La vita di un disonesto venditore di assicurazioni si disintegra rapidamente durante un inverno del Wisconsin quando si allea con uno psicopatico per rubare un violino raro a casa di un cont... Leggi tuttoLa vita di un disonesto venditore di assicurazioni si disintegra rapidamente durante un inverno del Wisconsin quando si allea con uno psicopatico per rubare un violino raro a casa di un contadino solitario.La vita di un disonesto venditore di assicurazioni si disintegra rapidamente durante un inverno del Wisconsin quando si allea con uno psicopatico per rubare un violino raro a casa di un contadino solitario.
- Sherri
- (as Jennifer M. Edwards)
- Glen Vandenhoevel
- (as James Detmar)
Recensioni in evidenza
The problem may be - as we were told at our cinema previewing club - that the director lost final cut here, and found herself with a movie she no longer can even comment on, with 15 minutes cut, the film re-edited, and a score she never intended - and one that doesn't work well.
The result is a somewhat uneven, too dark black comedy. Or is it a drama? Or perhaps a "caper" movie? I'm not quite sure.
When it comes to the acting, though, this is a great film. Greg Kinnear plays a character too reminiscent of Wm. H. Macy's turn in Fargo, but he makes the most of it, though - team player that he is - he's outshone by more spectacular performances. Alan Arkin, for one, who also did it to Kinnear in Little Miss Sunshine. But the "steal the show" performance is by Billy Crudup, always sexy (my wife says he's "hot") and interesting to watch, and here at his very best. Bob Balaban is spot on as a violin dealer, and the rest of the cast is excellent.
Worth seeing for many, but mostly for those performances.
The movie setting is winter in Wisconsin and although we see some ice and snow from time to time, we wished there were more wintry scenes. You see, they kind of help cool us when we are watching this in the summer heat wave we have now. Bummer.
Returning to our story, we see that Mickey is in debt and is willing to steal Gorvy's violin as Gorvy isn't aware of the true value. Enter Randy and the cover-up begins, but both are surprised by a neighbor who feels something isn't right and threatens to call the police. What to do? What to do?
That is as far as I will go because the rest is complicated. We like Mickey and hope he can find a way to make things right. However, because most of this happens in the beginning, we see that there is a lot more story (read movie) to go and things get even more complicated and go progressively worse for Mickey. Okay, okay, I went a little further but, we see there is enough time for Mickey to make things right. That is our hope.
There are many twists and turns in here and you need to keep up. We keep rooting for Mickey, but things go further and further south for him. Greg Kinnear plays Mickey to perfection. We feel his pain even though he did something wrong. The acting performances of the rest of the cast are perfect, but it is Mickey we care about and he needs to find a way out of the mess he helped create. We can only hope
We see Randy as a normal person, but when he gets surprised by something that doesn't go right, he loses it big time for a while and then he reverts back to being quiet and normal again. This happens 2-times in the movie. I guess this is the comic relief within. Pretty good though. Kind of reminds us of William H. Macy in FARGO when he beats the hell out of his vehicle when his plans are upset. These temper tantrums are great scenes. Kudos.
The key to the whole movie is Arkin's Gorvy, who is naïve and agreeable to insurance suggestions by Mickey's new agent hire, Bob (David Harbour). Alan Arkin is becoming a real acting treasure in his later years and we like his screen presence. Okay, okay, the real key to the movie is Mickey and his greed. You will see why. Okay? Tough room.
Violence: Yes. Sex: No. Nudity: No. Language: No.
That note alone should make one hesitate before publishing something negative about the film. It makes me consider my position as an online film critic deeper, too. Here I am, a viewer of many movies a year (last year almost five-hundred) by choice, and I don't always take into account the effort it takes to make a picture and the stress that numerous people likely go under. Thin Ice is a perfect example of a film I hesitate to review because I feel as if I have not seen the real thing. The ninety-three minute cut has received mixed reception, contrary to the original films near-acclaim.
Regardless, I find Thin Ice - in and of itself - a solid crime caper. The story centers around Mickey Prohaska (Greg Kinnear), a third rate insurance salesman in a dire financial predicament, looking to invest in something that will increase his reliability, win back his wife, and get him out of the frigid, merciless conditions the Wisconsin cold has brought him. He teams up with another man to try and sell Gorvy Hauer (Alan Arkin), an elderly, senile farmer, insurance despite knowing the man doesn't have much money at all. When Mickey discovers he has an expensive-looking violin, he has it appraised only to realize it is slightly rare and valued at $25,000.
This seems all well and good until Randy Kinney (Billy Crudup), a local con-man with an unstable temper, discovers Mickey's plans and, in the process, kills one of Gorvy's neighbors. Now, in an effort to save his own skin, Mickey must work with Randy to cover up the murder, while trying to turn a profit from Gorvy, and sneakily sell his violin for what soon becomes an unruly amount of money.
One film that will cross nearly every mind that watches this film is Fargo, the Coen brothers classic. The entire picture seems like a spin off of the film, from the similar plotpoints to the locational weather to the darkly funny direction the film takes. Despite this, Sprecher and her sister Karen do a bold job of making this film stand on its own, simply because of the way events are piled on each other in a rapid-fire order and how the twist is tacked on at the end.
The acting, however, is the film's strongest feature, with Kinnear, Crudup, and Arkin being on top of their game in terms of convincing performances. Kinnear is a great everyman, but he has a way about playing a man who has a bigger, brasher internal view of himself in contrast to the way he actually appears. This kind of character's mannerisms are seen in the wonderful Little Miss Sunshine, where he played a father hellbent on selling success advice in a cheap twelve-step book. Here, he plays a deadbeat husband hellbent on selling insurance in a cheaply wrapped package and achieves the same level of success.
Meanwhile, Crudup's character is a tricky one to pull off. He is a character that requires the actor playing him to go from collective to explosive in a matter of seconds akin to a time-bomb. This works tremendously in contrast to Kinnear's "gotta keep everything subtle and cool" persona. Finally, it should come as no surprise Arkin is great here, but the role is made more special because it shows Arkin as something he rarely is - gullible.
Ultimately, there are issues in Thin Ice that need to be addressed. The pacing is a bit too fast and the opening is a tad sluggish when it should look to grab our attention. However, these are issues that I am almost certain wouldn't exist if the original cut had been released like it should've been. The product we are left with is pretty solid and an easy thing to recommend, but the entire thing almost feels like a cliffhanger that has no writer to complete it.
Starring: Greg Kinnear, Billy Crudup, and Alan Arkin. Directed by: Jill Sprecher.
The good news is that "Thin Ice" provides the audience with an even-more-twisty-tale. The performances are steady across the board. Now, I'm not saying this is as good or better than Fargo, IT'S NOT! But, it's a good movie.
The twists in the last 30 minutes are hefty and hard to scrutinize. There are a few aspects of the plot that were a little predictable, but for the most part the twists in the end were well-concealed and somewhat believable.
The film moves fairly slow, but never came off to me as boring. It doesn't really have any style to speak of, and the other director elements are nothing special. Greg Kinnear, Alan Arkin, and Billy Crudip do a fine job with an average script that is completely void of comedic moments(style and comedy were two of Fargo's strengths).
The plot twists in the last third of the film DO set this one apart, and while the film DOES lack style and comedy, the acting helps keep it afloat.
I'd say this deserves a bit higher ranking than it's current 6.1 here, but it also isn't something that you should feel the need to move up to the top of your list.
A Coen Brothers story without some of the Coen Bro's trademarks.
I'm stuck between 6 and 7 here at 65/100, but rounding up and taking into consideration the low 6.1 score.
You might like this if you liked: American Gun(not as good), Fargo(better), Burn After Reading(about even), and Millions(not as good).
Mickey Prohaska is an insurance salesman looking to move from freezing Wisconsin to some sunnier state. He has a silver tongue and a well thought-out approach to his future customers. Self-confident and always in control he decides to show how it's done to his new employee by helping him lock a deal with a forgetful elderly gentlemen Gorvy Hauer. While at his house he accidentally discovers that Gorvy has a very valuable violin, that he currently uses to play fetch with his dog. And then and there the plan is born in Mickey Prohaska's head, a plan that will get him out of snowy Wisconsin but he did not realize that sometimes things go wrong, very wrong. As events unfold we see him losing control over the situation and accusations of murder, heist and embezzlement are pending... Will Mickey manage to talk his way out of this situation (and should we want him to?) is up to you to find out. Enjoy.
Check out my review site Rabbit-Reviews.com for movies that are worth watching, Rabbit out...
Lo sapevi?
- QuizAt first titled The Convincer, the initial edit of the film was screened in January 2011 at the Sundance Film Festival. Distributors ATO and production company Werc Werk Works demanded that director/writer Jill Sprecher make sweeping changes to the film from the version shown at Sundance in order to speed the film up. The production company claimed that Sprecher "refused to be part of the process," while she stated she was never allowed to review the distributor's notes to make any comments on them. The revisions were made without her input, replacing the original composer, Alex Wurman, and the original editor, Stephen Mirrione. Sprecher was prevented from speaking to the press, but said she is "heartbroken and devastated," wanted to remove her name from the film, but was not allowed to do so. The completely re-cut film was retitled Thin Ice. Sprecher reportedly learned of the name through the Internet and not from the production company.
The Convincer cut received generally positive reviews from critics at the Sundance Film Festival. The re-cut Thin Ice received uniformly negative responses ("disappointing," "poorly edited," "a stinker") after screenings at B-List festivals in October 2011. Thin Ice received positive responses from critics with a "fresh" rating of 69% on Rotten Tomatoes, based on 59 reviews. Following the further festival run, the film was released theatrically in February 2012.
- Citazioni
[first lines]
Mickey Prohaska: [narrating] There is a saying. Believe none of what you hear, and only half of what you see. Good advice. People will try to convince you of anything.
- Versioni alternativeThe film premiered out of competition at the 2011 Sundance Film Festival under its original title "The Convincer"; that version was edited by Stephen Mirrione and featured an original score by Alex Wurman and Bela Fleck. It was subsequently reedited by Lee Percy and re-scored by Jeff Danna. The new version has been retitled Thin Ice (2011)
- Colonne sonoreLeave Our Worries
Written by Christopher A. Corley and Jon D'Agostino
Performed by Serendipity
Published by Astonishing Music (BMI) /
Music Expressions ASCAP
Courtesy of Crucial Music
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- Thin Ice
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Botteghino
- Lordo Stati Uniti e Canada
- 790.421 USD
- Fine settimana di apertura Stati Uniti e Canada
- 183.527 USD
- 19 feb 2012
- Lordo in tutto il mondo
- 790.421 USD
- Tempo di esecuzione
- 1h 33min(93 min)
- Colore
- Mix di suoni
- Proporzioni
- 2.35 : 1