VALUTAZIONE IMDb
6,4/10
89.580
LA TUA VALUTAZIONE
Quando un pazzo inizia a commettere orribili omicidi ispirati alle opere di Edgar Allan Poe, un giovane detective di Baltimora collabora con Poe per impedirgli di trasformare le sue storie i... Leggi tuttoQuando un pazzo inizia a commettere orribili omicidi ispirati alle opere di Edgar Allan Poe, un giovane detective di Baltimora collabora con Poe per impedirgli di trasformare le sue storie in realtà.Quando un pazzo inizia a commettere orribili omicidi ispirati alle opere di Edgar Allan Poe, un giovane detective di Baltimora collabora con Poe per impedirgli di trasformare le sue storie in realtà.
- Premi
- 5 candidature totali
Kevin McNally
- Maddux
- (as Kevin R. McNally)
Recensioni in evidenza
It's a 6 for me. If you are going to make a fictional movie about a real character I think you should really just go for it, make it original, and use some imagination. Edgar Allen Poe seems like a great character to use as inspiration for a very dark, evil, twisted movie. This wasn't one of those.
Cusack as Poe, was OK, not great, not horrible but just OK. The story is one I have seen a few times before. The whole author writes something, serial killer uses it as a blueprint, suddenly the writer is called in and that was the killers plan all along and it becomes personal. Yawn. There was so much potential for this movie, and they turned it in to a played out old story line.
It wasn't bad. After the first ten minutes I figured the rest was going to be a torture to watch. It did get somewhat better, but never rose above OK.
Cusack as Poe, was OK, not great, not horrible but just OK. The story is one I have seen a few times before. The whole author writes something, serial killer uses it as a blueprint, suddenly the writer is called in and that was the killers plan all along and it becomes personal. Yawn. There was so much potential for this movie, and they turned it in to a played out old story line.
It wasn't bad. After the first ten minutes I figured the rest was going to be a torture to watch. It did get somewhat better, but never rose above OK.
The plot has several good moments and logically explained events, but, in general, is rather uneven, with some protracted scenes not providing additional value to the movie. Luckily, there is more crimes and less mystery, no voices in the forest or inside heads or so (personally, I do not find it thrilling to follow someone's going or being mad). As for the cast, John Cusack + British actors give pleasant performances; well, males mostly, I did not like female characters too much. Anyhow, the movie does not become boring and the ending has several layers as well, although you could guess the fate of Edgar Allan Poe.
Additional points as I did not guess who the guilty one was.
Additional points as I did not guess who the guilty one was.
This is a clever, well-made movie, but I think there are a couple of things that stop it from being better than it is.
The story is not dissimilar to David Fincher's "Seven", in that case it was killings inspired by the seven deadly sins while in "The Raven", a serial killer creates gory scenarios based on the stories of Edgar Allen Poe.
Inspector Emmett Fields, played by Luke Evans, while investigating a bizarre double murder, realises that it has a connection to a story by Edgar Allen Poe. He engages the author to help him find the killer. Poe, played by John Cusack, is hesitant at first, but soon throws himself into the hunt, forming an alliance with Fields.
The killer's true intentions become a little clearer when Poe's Fiancée, Emily, played by Alice Eve, is kidnapped. Kept in a coffin, she is tormented by her captor. Eventually, Poe works out who the killer is, and strikes a deadly deal in exchange for Emily's life.
I think John Cusack struggles to find the right balance for Poe. Admittedly, he is more settled in the role by the end of the movie, but he knocks it off balance with some early drunk scenes with lots of yelling; actors portraying people who are drunk are almost as annoying as people who are drunk. His performance is uneven, especially in his affection for Emily - he seems oddly unconvincing in some scenes although he says he would sacrifice his life for her. Luke Evans, with a far more understated performance, steals the show as Inspector Fields.
Visually brilliant, the film features ever more elaborate techniques to dispose of the killer's victims, The ingenuity and the amount of work involved would have required a crew the size of the one that built the Panama Canal, however, with a movie such as this, suspension of disbelief definitely helps with the enjoyment level.
For a while, I thought the identity of murderer was going to be either a disappointment or far too obvious, simply because not too many characters are introduced into the story; an unwritten rule of crime movies is that no one is introduced into a plot without reason. My fears were groundless; the ending works brilliantly, and is far more satisfying than is often the case.
Although "The Raven" has similarities to "Seven", it doesn't have the darkness or the hide-behind-your-finger's tension of that masterpiece of horror. With that said however, as serial killer movies go, "The Raven" is definitely a 'cut' above the average.
The story is not dissimilar to David Fincher's "Seven", in that case it was killings inspired by the seven deadly sins while in "The Raven", a serial killer creates gory scenarios based on the stories of Edgar Allen Poe.
Inspector Emmett Fields, played by Luke Evans, while investigating a bizarre double murder, realises that it has a connection to a story by Edgar Allen Poe. He engages the author to help him find the killer. Poe, played by John Cusack, is hesitant at first, but soon throws himself into the hunt, forming an alliance with Fields.
The killer's true intentions become a little clearer when Poe's Fiancée, Emily, played by Alice Eve, is kidnapped. Kept in a coffin, she is tormented by her captor. Eventually, Poe works out who the killer is, and strikes a deadly deal in exchange for Emily's life.
I think John Cusack struggles to find the right balance for Poe. Admittedly, he is more settled in the role by the end of the movie, but he knocks it off balance with some early drunk scenes with lots of yelling; actors portraying people who are drunk are almost as annoying as people who are drunk. His performance is uneven, especially in his affection for Emily - he seems oddly unconvincing in some scenes although he says he would sacrifice his life for her. Luke Evans, with a far more understated performance, steals the show as Inspector Fields.
Visually brilliant, the film features ever more elaborate techniques to dispose of the killer's victims, The ingenuity and the amount of work involved would have required a crew the size of the one that built the Panama Canal, however, with a movie such as this, suspension of disbelief definitely helps with the enjoyment level.
For a while, I thought the identity of murderer was going to be either a disappointment or far too obvious, simply because not too many characters are introduced into the story; an unwritten rule of crime movies is that no one is introduced into a plot without reason. My fears were groundless; the ending works brilliantly, and is far more satisfying than is often the case.
Although "The Raven" has similarities to "Seven", it doesn't have the darkness or the hide-behind-your-finger's tension of that masterpiece of horror. With that said however, as serial killer movies go, "The Raven" is definitely a 'cut' above the average.
I really wanted to like this film, I really did. Something was off, though. Was it the script? Perhaps, although I can't find a clear fault in it. Some of the sophistication of the crimes and of the investigative methods were clearly out of the era, but overall it was OK. The production values were good, the direction was good, the acting was good. The atmosphere was dark and claustrophobic as in Poe's writing. Yet, I didn't quite find the enjoyment I was looking for.
The only thing I can think off was John Cusack. He and Alice Eve had no chemistry (and how can you not have it with Alice Eve?!) and the thing I had most trouble believing were not the way the criminal always barely escapes, not the story or the era or the feel of the movie, but that Cusack's character had any feelings at all. He seemed apathetic and occasionally angry. That was it. And that made the film, a good film overall, not be better than average.
The only thing I can think off was John Cusack. He and Alice Eve had no chemistry (and how can you not have it with Alice Eve?!) and the thing I had most trouble believing were not the way the criminal always barely escapes, not the story or the era or the feel of the movie, but that Cusack's character had any feelings at all. He seemed apathetic and occasionally angry. That was it. And that made the film, a good film overall, not be better than average.
A killer is on the loose, a young detective joins forces with Edgar Allan Poe to stop his writings becoming reality. The stakes become high when Poe's partner is kidnapped and her life hangs in the balance.
Set in Baltimore, an underrated thriller mystery that needn't be compared to other period pieces including the likes of Sherlock Holmes (2009). This has its own legs and is more of a murder thriller than adventure. James McTeigue captures the ominous 1849 setting with dark and foggy cobbled streets reminiscent in tone of a Hammer films and Jack the Ripper tale - In Hell (2001). The setting and locations create a eerie backdrop, complimentary of Danny Ruhlmann's cinematography. There's no doubt, Ben Livingston and Hannah Shakespeare's screenplay unfolds like a period piece CBS CSI special but it's a well filmed, entertaining and intriguing, strengthened by McTeigue's direction and Lucas Vidal's score.
Brendan Gleeson's acting abilities are very much underused as Captain Hamilton has he has very little screen time. Luke Evans' Detective Fields commands an on screen presence equal to that of the late Heath ledger. John Cusack gives his usual solid show, albeit he is more animated than usual as Edgar Allan Poe. Alice Eve is excellent, giving a convincing harrowing performance as the kidnapped and trapped Emily Hamilton.
Anyone familiar with the genre may see the killers identity well in advance. Nevertheless, The Raven is a creepy, solid old-school thriller with a fitting portrayal by Cusack.
Set in Baltimore, an underrated thriller mystery that needn't be compared to other period pieces including the likes of Sherlock Holmes (2009). This has its own legs and is more of a murder thriller than adventure. James McTeigue captures the ominous 1849 setting with dark and foggy cobbled streets reminiscent in tone of a Hammer films and Jack the Ripper tale - In Hell (2001). The setting and locations create a eerie backdrop, complimentary of Danny Ruhlmann's cinematography. There's no doubt, Ben Livingston and Hannah Shakespeare's screenplay unfolds like a period piece CBS CSI special but it's a well filmed, entertaining and intriguing, strengthened by McTeigue's direction and Lucas Vidal's score.
Brendan Gleeson's acting abilities are very much underused as Captain Hamilton has he has very little screen time. Luke Evans' Detective Fields commands an on screen presence equal to that of the late Heath ledger. John Cusack gives his usual solid show, albeit he is more animated than usual as Edgar Allan Poe. Alice Eve is excellent, giving a convincing harrowing performance as the kidnapped and trapped Emily Hamilton.
Anyone familiar with the genre may see the killers identity well in advance. Nevertheless, The Raven is a creepy, solid old-school thriller with a fitting portrayal by Cusack.
Lo sapevi?
- QuizThe film posits a fictional representation of the last days in the life of Edgar Allan Poe. In reality, no one actually knows how Poe spent his last days, his death being shrouded in mystery. He was found, delirious, on the streets of Baltimore on October 3, 1849, wearing clothes that were not his own. On the night before his death, he was reported to have repeatedly called out the name "Reynolds." He died on October 7, 1849, as depicted in the film. All medical records, including his death certificate, have been lost.
- BlooperIvan, the typesetter, tells Poe that he is the writer's biggest fan. The word "fan" (short for "fanatic") would not be used in this sense until the late 1880s.
- ConnessioniFeatured in Projector: The Raven (2012)
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Dettagli
Botteghino
- Budget
- 26.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 16.008.272 USD
- Fine settimana di apertura Stati Uniti e Canada
- 7.289.642 USD
- 29 apr 2012
- Lordo in tutto il mondo
- 29.699.345 USD
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