Vampires

This was not your typical played out blood sucker flick.This is so refreshing after a slew of films that rely on special effects or soft core to sell tickets,i caught this gem on Netflix instant .This explained the evolution of vampires from the impaler to modern day.In this tongue in cheek hilarious mock documentary take on things rarely addressed in this genre.A series of well thought out interviews explore the family dynamics of teen angst,sibling rivalry,etiquette,dating,police,education,immigration ,infedelity,first love," death day" celebrations,homelessness,and integration into human society as well as the job force and political Snafu's.As well as the hideousness of the color pink.

I was going through the Sundance on Demand list and came across a title that just sang to me. It was "Vampires" so how could I not want to see it. It is a Belgian Film done in a serious documentary style that is reminiscent of the stuff you see on CurrentTV.

A film crew gets the green light to follow a family of vampires in Belgian's uber-exclusive Vamp community. After several attempts that ended with the crew being eaten a third crew manages to find a family with enough self control to allow the film to get made. The family is dysfunctional as hell, the politics of vampire society are complex and sensitive, and we are nothing but meat.

This film is subtitled and moves pretty fast so you have to really pay attention unless your fluent in Belgian and French. The documentary still was subdued but kept a very intense feeling of unease as you followed this family along during the night shot only premise. These vampires do not go in the daylight. They don't even get up till the sun goes down. Anyway from the beginning you can almost feel the nervousness of the film crew that have to be there watching this family eat their meat (us).

There are so many dynamics to this film that it keeps you interested the entire time as you deal with the father's cold restrictive beliefs, the mother's complete disregard for her families volatile state as she comes off as a lunatic barely coherent only able to express disgust for her daughter and contempt for her husband. The son is unruly, disruptive and pretty much disrespectful of vampire code. The daughter hates everything about being a vampire and wants to be human. She even goes so far as to sleep in a girly pink coffin with her human boyfriend.

This documentary is one of the best displays of vampire lore I have seen in a long time. The culture and relationships the vampires have with each other are extreme to say the least and they completely mirror the behavior of any suburban or contemporary social structure. The film is really good at paralleling the emotional numbness of a old world set of values where everything is enforced based on codes and clan law which resemble the more strict religious groups around the world that stay closed off from mainstream society. Later the polar system to this way of life is visible when the family is exiled to Canada for a violation to live among the vampire community. There everything is modern and the vampire community is assimilated into the human world.

I really enjoyed watching this film and after about 30 minutes you become really invested in the family emotionally. You forget it is fictional and start believing that it is a real documentary following real people.

I find myself, sometimes, strongly disagreeing with other viewer's opinions about a movie or another. I guess this is the case here too, since I was amazed with the subtle irony of the screenplay and the great acting in Vampires. It fulfills the promises HBO's True Blood made in the beginning (and after that fell into ridiculous). A 10/10 start and then some pretty shallow following seasons – nothing to make me watch it anymore, except for one episode here and there, in the nights when I really don't have anything better to do.

This movie, by comparison, brings something fresh and interesting (and holds it throughout, to the end) in the whole vampire films industry, with its dull mass production and only few products that really shine and stand out. I'm not sure - perhaps it's a bit hard to 'get it, because in order to thoroughly enjoy it, one must be familiar with the myths and taboos AND the reality regarding the two main locations in the movie – Belgium and Canada. The second requirement would be to watch it not expecting some wild action or romance fantasy movie, but a very reality-based review of the social and personal issues of the regular guy/family.

If I were to describe it by comparing to other movies that made an impression on me in the same way, this vampire movie is kind of what Last Night (1998, Canada) means for the 'end of days' genre, 2046 (2004, Hong Kong) for the 'hard to find your soul mate' genre, The Mirror (1975, Soviet Union) for 'my life as I remember it' genre, The Fountain (2006, USA) for 'how we cope with the loss' genre and so on. OK, I think I may have made up those genres, but you get the idea... I'm talking about an unexpected point of view, intelligent, deep, making a point with great sense of humour (in Vampires) – all things that set it apart from the crowd.

Finally I picked this flick up after seeing it a few times in the shops. Somewhere I had my doubts about it. I have seen and enjoyed "C'est arrivé près de chez vous" (1992) and never thought we would have another faut documentary coming out of Belgium. But 20 years later it finally did.

Starting off rather brutal with a few killings I thought, hell, this is going to be good but for me it failed on the bloody part. The only gore involved is when they are watching a flick called 'Midnight Movie'. I reviewed it 2 years ago. The thing that didn't work for me was that they were talking a lot and it went on and on. Some did see some humour in that part but I never laughed it out loud.

I can't say anything negative about the acting because that was believable but for a flick about vampires there isn't that much of biting and sucking. Maybe the pink coffin was a bit funny but overall it was a typical flick made by French talking people. Blah blah blah.

I guess Vincent, the director, did watch True Blood about how vampires rule the earth and about their laws and bosses. Even as True Blood is becoming ridiculous with the Elves involved Vampires couldn't tip on True Blood.

Nice effort and maybe the French talking people will have a laughter but for me personally no smile on my face. Once you have seen it I guess you will never watch it again.

Gore 1/5 Nudity 0/5 Effects 0/5 Story 2/5 Comedy 0,5/5

Belgium has a long tradition of faut documentary, film noir and sarcasm and this movie does not disappoint. If you are looking for a bloody and gory Hollywood movie stay far away from it, if you're looking for great dialogues in French, Flemish and German (I must admit the movie is better if you can understand those three languages Nd get the clever jokes and sarcastic comments), excellent cinematography, a good storyline and no special effects than this is it. Movies just like movies should be made. Focusing on the acting and not on the special effects. If you like Hollywood horror ignore it, if you are a fan of Christopher Lee and Boris Karloff you'll love it.