La storia di Richard Kuklinski, il famigerato assassino a pagamento e padre di famiglia. Quando alla fine fu arrestato nel 1986, né sua moglie né le figlie avevano la minima idea della sua v... Leggi tuttoLa storia di Richard Kuklinski, il famigerato assassino a pagamento e padre di famiglia. Quando alla fine fu arrestato nel 1986, né sua moglie né le figlie avevano la minima idea della sua vera professione.La storia di Richard Kuklinski, il famigerato assassino a pagamento e padre di famiglia. Quando alla fine fu arrestato nel 1986, né sua moglie né le figlie avevano la minima idea della sua vera professione.
- Regia
- Sceneggiatura
- Star
- Premi
- 2 vittorie totali
Danny A. Abeckaser
- Dino Lapron
- (as Danny Abeckaser)
Hector Hugo
- Tender Bar Earl
- (as Hector Hank)
Shira Vilensky
- Coffee Shop Waitress
- (as Shira Vilenski)
John P. Fertitta
- Uncle Bill
- (as John Fertitta)
Recensioni in evidenza
The Iceman a biopic based on New Jersey hit-man Richard Kuklinski who managed to murder at least 100 and possibly up to 250 victims in a span of almost 40 years.
Michael Shannon giving a strong performance as the hit-man with the calculating and creepy demeanor of a psychopathic killer with no conscience who can still flip the switch back to his life in the suburbs with wife and kids. Yet a shade of subtlety and pathos in his portrayal of Kuklinski that we can actually identify and take some interest in his struggles. With the exception of Winona Ryder who fits seamlessly as naive suburban housewife (and the 2 daughters) very unlikely to feel sympathy for the victims with the exception of one senseless killing. Mostly wiseguys, mostly scumbags. We're not all that mad at Kuklinski for the nasty stuff he's doing.
Ray Liotta a can't miss as a minor mob boss, all the acting first rate and the characters real. But the Iceman story is told without ice and without chasers, a gangster flick without sentiments real or phony thrown in. Viewers hoping to draw insights or conclusions from all the dead bodies might end up disappointed. The 'Iceman' moniker from his practice of freezing bodies to confuse the time of death.
My biggest question for Kuklinski would be, how do you get away with so many murders, so many different methods, places, people over a span of almost 40 years? In the true crime shows the perp makes one little slip in his only perfect crime and ends up in the slam.
The movie is what it is because I don't think there's all that much complex or new in a Kuklinski to learn. Abused growing up, turns to sociopathic super bully behavior as an adult to get what he wants and to survive. No genius but smart enough to know when to turn it down out in the suburbs. Kuklinski was an usher at mass every Sunday. They should have included that in the movie.
Michael Shannon giving a strong performance as the hit-man with the calculating and creepy demeanor of a psychopathic killer with no conscience who can still flip the switch back to his life in the suburbs with wife and kids. Yet a shade of subtlety and pathos in his portrayal of Kuklinski that we can actually identify and take some interest in his struggles. With the exception of Winona Ryder who fits seamlessly as naive suburban housewife (and the 2 daughters) very unlikely to feel sympathy for the victims with the exception of one senseless killing. Mostly wiseguys, mostly scumbags. We're not all that mad at Kuklinski for the nasty stuff he's doing.
Ray Liotta a can't miss as a minor mob boss, all the acting first rate and the characters real. But the Iceman story is told without ice and without chasers, a gangster flick without sentiments real or phony thrown in. Viewers hoping to draw insights or conclusions from all the dead bodies might end up disappointed. The 'Iceman' moniker from his practice of freezing bodies to confuse the time of death.
My biggest question for Kuklinski would be, how do you get away with so many murders, so many different methods, places, people over a span of almost 40 years? In the true crime shows the perp makes one little slip in his only perfect crime and ends up in the slam.
The movie is what it is because I don't think there's all that much complex or new in a Kuklinski to learn. Abused growing up, turns to sociopathic super bully behavior as an adult to get what he wants and to survive. No genius but smart enough to know when to turn it down out in the suburbs. Kuklinski was an usher at mass every Sunday. They should have included that in the movie.
Although this film has been out for a few years, I have only just seen it - and it is impressive.
Michael Shannon's portrail of real-life hit man Richard Kuklinski is absolutely superb. You really feel drawn into his world at various stages of his 'career', including the conflicts between his chosen profession while trying to maintain some kind of normal family life.
There are plenty of moments in this film that will take you by surprise on your journey with the character.
This film is well worth setting aside time to watch so you become fully engrossed in the story.
Michael Shannon's portrail of real-life hit man Richard Kuklinski is absolutely superb. You really feel drawn into his world at various stages of his 'career', including the conflicts between his chosen profession while trying to maintain some kind of normal family life.
There are plenty of moments in this film that will take you by surprise on your journey with the character.
This film is well worth setting aside time to watch so you become fully engrossed in the story.
Michael Shannon should get at least an Academy Award for his performance in this movie. This guy can act and you lose the person and totally see the characters he portrays. Reminds me of Daniel Day Lewis.
Anyway, I had never heard of this Kuklinsky person and it was interesting to see his story. The multiplicity of his lifestyle had to be a killer (no pun intended) to live out. I don't know of many actors who could go from one to the other so effortlessly. From cold-hearted killer to nice person to ragging man to loving husband and father. Michael Shannon can do this well. And those subtle expressions of his! They're great. Icy. Kind. Murderous.
I'm not a fan of Winona Ryder but I liked her portrayal of the Mrs. in this movie. She was believable and really had the suffering wife thing down.
While leaving the movie I ran into a gentleman who had watched the actual documentary of Kuklinsky's life and he said the movie was a good portrayal of the facts. That is a good thing to hear because this kind of story like lends itself to Hollywood sensationalism. And while some of that may have happened, it was a good movie about a bad man. Did I feel sorry for Kuklinsky at the end? Yes...well actually it was pity that I felt.
Anyway, I had never heard of this Kuklinsky person and it was interesting to see his story. The multiplicity of his lifestyle had to be a killer (no pun intended) to live out. I don't know of many actors who could go from one to the other so effortlessly. From cold-hearted killer to nice person to ragging man to loving husband and father. Michael Shannon can do this well. And those subtle expressions of his! They're great. Icy. Kind. Murderous.
I'm not a fan of Winona Ryder but I liked her portrayal of the Mrs. in this movie. She was believable and really had the suffering wife thing down.
While leaving the movie I ran into a gentleman who had watched the actual documentary of Kuklinsky's life and he said the movie was a good portrayal of the facts. That is a good thing to hear because this kind of story like lends itself to Hollywood sensationalism. And while some of that may have happened, it was a good movie about a bad man. Did I feel sorry for Kuklinsky at the end? Yes...well actually it was pity that I felt.
Having read Philip Carlo's biography of Richard Kuklinski 'The Ice Man: Confessions of a Mafia Contract Killer', I can say that Ariel Vromen's big screen adaptation 'The Iceman' is a big disappointment. While the author had a habit of repeating himself and some of Richard's recollections seemed rather dubious in places, Carlo's lengthy book was an engrossing read, I enjoyed it very much.
The problem with the film is that it's awfully constructed; it's all so terribly rushed. It fails to develop both the narrative and subsequently the character of Richard Kuklinski, glossing over almost everything that made the book such an interesting read. I appreciate that cramming one's life story into a screenplay can be a difficult task, however there are major flaws in the script that could have easily been avoided - the screenplay should've been scrapped and completely rewritten.
His unspeakably awful childhood, for instance, is covered with an utterly perfunctory flashback scene that lasts for all of about 15 seconds. This is a fatal mistake, because it was his harrowing formative years that shaped Richard.
Stanley Kuklinski, his deeply cruel father, conditioned his son with the daily violence he inflicted upon his whole family. After Stanley dealt Richard's brother Florian a particularly malicious beating, he died from his injuries; the police were told that he fell down a flight of stairs. Richard's mother was also a callous, unpleasant person; despite her zealous religious values she had no qualms about battering her children with a broom handle. Even when Richard sought solitude in the placidity of his local church as an altar boy, nuns would punish him by splitting the skin on his knuckles with the edge of a metal ruler. All of the relentless anguish was compounded by his family's total destitution.
When 13-year-old Richard also became the victims of local bullies, it all became too much for him - he beat one of them to death with a pole and discarded his body with brutal efficiency. Kuklinski recalled that it was at this moment that he discovered 'it was better to give than receive'. The passages of Carlo's book that cover his youth make for appalling reading; unfortunately none of this power is to be found in Ariel Vromen's rather boring adaptation.
Lacking also are the details of Kuklinski's career. The book recalls Kuklinski's methods of murder, the way he stalked his prey and his utter indifference towards his victims' suffering. Very little of this was explored in the film, we get little more than a brief montage of random people being blown away - it's all so damn rushed and disorganised. Considering what a desperately violent individual Kuklinski was, 'The Iceman' is a rather neutered production. It has none of the visceral qualities that shock you like in 'The Godfather' and 'Goodfellas', mob films that draw you into their brutal world where death is merely 'business'.
Not only is the narrative woefully underdeveloped but it's also sheer fiction in many instances. Despite having great dramatic material to work with, Ariel Vromen and Morgan Land decided that their own version of events were better. Even the more faithful scenes have been tweaked and messed about with for no discernible reason. For example, Roy DeMeo didn't introduce Kuklinski to contract killing, he had already had a career with the DeCavalcante New Jersey crime family and had killed scores of people both professionally and privately. It also forgets to depict the savage beatings Richard used to give his wife Barbara and the pernicious effect it had on the family dynamic.
As you have probably heard, Michael Shannon is the highlight of the film. Much like the real man, he has a steely reserve and an explosive temper; he also resembles him in both appearance and speech. However, despite his best efforts, Shannon is completely let down by the script. While Shannon is indeed cold and calculated, the film fails to truly capture Kuklinski's aura of menace and particularly his notoriety in Mafiadom.
While the performances are fine, 'The Iceman' is quite frankly ruined by total underdevelopment. If I had entered the film with no knowledge of the man, I would have found it a boring, mediocre mob film. But knowing the depth and drama of this tragic figure means that 'The Iceman' is a complete misfire that deserves much more, ideally a remake. The only thing that it successfully achieved was the credibility of its period styling.
The problem with the film is that it's awfully constructed; it's all so terribly rushed. It fails to develop both the narrative and subsequently the character of Richard Kuklinski, glossing over almost everything that made the book such an interesting read. I appreciate that cramming one's life story into a screenplay can be a difficult task, however there are major flaws in the script that could have easily been avoided - the screenplay should've been scrapped and completely rewritten.
His unspeakably awful childhood, for instance, is covered with an utterly perfunctory flashback scene that lasts for all of about 15 seconds. This is a fatal mistake, because it was his harrowing formative years that shaped Richard.
Stanley Kuklinski, his deeply cruel father, conditioned his son with the daily violence he inflicted upon his whole family. After Stanley dealt Richard's brother Florian a particularly malicious beating, he died from his injuries; the police were told that he fell down a flight of stairs. Richard's mother was also a callous, unpleasant person; despite her zealous religious values she had no qualms about battering her children with a broom handle. Even when Richard sought solitude in the placidity of his local church as an altar boy, nuns would punish him by splitting the skin on his knuckles with the edge of a metal ruler. All of the relentless anguish was compounded by his family's total destitution.
When 13-year-old Richard also became the victims of local bullies, it all became too much for him - he beat one of them to death with a pole and discarded his body with brutal efficiency. Kuklinski recalled that it was at this moment that he discovered 'it was better to give than receive'. The passages of Carlo's book that cover his youth make for appalling reading; unfortunately none of this power is to be found in Ariel Vromen's rather boring adaptation.
Lacking also are the details of Kuklinski's career. The book recalls Kuklinski's methods of murder, the way he stalked his prey and his utter indifference towards his victims' suffering. Very little of this was explored in the film, we get little more than a brief montage of random people being blown away - it's all so damn rushed and disorganised. Considering what a desperately violent individual Kuklinski was, 'The Iceman' is a rather neutered production. It has none of the visceral qualities that shock you like in 'The Godfather' and 'Goodfellas', mob films that draw you into their brutal world where death is merely 'business'.
Not only is the narrative woefully underdeveloped but it's also sheer fiction in many instances. Despite having great dramatic material to work with, Ariel Vromen and Morgan Land decided that their own version of events were better. Even the more faithful scenes have been tweaked and messed about with for no discernible reason. For example, Roy DeMeo didn't introduce Kuklinski to contract killing, he had already had a career with the DeCavalcante New Jersey crime family and had killed scores of people both professionally and privately. It also forgets to depict the savage beatings Richard used to give his wife Barbara and the pernicious effect it had on the family dynamic.
As you have probably heard, Michael Shannon is the highlight of the film. Much like the real man, he has a steely reserve and an explosive temper; he also resembles him in both appearance and speech. However, despite his best efforts, Shannon is completely let down by the script. While Shannon is indeed cold and calculated, the film fails to truly capture Kuklinski's aura of menace and particularly his notoriety in Mafiadom.
While the performances are fine, 'The Iceman' is quite frankly ruined by total underdevelopment. If I had entered the film with no knowledge of the man, I would have found it a boring, mediocre mob film. But knowing the depth and drama of this tragic figure means that 'The Iceman' is a complete misfire that deserves much more, ideally a remake. The only thing that it successfully achieved was the credibility of its period styling.
I had to drive over 70miles one way to watch this movie and was it worth it? Hard to say if one watched "the iceman tapes" from HBO. To me personally it was disappointing, but I probably expected way too much. So lower your expectations and you will have a nice evening in the cinema.
Shannon is great, superb, I guess nobody could have played him better, but the editing, the storytelling is very abrupt and a bit too edgy. Its not a good fellas, its not even close to it, don't expect even a mob flick. Its an OK movie that had so much more potential. YET it is still worth watching since you don't see movies like that nowadays very often.
The potential of the story would have been an 11, this movie is a 7 with an extra point for Shannons performance. And in relevance I should mention that I would give broken city a 3.5, gangster squad a 4.5, so I guess people who watch this movie with not so high expectations will love it!
PS. No "the iceman" did NOT got his nick because he was so cold, like another reviewer wrote, but because he froze a body for two years. The officials gave him then that name. All this is well known through the "iceman tapes".
Shannon is great, superb, I guess nobody could have played him better, but the editing, the storytelling is very abrupt and a bit too edgy. Its not a good fellas, its not even close to it, don't expect even a mob flick. Its an OK movie that had so much more potential. YET it is still worth watching since you don't see movies like that nowadays very often.
The potential of the story would have been an 11, this movie is a 7 with an extra point for Shannons performance. And in relevance I should mention that I would give broken city a 3.5, gangster squad a 4.5, so I guess people who watch this movie with not so high expectations will love it!
PS. No "the iceman" did NOT got his nick because he was so cold, like another reviewer wrote, but because he froze a body for two years. The officials gave him then that name. All this is well known through the "iceman tapes".
Lo sapevi?
- QuizWhile in prison, Richard Kuklinski claimed to be responsible along with four other men for the kidnap and murder of former Teamsters union boss Jimmy Hoffa on July 30 1975 in a restaurant parking lot in Detroit. The five-man team were allegedly given the contract on Hoffa by Tony Provenzano, a captain in the Genovese crime family. Kuklinski claimed to have been paid $40,000 for the hit. Kuklinski said that he knocked Hoffa unconscious with a blackjack and, while holding Hoffa's chin up, thrust a hunting knife into the back of his head. Hoffa's body was then allegedly placed in the trunk of a car that was then crushed and sold as scrap metal to Japanese car makers. The claims only surfaced after Kuklinski's death in March 2006 in a book by author Philip Carlo and will probably never be substantiated.
- BlooperThe paper with the "Iceman" headline that Mr. Freezy hands to Kuklinski has a story about Roy Demeo's body being found in the trunk of his car, though he is not yet dead in the movie and in fact Kuklinski and Mr. Freezy are discussing putting a hit on him in that scene.
- Citazioni
Mr. Freezy: I only feel alone around other people. Couldn't be truer.
- ConnessioniFeatured in At the Movies: Venice Film Festival 2012 (2012)
- Colonne sonoreLover's Glance
Written by Stephen Edwards
Published by Source In Sync Music (ASCAP) / Engine Co 35 Music Publishing (ASCAP)
Courtesy of 5 Alarm Music
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Dettagli
Botteghino
- Budget
- 10.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 1.969.193 USD
- Fine settimana di apertura Stati Uniti e Canada
- 87.946 USD
- 5 mag 2013
- Lordo in tutto il mondo
- 4.552.970 USD
- Tempo di esecuzione1 ora 46 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1
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