VALUTAZIONE IMDb
6,3/10
2088
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaAn old Jewish baker struggles to keep his business afloat until his young Muslim apprentice drops cannabis in the dough and sends sales sky high.An old Jewish baker struggles to keep his business afloat until his young Muslim apprentice drops cannabis in the dough and sends sales sky high.An old Jewish baker struggles to keep his business afloat until his young Muslim apprentice drops cannabis in the dough and sends sales sky high.
- Regia
- Sceneggiatura
- Star
- Premi
- 8 vittorie totali
Phil Davis
- Sam Cotton
- (as Philip Davis)
Recensioni in evidenza
DOUGH is a 'dramedy' with a big heart, dealing with the tension between Jews and Muslims, who despite their cultural differences have many shared values. It involves a young Muslim and the unlikely friendship he develops with an older Jewish baker. The story is about how the small baker is fighting a loosing battle for survival against a corporate giant and how the young boy tries to help him save the bakery. David versus Goliath. It has laugh out loud lines that all ages will find humorous. Jonathan Pryce(the baker) and Jerome Holder(the boy) are excellent and their chemistry is so believable you will find yourself cheering them on. I saw it at The Atlanta Jewish Film Festival and LOVED IT!
"Dough" (2015 release from the UK; 94 min.) brings the story of an elderly Jewish baker, Nat Dayan. As the movie opens, Dayan is awakened at 4 am by his clock alarm, and off he goes to his beloved "Dayan & Son" bakery for another long day. Much to his dismay, his assistant unexpectedly gives his notice, and Dayan puts up an "Apprentice Wanted" sign. In a parallel story, we get to know Ayyash, a teenage Muslin boy who recently emigrated to England with his mum from somewhere in Africa. Ayyash is in a bit of trouble due to selling marijuana on the side. His mum pushes Ayyash to apply for the vacant apprenticeship. At this point we're not even 15 min. into the movie, but to tell you more would spoil your viewing experience, you'll just have to see for yourself how it all plays out.
Couple of comments: this movie is directed by John Goldschmidt, a veteran of mostly British TV work. Here he tackles a light-hearted story about how fate brings together an old Jew and a teenage Muslim, and how wonderful religious tolerance and mutual respect can be, all the while also suggesting that the occasional doughnut or muffin spiked with marijuana may not be such a bad thing either. There is nothing much surprising in the entire movie, but it's all done in a rather pleasant and inoffensive, if at time borderline preachy, way. Jonathan Pryce as the old Jewish Baker brings a fine performance. The boy playing Ayyash has an easy smile on his face, and the chemistry between these two lead characters is obvious. Interesting is that before the movie started, there was a 30 second "introduction" clip by Pauline Collins, who plays the owner of the shop space, to remind us how important religious tolerance is and to enjoy the movie. That was a little weird, I must say.
"Dough" opened without any pre-release fanfare or buzz at my local art-house theater here in Cincinnati a number of weeks ago. I wasn't really planning on seeing it, but since it's now been running for so long, I figured I wanted to see for myself why this movie must be doing so well that it's still running after all these weeks. The Sunday early evening screening where I saw this at was attended very nicely, somewhat to my surprise. The crowd absolutely loved the movie, laughing and chuckling at all the right moments. If they keep packing'em in like this, I imagine "Dough" will stay in the theater for a while longer. If you are in the mood for a light-hearted foodie-comedy about a Jewish bakery with marijuana-spiked wares, I might suggest you check this out, be it in the theater, on VOD or eventually on DVD/Blu-ray.
Couple of comments: this movie is directed by John Goldschmidt, a veteran of mostly British TV work. Here he tackles a light-hearted story about how fate brings together an old Jew and a teenage Muslim, and how wonderful religious tolerance and mutual respect can be, all the while also suggesting that the occasional doughnut or muffin spiked with marijuana may not be such a bad thing either. There is nothing much surprising in the entire movie, but it's all done in a rather pleasant and inoffensive, if at time borderline preachy, way. Jonathan Pryce as the old Jewish Baker brings a fine performance. The boy playing Ayyash has an easy smile on his face, and the chemistry between these two lead characters is obvious. Interesting is that before the movie started, there was a 30 second "introduction" clip by Pauline Collins, who plays the owner of the shop space, to remind us how important religious tolerance is and to enjoy the movie. That was a little weird, I must say.
"Dough" opened without any pre-release fanfare or buzz at my local art-house theater here in Cincinnati a number of weeks ago. I wasn't really planning on seeing it, but since it's now been running for so long, I figured I wanted to see for myself why this movie must be doing so well that it's still running after all these weeks. The Sunday early evening screening where I saw this at was attended very nicely, somewhat to my surprise. The crowd absolutely loved the movie, laughing and chuckling at all the right moments. If they keep packing'em in like this, I imagine "Dough" will stay in the theater for a while longer. If you are in the mood for a light-hearted foodie-comedy about a Jewish bakery with marijuana-spiked wares, I might suggest you check this out, be it in the theater, on VOD or eventually on DVD/Blu-ray.
The writer has lovingly braided a fairytale for adults that imagines a place where religious, ethnic and societal differences aren't dealt with violence but with respect, restraint and a desire for mutual understanding and appreciation.
An aging baker, an economically challenged refugee struggling to make a new life in a foreign land, a randy widow, opportunistic drug lord, and scheming business executive are tossed into the writer's mixing bowl.
As the yeast works its magic, we enjoy the dramatic conflicts and gentle humor director John Goldschmidt stretches, pulls and shapes from his cast. Jonathan Pryce (the Jewish baker Nat Dayan), Jerome Holder (the Muslim immigrant Ayyash), and Pauline Collins (the widow Joanna) deliver a perfectly browned Dough straight from the hearth and ready for your consumption.
Challah back if you think this review didn't rise to the occasion.
An aging baker, an economically challenged refugee struggling to make a new life in a foreign land, a randy widow, opportunistic drug lord, and scheming business executive are tossed into the writer's mixing bowl.
As the yeast works its magic, we enjoy the dramatic conflicts and gentle humor director John Goldschmidt stretches, pulls and shapes from his cast. Jonathan Pryce (the Jewish baker Nat Dayan), Jerome Holder (the Muslim immigrant Ayyash), and Pauline Collins (the widow Joanna) deliver a perfectly browned Dough straight from the hearth and ready for your consumption.
Challah back if you think this review didn't rise to the occasion.
"Dough" is a film brand new to DVD and is available from Netflix...and I strongly recommend you give it a try. This is because this British movie is very fresh and original...and is far better than I'd expected given what I knew about the plot. Just be forewarned...you might not like the characters initially...stick with it, you won't be sorry!
When the film begins, young Ayyash (Jerome Holder) is an unemployed African man living in London. His plan to get himself and his mother out of poverty is to sell drugs for a particularly nasty thug. However, his mother is looking out for him and when her employer, Nat (Jonathan Pryce), is in need of an apprentice in his bakery, she introduces Ayyash to him. As for Ayyash, he only agrees to do the job as a cover...he assumes most of his money will come about by selling drugs.
As for Ayyash and Nat, they have no reason to get along of like each other. After all, Nat is an old Orthodox Jew and Ayyash is a young black Muslim--not exactly natural friends. However, and this is what I loved about the film, over time the odd pair began to grow on each other and actually care about each other. Yet, at the same time, it didn't come off as clichéd or ridiculous.
One day, Ayyash is making bread and some of his marijuana falls into the batch. He tells no one but the bread turns out to be a hit...and Ayyash decides to use more pot in his baking because he wants to help out Nat because his business is failing. Soon, they have more customers than they could have dreamed of and Nat doesn't suspect why this is the case. As for what happens next, you'll just have to watch the film for yourself.
This film easily could have been a goofy comedy but instead shied away from overt comedy. Instead, the filmmakers wisely chose to make the story much more character-driven instead of going for the cheap laughs. As a result, you really grow to like the characters and their interaction is at times quite sweet. Both actors did a great job with the material and the film is one that only gets better as the movie progresses. Well worth seeing and a very nice picture that took me by surprise.
When the film begins, young Ayyash (Jerome Holder) is an unemployed African man living in London. His plan to get himself and his mother out of poverty is to sell drugs for a particularly nasty thug. However, his mother is looking out for him and when her employer, Nat (Jonathan Pryce), is in need of an apprentice in his bakery, she introduces Ayyash to him. As for Ayyash, he only agrees to do the job as a cover...he assumes most of his money will come about by selling drugs.
As for Ayyash and Nat, they have no reason to get along of like each other. After all, Nat is an old Orthodox Jew and Ayyash is a young black Muslim--not exactly natural friends. However, and this is what I loved about the film, over time the odd pair began to grow on each other and actually care about each other. Yet, at the same time, it didn't come off as clichéd or ridiculous.
One day, Ayyash is making bread and some of his marijuana falls into the batch. He tells no one but the bread turns out to be a hit...and Ayyash decides to use more pot in his baking because he wants to help out Nat because his business is failing. Soon, they have more customers than they could have dreamed of and Nat doesn't suspect why this is the case. As for what happens next, you'll just have to watch the film for yourself.
This film easily could have been a goofy comedy but instead shied away from overt comedy. Instead, the filmmakers wisely chose to make the story much more character-driven instead of going for the cheap laughs. As a result, you really grow to like the characters and their interaction is at times quite sweet. Both actors did a great job with the material and the film is one that only gets better as the movie progresses. Well worth seeing and a very nice picture that took me by surprise.
Some of the most interesting movies that I've seen focus on food: "Big Night", "Chocolat" and "Chef", to name a few. Now we have "Dough". Part look at Jewish baking, part look at a mixing of cultures, it hits all the right notes. Basically, it reminds us that we're all human, all trying to survive in this modern world. But it's also got some funny stuff and great lines. I've liked Jonathan Pryce in every role where I've seen him, and I hope that newcomer Jerome Holder gets more roles like this one. Definitely worth seeing.
Also appearing are Ian Hart (Quirrell in "Harry Potter and the Sorcerer's Stone") and Pauline Collins (the title role in "Shirley Valentine").
Also appearing are Ian Hart (Quirrell in "Harry Potter and the Sorcerer's Stone") and Pauline Collins (the title role in "Shirley Valentine").
Lo sapevi?
- QuizDough's tagline "You don't have to be baked to make some Dough" (and poster layout) is a parody of Levy Rye's "You don't have to be Jewish to love Levy's real Jewish Rye" campaign from the '60s.
- BlooperThere is a sign in the bakery that says, "All our goods are baked on premises as yosan". Although the word "yosan" is supposed to be transliteration of a Hebrew word, it is still misspelled. The word is commonly spelled "yoshon", which in Jewish law refers to when certain types of grains are planted and take root in relation to the calendar year.
- ConnessioniFeatures Cantando sotto la pioggia (1952)
- Colonne sonoreSingin' in the Rain
from Cantando sotto la pioggia (1952)
Performed by Gene Kelly
Music by Nacio Herb Brown
Lyrics by Arthur Freed
© 1929
Published by EMI Music Publishing Ltd. / EMI United Partnership LTD.
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Dettagli
- Data di uscita
- Paesi di origine
- Sito ufficiale
- Lingua
- Celebre anche come
- La mejor receta
- Luoghi delle riprese
- Londra, Inghilterra, Regno Unito(London)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Lordo Stati Uniti e Canada
- 1.148.304 USD
- Fine settimana di apertura Stati Uniti e Canada
- 50.871 USD
- 14 feb 2016
- Lordo in tutto il mondo
- 1.647.429 USD
- Tempo di esecuzione1 ora 34 minuti
- Proporzioni
- 2.35 : 1
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