/score/sound: 7
• Depth: 6
• Logic: 5
• Flow: 6
• Crime/romance/thriller/drama: 6
• Ending: 6.

People reviewing this movie believe they were/are the intended audience, so they are disappointed. If you've "seen it all before", then by all means, pick another show. Others who don't live in a seedy underworld and who want to try a "gritty" movie rather than horrors or rom-coms should pick this one.

It's not slow, but it has a lot of moving parts. A main part is a middle-aged ex-con who did his time and came back home when he got out to try to see his son and work things out with the old lady. His job at the bar started his last day on parole, so he didn't break any real law, just a technical one, but he was making everyone nervous because his old life was right there--nobody wanted to go through it all again and you can't blame them.

Another moving part is rory culkin's character. One reviewer described him as 'dim' and that pretty much nails it. He is ridiculed a good bit initially and something in your head keeps giving him a back seat, like he's a secondary character, but he keeps turning up, he doesn't keep his place.

Since everyone is a bad guy or living in a bad area, the backdrop can't be the local burger joint with everyone the same age talking about strip malls & surfer girls. Big surprise then that some reviewers were shocked to see crooks, clerks, sharks, parks, drugs, dudes and, yes, AA meetings- this one for addicts, not alcoholics- but it was good to include it for the potential (and oft-proven) good it brings to a bad place. People always think it's fake at first. When they see someone is improving and taking it serious, they change their mind.

That's what i like about adam. His determination. He had to stay on folks to get basic simple things done. Everyone wanted to say no or put a foot out. That happens to everyone. Some people don't know how to handle it or what you do about it. Adam does it right, he persists, and he keeps his support (AA) because he wants to be successful. You have to be young and live long enough to get old before you can see how to navigate a path for yourself. Adam has the clear focus that comes with age and mistakes while the rest of the players are just trying to manipulate events.

There is truth and tenderness in a hard and violent place, springing up like dandelions in a cracked porch with this film. It's Hope-- for families, for futures, for justice, for travel or gun control maybe, it's whatever flower you see growing there.

Don't let these jerks talk you out of a good movie. See it for yourself. I'm not the intended audience and i liked it anyway, you might too.

Greetings again from the darkness. With a setting in the Red Hook neighborhood of Brooklyn (though filmed in Manchester, UK), writer-director Phil Allocco has adapted his own 2005 short film THE MIRROR into a gritty and violent feature length crime thriller. For fans of the genre, there is enough here to make it worth watching.

Luke Evans stars as Adam, recently paroled after committing murder 16 years prior. He is 5 years clean, and against all better judgment, he returns to his old neighborhood. Why would he make this choice? Well, he hopes to reconcile with his ex, Donna (Stephanie Leonidas, "American Gothic") and get to know his grown son, Jimmy (Rudy Pankow, who I also watched this week in ACCIDENTAL TEXAN). Donna not only rebuffs Adam's attempts to re-connect, but she begs him to stay away from Jimmy, who she desperately wants to prevent from falling into Adam's old ways. No one seems to believe Adam has turned over a new leaf, and the only job he can secure is as bartender at a dumpy pub called The Mirror.

Allocco begins the movie with an exterior shot of The Mirror Bar where we see and hear gunshots. We then flash back to four days earlier with Adam's parole. The question the opening scene leaves us with is - who is on the wrong end of those gunshots? Slowly (sometimes too slowly) the players in the hood come into focus. Mike (Rory Culkin, the underrated COLUMBUS, 2017) is a rocker wannabe spending his time running risky errands for his Uncle Leff (Alex Pettyfer, MAGIC MIKE, 2012), a drugs and gun dealer who, after his sister's OD, promised to look after her son despite having little faith in him. Mike's friend Eli (Zac Adams) was a witness to his older brother getting shot by Adam all those years ago ... and he remains filled with anger and bitterness. That bitterness shows in how he treats his girlfriend Lori (Savannah Steyn), who mostly just wants a change of locale. Other players here include bad guy ER (Gary McDonald) and Adam's PO played by Julee Cerda.

If you are thinking that's a lot of players in a story about an ex-con, you'd be right. Adam's story is at the center, but there are so many other things being affected by both his presence and the violent nature of street crime, that we feel like we are being introduced to loser after loser. The weight of the past is always hovering, and the themes of crime, revenge, forgiveness, and a desire for a fresh start, all lead to the vicious and endless cycle we've come to expect from these movies. We learn what the title refers to, and how art can act as a bonding agent if given a chance. Adam and Mike are the film's most interesting characters, yet most of the others get a bit shortchanged.

Opening in theaters, on digital and OnDemand beginning March 8, 2024.

First, Luke Evens is absolutely great as a father and ex-lover looking for another chance!

I understand the low ratings are probably from people who are not interested in human nature, what makes people do the things they do and how hard and tricky life can be but this movie kept me on edge the whole time as I was awaiting what directions the characters will take and where will that end them up because I could understand their struggles. I think all the plots were meaningful and the actors were good, especially Luke Evans.

Based on current ratings it looks like it's not for everyone but I enjoyed this movie quite a lot and recommend it to people who like drama movies.

Poor acting. I would say everyone in this film does some pretty bad acting except Luke Evans, but even his character had the stereotypical Brooklyn accent and solemn tone. Some cliché scenes like the AA meeting where someone speaks to the group, then guess who speaks next - Luke Evans. The son looks like he's 30 but plays a character that I think is supposed to be around 17. (His mom says he's "impressionable", so that makes me think teens.) In one scene Adam (Luke Evans) says to his son that he was his age when he committed a murder. We know he was in jail for 16 years, so that would put Adam at around 33 years old, however Luke Adams is 44, and to me he looks like he's in his 50s in this film.

The drug dealer uncle, sitting at his desk in an auto repair shop with a safe on the desk is pretty lame. All the dim lighting is cliché of the seedy drug underworld. The Jamaican accent of the female drug dealer isn't very good, not a genuine accent. I can never understand why casting can't cast actors with genuine accents, especially for accents that so many of us are familiar with.

The film takes a long time to get to the real story, it was probably in the last quarter of the film that I realized where it was going. I prefer to know in the first quarter what the film is about and let it unfold from there. I wanted to stop watching it many times but was too invested to stop so I let it play, probably skipped ahead a couple times.