Halloween

If you see the very first one or remember it very well, right from the start you will see the connection. Yes the credits indicate we get the "true"(?) sequel to the original Halloween. And there are so many nice little treats spread throughout the movie (an actress from the first movie reappearing in a different role, but also shots that are almost the same as in the original ... but sometimes there is a twist for the viewers).

The original two main actors reprising their roles too (even if some may argue you can't tell with Myers because of his mask). This really is a service to fans and a movie that cherishes the original. Of course since the myriads of sequels introduced a lot of stuff, most of which is thrown out the window (no pun intended). One of the primary things being that like in the original, the Killer and the chosen victim are not related. Even so they have a special bond/relationship. So the only movie you need to watch before this, is the Original movie from 1978 - it will be worth your time. The ending of this new one may feel for some like a let down, but it is what it is and even if it feels like a letdown, it still sort of works in the whole picture

John Carpenter's 1978 'Halloween' is wholly deserving of its status as a horror classic, as a horror film it is one of the most iconic ones and very influential. To this day it is still one of the freakiest films personally seen and introduced the world to one of horror's most iconic villainous characters, and characters overall, in Michael Myers.

The numerous follow-ups are very hit and miss (leaning towards the miss), with none of them being anywhere near as good and the quality decline generally was pretty drastic. 'Halloween H20: 20 Years Later' was an exception, while the Rob Zombie films and 'Halloween: Resurrection' were abominations. Hearing that there was going to be another film, part of me was really excited as it did look very creepy and word of mouth was positive. There was a little nervousness though as well, due to not being impressed generally with most of the 'Halloween' follow ups. Watched it though as part of my seeing as many 2018 films as possible quest, which has been a worthwhile one mostly but also hit and miss.

Found myself breathing a big sigh of relief walking out of the cinema. While 'Halloween' (2018) is nowhere near as good as the 1978 classic, alongside 'Halloween H20: 20 Years Later' it is one of the best of the series since. There are flaws and it is not one of my favourites of the year, but there are a lot of strengths and there have been worse films this year. As far as 2018 horror films go, the year has been patchy for horror, it's one of the best ones on the most part.

Starting with 'Halloween's' (2018) problems, some of the humour is misplaced and out of kilter too much with the rest of the film and a few elements of the story could have been explored and gone further more.

The big twist also didn't seem fully realised although a brave one and the ending felt rushed and abrupt, also felt that there could have been more tension and less unintentionally silly camp. Have always been wary of open-ended endings and that they can be dangerous to do in case a planned sequel falls through.

However, there is an awful lot to like about 'Halloween' (2018). Along with 'Halloween H20: 20 Years Later' it is the best looking of the follow-ups, it is very eerily shot and is close in style to the autumnal look and visual iconography of the original, something that most of the follow-ups failed to do. Loved the haunting music score, here an asset rather than a drawback in how it adds a lot to the atmosphere and enhances it, coming close too in being a character of its own.

While flawed, the script is mostly smart with in-jokes and references that are effectively embedded and coming over as affectionate rather than random. There are humorous moments too. 'Halloween' (2018) succeeds in being fun and creepy, with the atmosphere being riddled with tension and suspense. The deaths are horrifyingly creative and the most shocking since 'Halloween H20', the gore not going overboard on the shock value or looking cheap, not distracting at all. The beginning is unsettlingly tense and Michael Myers has not been this freaky in a long time. Some moments have surprising heart and the scares made me jump and bite my nails. It was great for the film to return to the franchise's roots and treat the original with respect, while with enough new touches of its own. One of the better examples this year in attempts to cater to everybody.

Didn't find myself annoyed by the characters and there was personality to them to stop them from being bland. 'Halloween' (2018) is one of the best acted 'Halloween' films. Jamie Lee Curtis has still got it, none of what made her character great is lost or forgotten, and Nick Castle is supremely terrifying as Myers.

Concluding, didn't bowl me over but found myself enjoying it all the same. 7/10 Bethany Cox

After Resurrection and the Rob Zombie films, it's an understatement to say that Halloween (2018) was a pleasant surprise. Laurie Strode was given the T2 Sarah Connor treatment and is now a formidable badass, having waited forty years for Michael Myers to escape prison so that she can kill him. This is the showdown we've been clamoring for.

If there's one thing Halloween (2018) gets right, it's the protagonist. Laurie Strode is treated with respect here, unlike in other sequels (I'm looking at you, Resurrection). She's been training for forty years, preparing, praying for Michael to break out of prison so she can kill him. Her daughter had to learn how to fight at a very young age, and eventually Laurie was deemed unfit to be a parent. Because of this, they have a strained relationship, and it's believable. There's even a satisfying payoff at the end. Horror filmmakers take note: a little character development goes a long way.

There's also Laurie's granddaughter, and this is where the flaws start to creep in. The teenagers and their drama was the weakest aspect of the movie. Sadly, most of the second act is devoted to these characters that we really don't know or care about. There's Laurie's granddaughter, her boyfriend, the comic relief guy, her ditzy friend, and her friend's boyfriend. That's the extent of their characters. Naturally, they're only there as fodder for Michael (except the boyfriend who mysteriously disappears from the movie), but the fact is that we're wasting time watching these characters interact when there's a much more compelling story on the sidelines.

Comedy is used fairly appropriately in the film, the little boy being the clear standout. But there are a handful of farcical bits that are either ill-timed or simply not funny, or a combination of both. This prevents the movie from developing an overall atmosphere. This isn't so much a problem in the third act, thankfully, but the finale would've been more effective if a bleak atmosphere had been established earlier in the film. A few more wide shots of the streets of Haddonfield in the fall weather; more shots of Michael standing in the background eerily out of focus; limiting the comic relief to one, maybe two characters max; any of these could've been helped.

That's not to say that the direction is poor. Far from it. This is the closest the franchise has felt like a Carpenter movie since the original. Gordon Green does a good job of keeping Michael in the shadows - even unmasked, it's difficult to make out his face. You really get the sense that he is, purely and simply, evil. Background action is also prevalent and well done (as in, there's not a music sting whenever Michael comes into frame). Again, a breath of fresh air after the Zombie films which had the subtlety of a sledgehammer.

This is an excellent sequel to Halloween and a thoroughly enjoyable, well crafted slasher movie on its own. It's wonderful to see the Boogeyman on the big screen again, and now he has finally met his match. Is it a perfect movie? Absolutely not. But Halloween (2018) is something to be celebrated if only for one thing: it proves that slashers can still be scary.

I get that this was meant to be a direct sequel to the original... but why? Why did they bother writing a daughter into the story when she already had a son in H2O. This film could've easily been a follow on from that, with characters that we already knew and were familiar with. I didn't read too much on this before watching, I was just excited for another Halloween film. And when there was no mention of her son, but a daughter, this confused me. To the point I had to google to find out why. Don't get me wrong the film is ok, not very "Michael Myers" though. He seemed more violent bloody murderer than being stealthy and stalking his prey which is what we are used to. A few jumpy bits in the film, but not scary. Not to mention the pointless teenage storyline, which really didn't belong. Unfortunately this film didn't blow my mind like I hoped it would.

I half expected the usual, cheap thrills, jumpy moments, and liberties taken with the legacy of Michael Myers, but....

....a total and utter surprise, this was a quality film, one that felt as if it had a level of respect for its original, it respected its roots, but forgot all those that came between, perhaps no bad thing.

Michael Myers the man, he transformed years back into some kind of superhero villain, unable to die, able to die and come back life, here he's treated as just a man, very well done.

The writing is fantastic, I loved the story, and how it played out, if only previous films were this standard. The music was absolutely fantastic, I loved it, the best of the original.

Gripping, well acted, exciting, intriguing. Ranks second after the original. 8/10