Cattura un momento generazionale: giovani sul punto di crescere veramente, stanchi del loro cinismo riflessivo, ognuno a modo suo che lotta per connettersi e definire cosa significa amare ed... Leggi tuttoCattura un momento generazionale: giovani sul punto di crescere veramente, stanchi del loro cinismo riflessivo, ognuno a modo suo che lotta per connettersi e definire cosa significa amare ed essere amati.Cattura un momento generazionale: giovani sul punto di crescere veramente, stanchi del loro cinismo riflessivo, ognuno a modo suo che lotta per connettersi e definire cosa significa amare ed essere amati.
- Regia
- Sceneggiatura
- Star
- Premi
- 1 vittoria e 3 candidature totali
- Social Worker
- (as Mary Ann Urbano)
Recensioni in evidenza
Josh Radnor did a great job both as a director and as the leading actor. The girl with the autoimmune disorder felt she was unlovable. The man who wins her over does so by convincing her that she deserves to be loved. This is a universal message that is not told enough in movies.
A wonderful debut, by the way, as a director for him and all the very best wishes to him for his future ventures. Awesome acting and some great performances by the cast that included Malin Akerman (as usual she is brilliant in this flick too), Kate Mara (I'm beginning to like her already)and Zoe Kazan(with her sweet role which she generally plays quite naturally).
The story was wonderful. Gotta watch it to know it. I'd give it a 7 on 10 and I think the flick deserved it. I'd recommend everyone to go and watch this one because it certainly is worth all the accolades.
Radnor is one of the stars of "How I Met Your Mother" and this is his filmmaking debut. He does show some promise despite some weakness in the script and too dang many close-ups - talking heads, as I call them. His goal was to take an intimate look at relationships and the road to maturity, which is often filled with potholes. This seems especially true for those artistic types who are convinced New York is the only land of opportunity in existence.
There are 4 stories going on: Sam (Josh Radnor) is a struggling writer who meets Mississippi (Kate Mara), a cabaret singer/waitress; Mary Catherine (Zoe Kazan) and Charlie (Pablo Schreiber) have their relationship tested by a proposed move to L.A.; Annie (Malin Akerman) suffers from a self-image problem and faces off against a true romantic in Sam #2 (Tony Hale); and an on-going interwoven story line involves Sam's character making an asinine decision when a young boy gets separated from his family on the subway.
The best of the stories is Annie's. Suffering from an auto-immune disease which leaves her hairless, she has a real self-image problem in thinking that she is not worthy of love. On the ironic other hand, she is put off by the advances of nice guy Sam #2 because he isn't the physical specimen she had dreamed of. Akerman and Hale make these characters believable and we actually pull for them to figure it out.
Kazan's Mary Catherine just had me hoping Charlie would slap her and take off to LA on his own. Kazan (granddaughter of the great director Elia Kazan) actually does a nice job capturing the suffering that so many females put themselves through. Kate Mara's Mississippi is the perky on the outside, defensive on the inside type who should probably never get mixed up with the self-centered mess that is Sam (Radnor). Still, Mara's talent is on full display (she first leaped off the screen in Brokeback Mountain as Heath Ledger's 19 yr old daughter).
One thing the script reminds us is that this generation still believes the world revolves around their every decision. They have been a bit slow on the uptake here, but it makes for easy pickings in script writing. There are some terrific individual scenes, but some of the larger plot lines are not treated fairly or completely. Maybe Radnor tackled a bit too much for his first outing. Still, a decent effort and I look forward to more from him.
Sam (Josh Radnor), Mississippi (Kate Mara) and Rasheen (Michael Algieri) round out the cast of characters. Mississippi is a cabaret singer who catches the eye of Sam early in the film and while their hesitation to throw caution to the wind and go for each other is annoying at times, it brings a much-needed realism over romance approach to their relationship.
Rasheen was an audience favorite and his role adds a unique piece to this puzzle, playing a foster boy separated from his family on the subway who is rescued and looked after by Sam. It is truly an enjoyable highlight of the film to watch their interactions as they grow from perfect strangers to close friends. An amazing dynamic is brought to the script through their friendship, but not without Rasheen's life before Sam looming in the distance.
If this movie is any indication of Josh's talent as a writer, I can't wait to see more of his work. It contains all of the elements of a romantic comedy, yet manages to completely avoid the clichés and predictability that are typically found in this genre. It is clever, heartwarming, hopeful and hilarious. I wouldn't be surprised if it becomes the big hit of Sundance 2010. Congratulations to Josh and everyone behind this film!
Lo sapevi?
- QuizJosh Radnor's directing and writing debut.
- BlooperAt times, Malin Akerman's hair is visible from under her head wrap.
- Citazioni
Sam #2: You can hear this, close your eyes
Annie: What?
Sam #2: I just want you to listen to me. Humor me please?
Sam #2: [Annie closes her eyes] It's not easy to be adored - you in particular - you have a tougher time with it than most, I get that, but I want you to give it a try. Think of it as an experiment. I promise I will be very wonderful at adoring you Annie. It an area where, I think I got a great deal of talent. You're worth the adoration Annie, you're worth it, and the fact that you don't believe it, has nothing to do with whether it's true or not, it is true for me, and that is all that matters.
- ConnessioniFeatured in Ebert Presents: At the Movies: Episodio #1.7 (2011)
- Colonne sonoreMy Friend and the Ink On His Fingers
Written by Adam Olenius
Performed by Shout Out Louds
Courtesy of Capitol Records
Under license from EMI Film & Television Music
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Botteghino
- Lordo Stati Uniti e Canada
- 216.110 USD
- Fine settimana di apertura Stati Uniti e Canada
- 35.063 USD
- 6 mar 2011
- Lordo in tutto il mondo
- 853.862 USD
- Tempo di esecuzione1 ora 40 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.35 : 1