Atoman

I saw this film a few months ago and I'm shocked by some of the poor reviews.

It has a solid story, though not without some writing issues, and a solid cast of well-represented actors for the region; this is Hollywood NOT a white-washed adaptation, it's the first African superhero movie, made by a cohort of African and Afro-diasporic creatives.

Is it as visually stunning or star-studded as the first Ironman? No. But the budget isn't 150million either.

It's a great showing on a low budget.

It's also an important spotlight to keep an eye on - the talent and production quality in this region is on the rise.

I loved this movie; it's the first Moroccan superhero! It showcases our culture with incredible costumes and sets right in the heart of Moroccan traditions and customs. Frankly, 10 out of 10 for this film, and I hope this is just the beginning. The song of the artistes soprano at the beginning are icredible It highlights Africa and all its splendor. For a first film by Anouar Moatassim, I feel recognized as an African.

First super hero movie from Maghreb I loved it It's not a marvel but a good start that will encourage other African countries to make more syfy movies and tell more African stories.

Love the music and the scenery was breathtaking Makes one wanna visit Morocco 🇲🇦 There is a first for everything so I hope this movie inspire Moroccans and Africans in general to start seeing out of the box the are in and explore all our potential Congrats to the whole team a special one to my girl Aicha for co- producing this little gem 💎 and to Anouar for sharing with us this great story Allez au suivant la famille et encore BRAVO!!!

Atoman is a cinematic milestone: the first North African superhero movie, and what a debut it is! Blending electrifying action, cultural depth, and a magnetic performance by the illustrious French-Moroccan rapper L' Artiste, Atoman doesn't just fly - it roars onto the screen with an Afro-futurist heartbeat and a North African soul.

Set against the bustling streets and arid outskirts of a futuristic Moroccan city, Atoman introduces audiences to a new kind of hero. L' artiste plays Amine, an unassuming teacher who, after a mysterious cosmic encounter rooted in ancient Berber myth, gains control over atomic energy. His transformation into Atoman is more than just physical - it's spiritual, political, and deeply personal.

What sets Atoman apart isn't just the visual spectacle (though there are plenty of slick effects, high-octane chases, and sky-shattering explosions), but its commitment to grounding superhero tropes in North African identity. From Amazigh symbolism etched into the costume design to dialogue peppered with Darija and Tamazight, every frame pulses with pride in regional culture.

Lartiste, in his first major film role, brings unexpected depth. Known for his lyrical finesse and street-smart swagger, he channels those same qualities into a character who must navigate fame, fear, and responsibility. The result is a superhero who feels real, flawed, and relatable. His charisma is effortless.

In Atoman, North Africa has found not just a superhero, but a symbol - a beacon of resilience, innovation, and cultural pride. It's a triumph for regional cinema and a thrilling promise of more to come.

Atoman talks about a young hacker who takes his superpowers from his heritage and his ancestral culture. He figures out by coincidence that he is the one. Like Spiderman. The story talks also about an artifact that gives superpowers to his possessor who should be an unique person. And this artifact in the wrong hands threatens the existence of the world. The cinematic is frenetic and some fight scenes are cool. The movie looks like the chinese and indian productions with a nationalist message. Not boring but addressed more to a local audience. The country where the movie is located is Morocco in North Africa.