Geppetto, un vedovo falegname che vive nella grigia Italia fascista, costruisce una marionetta in onore del figlio perduto: Pinocchio.Geppetto, un vedovo falegname che vive nella grigia Italia fascista, costruisce una marionetta in onore del figlio perduto: Pinocchio.Geppetto, un vedovo falegname che vive nella grigia Italia fascista, costruisce una marionetta in onore del figlio perduto: Pinocchio.
- Regia
- Sceneggiatura
- Star
- Vincitore di 1 Oscar
- 78 vittorie e 135 candidature totali
Ewan McGregor
- Cricket
- (voce)
David Bradley
- Geppetto
- (voce)
Gregory Mann
- Pinocchio
- (voce)
- …
Burn Gorman
- Priest
- (voce)
Ron Perlman
- Podesta
- (voce)
John Turturro
- Dottore
- (voce)
Finn Wolfhard
- Candlewick
- (voce)
Cate Blanchett
- Spazzatura
- (voce)
Tilda Swinton
- Wood Sprite
- (voce)
- …
Alfie Tempest
- Carlo
- (voce)
- …
Anthea Greco
- Podesta's Wife
- (voce)
- …
Sandro Carotti
- Fruit Vendor
- (voce)
- …
Rio Mangini
- Milliner
- (voce)
- …
Benjamin Valic
- Confident Boy
- (voce)
- …
Riepilogo
Reviewers say 'Guillermo del Toro's Pinocchio' is a visually stunning and emotionally resonant adaptation, blending dark whimsy with themes of love and loss. The stop-motion animation and intricate designs are highly praised. Set in Fascist Italy, it explores mature themes like grief and war. Ewan McGregor and David Bradley deliver strong performances. Some appreciate the unique dark tone, while others find it heavy-handed. The film's pacing and darker elements may not appeal to all, but its artistry is widely recognized.
Recensioni in evidenza
From the get go, this movie had everything going for it. Guillermo del Toro knows how to make a good film, and this was definitely no exception. Now I'm a fan of the 1954 Pinocchio, and I'll say right off the bat that this is not a remake! Don't be foolish and think that, because this is an adaptation of the book more than anything. This movie took some creative liberties, some really good creative liberties, in fact. The movie is set during World War II, in an Italy under Mussolini. War plays a huge role in this film, and I think Del Toro did a good job of taking the basic ideas from the original story, and expanding on them. For example, a certain island setting from the original story is not present in this film, but in its place is a genius substitute that serves practically the same kind of purpose in a way. Every character is interesting and the worlds are very dense with details. While having a dark tone, the movie also finds a way to be upbeat and charming at times. Also, the music is great, the musical songs are pleasing to the ear. Best of all, the visuals are stunning, the puppets capture emotion even though they're puppets. This movie beats Disney's remake by a long shot, and I hope it gets lots of credit for that. Watch this movie if you like the story of Pinocchio, but expect differences and a darker tone. Your kids will like it, and you will love it. 10/10 totally recommend.
With less than 1/4 of the budget of the soulless Disney live action remake earlier this year, Del Toro & Co. Have managed to craft a version of Pinocchio with more personality, heart, and soul than Disney could have dreamed of crafting.
It injects new life into the character by telling a story that is vastly different both narratively and thematically than any version we've seen on screen before.
This tale deals with the malleability of identity, unconditional love, the impressionable nature of children, and the close link between joy and sorrow. And it does so with dark wit, refreshingly complex three-dimensional characters, and stunningly haunting stop-motion animation.
However, I do think this could have benefited a bit from cutting down on the plethora of plot points and having Pinocchio and Geppetto spend more time together. This version lacks the tight focus and brisk pacing of the 1940 version.
But aside from this, I was thoroughly entranced by this dark fairy tale. It has a spine and a soul, and unlike it's titular protagonist, it's far from wooden.
It injects new life into the character by telling a story that is vastly different both narratively and thematically than any version we've seen on screen before.
This tale deals with the malleability of identity, unconditional love, the impressionable nature of children, and the close link between joy and sorrow. And it does so with dark wit, refreshingly complex three-dimensional characters, and stunningly haunting stop-motion animation.
However, I do think this could have benefited a bit from cutting down on the plethora of plot points and having Pinocchio and Geppetto spend more time together. This version lacks the tight focus and brisk pacing of the 1940 version.
But aside from this, I was thoroughly entranced by this dark fairy tale. It has a spine and a soul, and unlike it's titular protagonist, it's far from wooden.
Guillermo del Toro's Pinocchio (2022) follows a father's wish that magically brings a wooden boy to life. Unfortunately, I don't like this film as much as others do. It's a good film to put on in the background but I found it incredibly hard to pay consistent attention to.
Where this film really stands out is in its animation, the stop motion is done very well and the movie has such a unique look to it. The visuals are very dark and fit the gritty tone of the story. There's also some nice colour palettes at times.
The film includes a lot of songs, and for the most part I found them fairly forgettable. The voices also sound way too auto-tuned which gets quite annoying. However, the score itself is pretty decent and there's some good sound design, especially at the end where it really adds a lot of emotion to the story.
The voice acting from everyone was impressive, but unfortunately I found a lot of the characters to be fairly unlikeable. Ewan McGregor is great as the cricket, and probably my favourite character. Also, Tilda Swinton is perfect and I can't imagine anyone else doing better in her roles. Pinocchio, for me, comes across as very annoying, so it's hard to route for him at times. Additionally, I wasn't keen on Geppetto.
The film starts off with a sad and gripping first act, but I slowly lost my interest as the film progressed. I just don't find it entirely engaging and I feel it tries to balance way too many subplots at once, it completely lost me on more than one occasion. Unfortunately for me, I feel this movie drags a lot.
Where this film really stands out is in its animation, the stop motion is done very well and the movie has such a unique look to it. The visuals are very dark and fit the gritty tone of the story. There's also some nice colour palettes at times.
The film includes a lot of songs, and for the most part I found them fairly forgettable. The voices also sound way too auto-tuned which gets quite annoying. However, the score itself is pretty decent and there's some good sound design, especially at the end where it really adds a lot of emotion to the story.
The voice acting from everyone was impressive, but unfortunately I found a lot of the characters to be fairly unlikeable. Ewan McGregor is great as the cricket, and probably my favourite character. Also, Tilda Swinton is perfect and I can't imagine anyone else doing better in her roles. Pinocchio, for me, comes across as very annoying, so it's hard to route for him at times. Additionally, I wasn't keen on Geppetto.
The film starts off with a sad and gripping first act, but I slowly lost my interest as the film progressed. I just don't find it entirely engaging and I feel it tries to balance way too many subplots at once, it completely lost me on more than one occasion. Unfortunately for me, I feel this movie drags a lot.
This film is NOT meant to have the light-hearted happy-go-lucky vibes of Disney's 1940 Pinocchio movie, but rather a modernised take praising the wonders of childhood, faith and friendship; up against the all-consuming tyranny of fascism (its take on Mussolini is hilarious), deceptive show-business tactics; and the double-edged sword of Time (and Life) itself.
Pinocchio is a conceptually HEAVY film that doesn't condescend on its younger audiences nor it's older ones: it respects all the age groups equally and without compromising the story and fairytale-qualities of the Pinocchio story at its core. It's like a hard-boiled folktale that knows when to be optimistic and when to be cautionary in equal measures; and that's the magic Guillermo Del Toro does so goddamn well in SPADES.
This is 2022's best animated feature film, and one of Netflix's best film offerings in years. And it was worth the wait on Del Toro's part too.
All in all, Pinocchio was WORTH IT; big time! And hella better than Disney's 2022 live-action turd too.
It's a 5/5 star experience.
Pinocchio is a conceptually HEAVY film that doesn't condescend on its younger audiences nor it's older ones: it respects all the age groups equally and without compromising the story and fairytale-qualities of the Pinocchio story at its core. It's like a hard-boiled folktale that knows when to be optimistic and when to be cautionary in equal measures; and that's the magic Guillermo Del Toro does so goddamn well in SPADES.
This is 2022's best animated feature film, and one of Netflix's best film offerings in years. And it was worth the wait on Del Toro's part too.
All in all, Pinocchio was WORTH IT; big time! And hella better than Disney's 2022 live-action turd too.
It's a 5/5 star experience.
Right from the get go there're some loop holes, and themes that seems a bit odd but then it grew on me. While my brain is processing and nitpicking the logic, my eyes and heart enjoys this. After finishing the movie, other than shedding some tears, I don't really feel anything much but entertained. Half day in, the movie is now stuck in my mind. Took me awhile to process the meaning of life I took from this movie, and the beauty, the growth, the love, the treasuring the time we have together, precious time. It is now in a special place in my heart. Hands down the best Pinocchio movie I have the honour of watching, in my lifetime. Thank you.
Lo sapevi?
- QuizCate Blanchett told Guillermo del Toro that she wanted a part in this film during work on La fiera delle illusioni - Nightmare Alley (2021), but the only character that hadn't been cast yet was Spazzatura, the monkey. To Del Toro's surprise, Blanchett wanted to voice the character anyway even though they have little actual lines and spent most of the film making sounds. In the making-of documentary, Blanchett and Del Toro confirm that she enthusiastically told him "I'll do anything. For you, I would play a pencil".
- BlooperSharks do not have blowholes, so Pinocchio, Geppetto, and the cricket escaping through one after being swallowed by the giant shark would be impossible.
- Curiosità sui creditiThe Cricket finally gets to sing his song (that he spent the whole movie getting cut off) over the end credits. His dancing knocks the fonts around.
- ConnessioniFeatured in AniMat's Crazy Cartoon Cast: The Puppet Master (2018)
- Colonne sonoreMy Son
Music by Alexandre Desplat
Lyrics by Roeban Katz and Guillermo del Toro
Performed by David Bradley
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- Pinocchio di Guillermo del Toro
- Luoghi delle riprese
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Botteghino
- Budget
- 35.000.000 USD (previsto)
- Lordo in tutto il mondo
- 109.846 USD
- Tempo di esecuzione1 ora 57 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1
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