Zambezia

This is Triggerfish Animation's first feature film. It's a pretty good first effort, but the inexperience shows. A particular problem was the shoestring budget which meant some shots had to go through to the finished film with known flaws, and the story was patchy in places. This film could have done with some pick-ups to fill in those holes. The story is pretty generic, but for the most part well told. The animation is bright and sparkly - the shot of the Falls and into the tree is brilliant. Voice acting is generally good. A shout-out goes to the score: this is in a class of its own, and really lifts the movie. Well done to the first-time composer Bruce Retief.

The film could have done with a few more months in post-production: tightening up some of the gags, filling in a few story holes, polishing up the animation... then it would have warranted an 8/10. As it stands it's a solid 6, particularly due to the score.

Zambezia is not a movie which will be frequently watched again. What it does signal is intent from the new kid on the block from Africa. There's real potential from this little studio in Cape Town,and their next films look like they are hitting their stride (Khumba, plus the next in development: "Sea Monster" with an almost watercolour animation aesthetic. Looks amazing. Pixar 2?)

(2012) Adventures In Zambezia COMPUTER ANIMATION FAMILY ADVENTURE

Co-written and directed by Wayne Thornley that has an ambitious young falcon Kai as well as other birds seeking for the ultimate bird's paradise called Zambezia, which is really a huge tree house located in the middle of some occurring water falls. And the egg eating lizards are the bad guys with Budzo being the most conniving trying to convince a hoard of marabous to work alongside with him. One of the major problems is that upon viewers first seeing the different varieties of birds, I am unable to tell which bird is what, since I thought the so-called falcons looked liked owls, while the marabous looked like vultures. This is one of those computer animations where one would have to read up on first before watching.

It is easy to spot a good animated kids movie: Kids will sit on the edge of their chairs, and parents will stay awake throughout and be reasonably engaged. This one ticked both boxes.

Leonard Nimoy, Samuel L & Jeff Godblum created believable characters, but the Ezee character came over as a bit of a cliché. The animation was done well and could easily rival a movie like Rio.

This is miles better than the previous animated attempts from South Africa, but unfortunately its very difficult to create an animated blockbuster if you don't have the budget of a Sony, Pixar, Dreamworks or Disney.

Pleasant hour and a bit overall.

Despite being one of the biggest lifelong animation fans out there, being practically raised on Disney films and shows, expectations (even with an all-star vocal cast that does bring some intrigue) were low, with the story not being the most appetising seemingly, that it was low-budget (considering the dubious history of low-budget animation) and that the trailer wasn't the most attention-grabbing in the world.

'Zambezia' actually turned out to be a pleasant surprise. It's not a great film and could have been executed better, but it could have been a million times than it turned out to be. Although inexperience does show, understandably and inevitably, and it is rough around the edges, 'Zambezia' was clearly made with good intentions and has a heart of gold underneath its lack of refinement. It does actually try, almost too hard even at times, it doesn't feel like a lazy rip-off of anything and tries to attract a wider audience than its primary target audience (while still appealing to them) by having numerous famous faces, some of which unfamiliar to voice acting, to draw in those not so big on animation but likes any of the actors.

For a debut feature from Triggerfish, 'Zambezia' really isn't half bad and puts low-budget studios that have been around much longer to shame. Primarily Video Brinquedo, Spark Plug Entertainment and Dingo Pictures, companies that produce, or churn out shall we say, low-budget animation, where the only slightly watchable animation between the three of them was Spark Plug Entertainment 'A Cars Life 3' and even that wasn't particularly good.

Back to 'Zambezia', as said it is rough around the edges and inexperience shows a bit in parts. Was impressed by the animation actually most, but there is a lack of finesse in the odd transition and some stiff character designs. At times the story is a bit too busy, things would have been better if there was a little less going on and a few less characters and being dialogue-heavy may have helped a little as well.

Not every character works. Zoe is spirited and likable if also bland and underdeveloped, would have liked more exploration to her character and chemistry with the titular character. Ezee is the standard "annoying" character who gets at times too annoying and his more negative characteristics (like his laziness) goes overboard somewhat and grates.

However, 'Zambezia' does have a lot to like. Its efforts to appeal to its target audience, to all ages, to all the family and to a wider audience is most admirable. As are its good intentions, with some poignantly delivered values and messaging that makes its point but doesn't patronise. It clearly knows what it wants to be and who to aim at, and is not too juvenile or sugary sweet for adults and also not too dark or overly sophisticated for children.

While not all the characters are perfectly executed, most are done remarkably well and have well rounded and defined personalities that stop them from being too standard. There is a likable protagonist who has faults while not being selfish but at the same time he is not made too perfect. The sidekicks are humorous and charming mostly, Sekhuru being the most successful. The more family oriented parts have sincerity and poignancy. And the villains actually pose a threat without being too scary, nothing to give the youngsters nightmares, though Budzo is appropriately pretty sinister, instantly preferable to the bumbling or one-dimensional villains.

The voice work is excellent, with the ones that one expects to be completely wrong for their roles actually being big surprises. The prime example to this is Samuel L. Jackson, who didn't seem the sort of guy to pull off a father figure role that required subtlety (a far cry from Jackson's usually exuberant, over-the-top roles), Jackson is actually surprisingly understated and sincere without sounding bored. Wasn't expecting Richard E. Grant to entirely work either, this is atypical stuff too, but he's entertaining, likewise with Jeff Goldblum. Abigail Breslin and Jeremy Suarez are charming.

Standing out are Leonard Nimoy and especially Jim Cummings. Nimoy clearly has fun with his role but doesn't overdo it, pretty subtle but never less than entertaining (he was no stranger to voice acting by the way, despite being most well known as the iconic 'Star Trek' character Spock). Cummings is one of the best and most sought-after voice actors today, being adept in hero, comedic and villain roles and very few voice actors have that level of versatility, he is truly terrific here being sinister but not being too dark and never bumbling.

Apart from some lack of refinement, the animation is surprisingly good. The landscape and scenery are breath-taking, the colours are vibrant and there was a lot of effort given to little details such as plumes, feathers, slightly bigger ones like the facial expressions and bigger effects in the more action-oriented parts. Maybe it could have been a little more daring, but budget probably disallowed it. The soundtrack is one of the film's best assets, it is nothing short of brilliant and provides about two thirds perhaps of the film's energy (and the film has a lot).

Even though occasionally dialogue-heavy, the script is witty and quirky with some humorous gags while not resorting to cartoonish slapstick and immature misplaced potty humour. A lot of animation today can learn from this. The story is simple, while not being simplistic, and never gets too complicated, in fact this is very easy to follow even with the busy nature and the need at times to do less. It is not the most surprising of stories, but it doesn't get too predictable and the charming characters, vibrant pacing, diverting action, very good vocal cast and humour keep the energy levels high and disallowing boredom to creep in.

Overall, worth flying to without being a masterpiece and being rough around the edges. 6/10 Bethany Cox

8.2 of 10. The second awesome film of 2012 Samuel L. Jackson is in (as a key character voice), and it's very different from Django Unchained, although there's an underlying common bond in working together in each film.

Besides making you want to pet birds, maybe not the vulture-like marabous, the animation doesn't get nearly enough credit. The lizards are bordering on life-like and the waterfall and mist (not to mention sand and other colored dusts) simply has never been better outside of actual filming of waterfalls. Even the bird poo is as gross as in real life.

As for the character voices, I was concerned that Nemoy and Jackson would dominate the audio and distract from the story. Instead, they both give surprisingly understated performances where you need to listen closely to identify them. Even Goldblum deserves credit because I still don't know which character he voiced.

Dear Oscars/Academy, you failed us again. Do any of you actually watch animations/cartoons?