VALUTAZIONE IMDb
6,9/10
12.177
LA TUA VALUTAZIONE
Durante la prima guerra del Libano nel 1982, un plotone di carri armati e paracadutisti viene inviato per perquisire una città ostile.Durante la prima guerra del Libano nel 1982, un plotone di carri armati e paracadutisti viene inviato per perquisire una città ostile.Durante la prima guerra del Libano nel 1982, un plotone di carri armati e paracadutisti viene inviato per perquisire una città ostile.
- Regia
- Sceneggiatura
- Star
- Premi
- 17 vittorie e 15 candidature totali
Ashraf Barhom
- 1st Phalangist
- (as Ashraf Barhum)
Byan Anteer
- Lebanese Father
- (as Bian Antir)
Fatima
- Lebanese child
- (as Fatma)
Khaled Salam
- Lebanese Boy
- (as Khaled Salama)
Arie Tcherner
- Cornelia
- (as Arye Cherner)
Recensioni in evidenza
ihrtfilms did a lovely job reviewing this film and I agree with every word. MY additional comments are based on the fact that I am a VERY nit-picky person when watching a film. I drive people nuts when I point out faults in this or that. With that being said, I can SEE where some might find fault with some of the particular errors in this film (i.e. the lack of helmets) but to be truthful, though I am ONE OF THEM, I was so caught up in the intensity of this film, I didn't even notice the irregularities.
This film IS intense and very well acted. I literally was on the edge of the couch I usually lay back on while watching movies and it takes a fair amount to get me on that edge.
Lebanon may not be perfect, but it's perfectly good. I could find no fault with it and didn't even try. It sucks you in from the minute it starts. The very fact that you NEVER LEAVE THE TANK is amazing. If you are even remotely claustrophobic, maybe you shouldn't watch this movie. You might be in your own home in a spacious room with windows and everything, but once you get into this movie, you feel like you're with the crew and they won't let you out until the end.
I won't say more primarily because, as simple as the story line is, it's a complex movie and to say much, would say TOO much.
This film IS intense and very well acted. I literally was on the edge of the couch I usually lay back on while watching movies and it takes a fair amount to get me on that edge.
Lebanon may not be perfect, but it's perfectly good. I could find no fault with it and didn't even try. It sucks you in from the minute it starts. The very fact that you NEVER LEAVE THE TANK is amazing. If you are even remotely claustrophobic, maybe you shouldn't watch this movie. You might be in your own home in a spacious room with windows and everything, but once you get into this movie, you feel like you're with the crew and they won't let you out until the end.
I won't say more primarily because, as simple as the story line is, it's a complex movie and to say much, would say TOO much.
I've been surfing in IMDb for a long time, but this is the first time I've ever felt the need to post a comment for a movie. I guess it really startled me. Anyway, it's probably the best war picture I've ever seen, as I already hinted in the title.
You see, the problem with war pictures is that many times they're just not good enough, but when they're too good, they reach a level of entertainment that makes me, as a viewer, "enjoy" the war and find it pleasurable, even if it wasn't the director's intention. Take "Apocalypse Now", for example, or "Full Metal Jacket" - Those movies show the Vietnam War as some sort of a spectacle, which makes the viewer enjoy the war when he should despise it.
What makes "Lebanon" so unique is that the movie is impressive and beautiful as a work of art, but in the same time it succeeds in featuring war as so horrible, that you feel disgusted and amazed in the same time.
I don't know. Maybe the fact that I served in the Israely Artillery Corps affects my judgment. When you serve inside a cannon which resembles too much the tank shown in the movie, with all the claustrophobia and disorientation involved, it might be much easier to relate to such a movie.
Anyway, this movie is not perfect. It falls to some clichés sometimes, and the acting of Oshri Cohen tends to get on my nerves, but the camera work is flawless, and the direction, mostly, is superb.
I saw another comment here which said that movies like "Bofor" and "Waltz With Bashir", which deal with the Lebanon War as well, were much better because they show the background stories of the characters shown, but I don't thing "Lebanon" needed such stories. It was good enough to show the traumatic reactions of scared young soldiers who just want to go home in the face of war.
This movie is not trying to say what is right or wrong. It simply gives you the sour taste of war as it is. I generally dislike films that feel me with anger, sadness, nausea or grief, but in this case, the movie was so good and important I feel proud I saw it.
I think everyone should see this movie. Really. It's not an easy one, and it's not perfect, but it's REAL. Too close to reality, I might add. But still. Strong and magnificent cinema.
You see, the problem with war pictures is that many times they're just not good enough, but when they're too good, they reach a level of entertainment that makes me, as a viewer, "enjoy" the war and find it pleasurable, even if it wasn't the director's intention. Take "Apocalypse Now", for example, or "Full Metal Jacket" - Those movies show the Vietnam War as some sort of a spectacle, which makes the viewer enjoy the war when he should despise it.
What makes "Lebanon" so unique is that the movie is impressive and beautiful as a work of art, but in the same time it succeeds in featuring war as so horrible, that you feel disgusted and amazed in the same time.
I don't know. Maybe the fact that I served in the Israely Artillery Corps affects my judgment. When you serve inside a cannon which resembles too much the tank shown in the movie, with all the claustrophobia and disorientation involved, it might be much easier to relate to such a movie.
Anyway, this movie is not perfect. It falls to some clichés sometimes, and the acting of Oshri Cohen tends to get on my nerves, but the camera work is flawless, and the direction, mostly, is superb.
I saw another comment here which said that movies like "Bofor" and "Waltz With Bashir", which deal with the Lebanon War as well, were much better because they show the background stories of the characters shown, but I don't thing "Lebanon" needed such stories. It was good enough to show the traumatic reactions of scared young soldiers who just want to go home in the face of war.
This movie is not trying to say what is right or wrong. It simply gives you the sour taste of war as it is. I generally dislike films that feel me with anger, sadness, nausea or grief, but in this case, the movie was so good and important I feel proud I saw it.
I think everyone should see this movie. Really. It's not an easy one, and it's not perfect, but it's REAL. Too close to reality, I might add. But still. Strong and magnificent cinema.
Lebanon is based on director Samuel Maoz's own experiences as a soldier in the 1982 Israel- Lebanon conflict. The film focuses exclusively on the experiences of the four young Israelis that are responsible for operating a tank that rolls into Lebanese territory at the start of the war.
For almost the entire duration, the characters and the audience are trapped inside the vehicle; we can see only what they can externally through the narrow tunnel vision of a gun turret periscope. With no wider political context and little character background, this viewpoint successfully creates a claustrophobic, tense atmosphere and provides originality and intrigue to what might have been overlooked as 'another war film'.
The soldiers, confined to the tank, are inexperienced, tired, hungry, thirsty, scared, homesick, dirty, feverish and unable to work competently as a team. In the opening scene, their collective callowness leads to the deaths of a fellow soldier and an innocent civilian. From here, difficulty after difficulty presents itself in the form of hostile forces, indignant superior officers, technological issues and internal disputes.
The way the characters respond, the powerful use of imagery - and the contrast between the constant mechanical noise and darkness inside the tank, and the bright environment and varied action outside - combine to shape a potent viewing experience.
For almost the entire duration, the characters and the audience are trapped inside the vehicle; we can see only what they can externally through the narrow tunnel vision of a gun turret periscope. With no wider political context and little character background, this viewpoint successfully creates a claustrophobic, tense atmosphere and provides originality and intrigue to what might have been overlooked as 'another war film'.
The soldiers, confined to the tank, are inexperienced, tired, hungry, thirsty, scared, homesick, dirty, feverish and unable to work competently as a team. In the opening scene, their collective callowness leads to the deaths of a fellow soldier and an innocent civilian. From here, difficulty after difficulty presents itself in the form of hostile forces, indignant superior officers, technological issues and internal disputes.
The way the characters respond, the powerful use of imagery - and the contrast between the constant mechanical noise and darkness inside the tank, and the bright environment and varied action outside - combine to shape a potent viewing experience.
It sure is way better than Fury. It is also rather immersive since its been spoken in a local language. It is about men in war, not heroes, men. There is not much in the characters, but since the performances are great, you can really see that no one of them is having a nice time inside that hot, sweaty and terrifying steel box, and the fact that the whole movie is shot inside the tank and only view outside is the tanks gun sight.
Sure there are some things that aren't right, for example the tank looks too big from inside and the guys should definitely wear something in theyre head.
Anyway it sure is a very distressing, gross and terrifying war movie that isnt enjoyable to watch, that doesnt mean that it wouldnt keep me on the edge of my seat for the whole short runtime.
Sure there are some things that aren't right, for example the tank looks too big from inside and the guys should definitely wear something in theyre head.
Anyway it sure is a very distressing, gross and terrifying war movie that isnt enjoyable to watch, that doesnt mean that it wouldnt keep me on the edge of my seat for the whole short runtime.
Yes, it's true, I will not call this film a masterpiece but it most definitely does catch the emotions and fears of a young soldier. It must be remembered that unlike most countries, Israelis must serve in the army after high school/when they turn 18. This means that not every soldier is prepared emotionally for what is about to come especially at a time of war. Finally there is a movie that portrays the soldiers as what they really are - human beings. I believe the comment left by the person who was disappointed by the movie comes from a very naive place. It is very easy to think that all soldiers are robotic with one aim - to shoot the enemy but to understand the complexity and the mixed emotions a 19 year old boy, who just finished high school and was thrown into this situation with no warning, feels as he begins the first day of a war is virtually impossible unless you see it through the eyes of someone who has actually witnessed the horrors of war in this situation. The acting was very good and gave a real feeling of Israeli persona and brotherhood. It is realistic and unbiased - shows both left and right wing behaviors. It is not an easy movie and it really captures the feelings of the characters in a way you can not escape.
Lo sapevi?
- QuizIn the original Lebanese war, director Samuel Maoz was the gunner of his vehicle's four-man crew. He admits to killing a man during his tour of duty.
- BlooperThe photograph at the travel agency of the downtown New York City skyline shows the buildings of the World Financial Center, which were built several years after the movie takes place.
- ConnessioniFeatured in At the Movies: Venice Film Festival 2009 (2009)
- Colonne sonoreAna el Qwerka
Music by Mustapha Skandrani and lyrics by Mustapha Kechekoui
Performed by Sami Badra, with Vitali Podolski (accordion), Sanya Kroytor (violin) and Yisrael Bright (piano)
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Botteghino
- Lordo Stati Uniti e Canada
- 368.088 USD
- Fine settimana di apertura Stati Uniti e Canada
- 17.145 USD
- 8 ago 2010
- Lordo in tutto il mondo
- 1.286.008 USD
- Tempo di esecuzione1 ora 33 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1
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