Puppet Master: Axis of Evil

Axis of Evil is the 10th Puppet Master movie and the first in the Axis trilogy.

It demonstrates yet another franchise that Fullmoon is milking into dust, and it's a shame to see a franchise that's been going since the 80's deteriorate to this level.

Telling yet another story of a keeper of the puppets who uses them to combat the German forces during world war II it's...............there really is no point in me describing it any further as it's the same as the majority of the movies that came before it.

Sadly there hasn't been a decent Puppet Master movie for years, the quality has dipped to a crippling degree. The more they try to add to the Puppet Master lore the more ridiculous it gets and we're at the stage now where the whole thing is hokey and the Puppets take a backseat.

Yes that's right the puppets aren't the stars of the movie at all, they're barely supporting players and our leads/antagonists are unforgivably dull. So if you're expecting more exciting doll vs man encounters/death scenes then you'll be sorely let down by this 10th outing.

There are three more Puppet Master movies after this, and that's assuming it doesn't continue further. Truth be told, it shouldn't.

Stick this one with a fork, it's done.

The Good:

Has a degree of Full Moon charm left

The Bad:

Stock scream

Ropey acting

Oddly boring

Brings nothing new to the table

David DeCoteau is a talented microbudget horror director and he's directed some of the better, more artful Puppet Master films. Parts 3, 6 and 7 are some of the most competently directed, serious and beautifully shot Full Moon films. "Axis of Evil" fits in with them, but its the weakest of his efforts through no fault of his own.

The problem with Pt 9 (since Charles Band disgustingly counts a "Best of" tape as Pt 8) is that its a much, much cheaper rehash of 7 which was a rehash of 3. The plot follows a young man fighting the Nazis in a dark urban setting, losing his loved ones and then getting revenge. Pt 3 is a good film but remaking it twice is twice too many. Worst of all is that the puppets have less to do with the story and they look shabbier in each film. Lets face it: the puppets are the stars.

Its gorgeously shot, directed as well as a fast and cheap horror film can be and you have to admire the craftsmanship of a movie filmed for peanuts, but its not entertaining or original enough. This is the 1st of a trilogy and so you don't receive any closure but you do feel a rage at the cynical money-grubbing quality of Full Moon's lesser films. What a waste of DeCoteau and a modest Puppet Master premise.

The tenth (!) entry in Charles Band's long running series is really rough and cheap stuff, but actually better than the last few sequels (which says a lot). The film opens by incorporating the original's 1939 prologue where the puppet master Andre Toulon (William Hickey) kills himself at the Bodega Bay Inn. New footage has limping Danny Coogan (Levi Fiehler) stumbling onto the scene just as the two Nazis who ransacked Toulon's room are leaving. Danny was apparently friends with Toulon and knows where the hidden puppets are and takes them. He returns home to Chinatown in LA and is upset that he can't join the war effort to take on the "Japs and Krauts" (heh, heh...more on that in a bit). But he soon finds he can do his part stateside when he discovers one of the Nazis working undercover at a local munitions factory.

This series has been running for 20+ years and I think it pretty much sum up producer Band's career during that time period. The first three are decent little movies with the proper exploitation elements. Then Band opted to do them on the cheap and each successive film got more and more cut-rate until you finally had the obligatory clip show with 15 new minutes of footage entry (PUPPET MASTER: LEGACY). This one tries to bring it back to the level of the first three by continuing the storyline set up in part III's Germany set sequel. Unfortunately, Band is still cutting corners and has found some new money mark in China where the film was shot for pennies, er, yuan. You get some of the worst sets you'll ever seen (where the camera actually exposes the tops on several occasions) and you can see the same extras over and over in the exterior shots. Director David DeCoteau did three previous entries and really seems to be trying but the film is just sort of there. He fails to bring the exploitation factor as there is no stop motion (actually there hasn't been since part V, I believe), no nudity and very little gore. He did find some good leads with the exception of the girl who plays the Japanese spy, who turns in one of the worst performances I've seen in a while.

And now for the biggie! I'll admit I admire them taking it back to 1939 and using that as a launching point but - MY GOD - do you really have a lead character spend the whole film talking about how he wishes he could enlist into the service to go overseas and fight the "Japs and Krauts" IN 1939!?! There are constant references to America kids fighting overseas. HISTORY LESSON FAIL! Even worse, later a character makes a reference to Pearl Harbor! I'm amazed that no one who read the script said, "Uh, we might have a continuity problem here." The funny thing is there is a "making of" video on the disc and DeCoteau says the film is set in 1941 (even though characters reference Danny's work at the hotel and discovery of Toulon's body being "a few weeks ago").

Well I'm not just talking about the humans in this (although some have the emotional range of puppets). So have a plot where our good guys are trying to overcome the bad guys. There is a Japanese character in here and also a Ninja puppet. If that already made your day and you are easily satisfied you will have a lot of fun.

Actually as always good puppetry, although not as impressive as it once was. Technology has advanced and all that. And this also marks the first part of a trilogy that is connected. So Part 9-11 is like a big movie ... sort of.

As if people back during WW2 did not have it bad enough, they have to deal with Puppets too. On a more serious note though, while I guess it was up to the viewer to decide in some of the previous entries if the Puppets had good or bad intentions (appointing them a moral label/compass so to speak). A theme that was a subject in Part 8 which obviously was more a best of thing.

Whatever the case, it's Puppets against Nazis and it's a trilogy and the acting is really bad, but it's also sort of fun. Especially if you watched a few of them and don't mind all the plot holes and the inconsistencies (I didn't care and didn't notice most of them until I watched a Youtube Video named Horror Timelines) ... so there you go, and if you are a completionist like me, you'll watch it too no matter what.

In a Stateside hotel during the height of World War II, young Danny Coogan (Levi Fiehler) dreams of joining the war effort.

This film, coming in at barely 80 minutes, reused footage from previous films. So that makes this a total of 60 minutes, maybe? I cannot blame them. They needed to use a dead actor, so the footage had to be old, and it ties the story together more fluidly.

What is up with the young Nazis? Is it just me, or does the idea of two young (under 30) Nazis being the only force to infiltrate the American war effort seem silly? Jenna Gallagher was decent as Beth, and fairly attractive. The real mystery is why Full Moon regular Robin Sydney did not get the part (or any part) in this movie. She never fails to entertain and it would be nice to see her in this series.

But the real issue with this film is the anachronisms: the movie takes place in 1939, but the U.S. did not enter WWII until the Japanese attack on December 7th, 1941. So why are we fighting in France and Japan already? The concentration camp Auschwitz is mentioned, but the camp was build two years after the events depicted in this movie. The female Japanese agent mentions Kamikaze attacks, but no Kamikaze units existed until 1944.

The USA flag hanging on the wall in Danny's room has 50 stars on it, but the USA only had 48 states so there would only have been 48 stars on it (1 for each state). It was not until August 21, 1959 when Hawaii became the 50th state that 50 stars appeared on the flag.

This film needs work!