VALUTAZIONE IMDb
4,6/10
1958
LA TUA VALUTAZIONE
In una casa isolata nei boschi della California del Nord, un piccolo gruppo di giovani motociclisti e le loro amiche vengono tormentati quando una delle ragazze diventa posseduta.In una casa isolata nei boschi della California del Nord, un piccolo gruppo di giovani motociclisti e le loro amiche vengono tormentati quando una delle ragazze diventa posseduta.In una casa isolata nei boschi della California del Nord, un piccolo gruppo di giovani motociclisti e le loro amiche vengono tormentati quando una delle ragazze diventa posseduta.
- Regia
- Sceneggiatura
- Star
- Premi
- 1 vittoria e 1 candidatura in totale
Christina McDowell
- Megan
- (as Christina Prousalis)
Ilea Alfaro
- Pussywagon
- (as Ilea Matthews)
Recensioni in evidenza
How far will you go for what you want? After a party a girl named Michelle shows up bloody and dying, after being cared for strange things begin to happen. When a group shows up for something she has things get worse. This is a very strange movie that I found myself really liking. Not much to this movie but sex, beating people up, and a lot of blood. There are a lot of similar scenes to a variety of different movies in this, too many to name but you will recognize most of them when you watch. This is not a movie for people who are against violence (but from the title it weeds most of them out), but it is actually a very entertaining movie that kept me interested the entire time. This is not the kind of movie I usually like, but this was an exception. Very gory and shocking in some parts, but overall not a bad rental. I surprisingly give it a B.
Would I watch again? - I might, but not really a definite re-watcher.
Would I watch again? - I might, but not really a definite re-watcher.
I have to say after more and more mainstream crap Horror like Scream 4(Sorry Wes Craven, but Scream 3 and 4 were just monotonous and overbudgeted) and the flood of remakes, its very refreshing to see something new and semi-original come from the independent film industry. I know that the mainstream crowd will probably rate this horribly or say it has plot holes(What everyone says when they don't understand something), but don't buy what they're selling unless your in their category.
Premise: The movie starts off telling the violent story of a notorious biker gang that is into drugs, violence, and crime getting together for a party. Headlines of the gangs exploits are splashed across the screen in the form of newspaper articles of recent arrests. The party quickly comes and goes then some real weird things start to happen after everyone leaves the party house.
This movie definitely is a send up in the spirit of Evil Dead and the Exorcist thrown in with a few other genre Slasher flicks. The movie definitely stands out as a smashmouth, grindhouse Independent, supernatural slasher with a very decent twist at the end that is like the icing on the cake. I can already hear the argument that the film tries to be too much, but trust me, the movie handles everything, including the twist right down to the last minute. It kept me glued to the screen. Then again I love supernatural elements which this movie has a lot of.
I gave it a 9 because its already off to a bad start. It deserves a "solid" 7 rating. Acting is top notch, gore is above par, tense moments are everywhere, and an "I really didn't see it coming", twist. What can I say? I loved this movie and I highly recommend it to the REAL die-hard genre fans who can appreciate good REAL independent horror in the tradition of Evil Dead and The Exorcist.
Bravo!
Premise: The movie starts off telling the violent story of a notorious biker gang that is into drugs, violence, and crime getting together for a party. Headlines of the gangs exploits are splashed across the screen in the form of newspaper articles of recent arrests. The party quickly comes and goes then some real weird things start to happen after everyone leaves the party house.
This movie definitely is a send up in the spirit of Evil Dead and the Exorcist thrown in with a few other genre Slasher flicks. The movie definitely stands out as a smashmouth, grindhouse Independent, supernatural slasher with a very decent twist at the end that is like the icing on the cake. I can already hear the argument that the film tries to be too much, but trust me, the movie handles everything, including the twist right down to the last minute. It kept me glued to the screen. Then again I love supernatural elements which this movie has a lot of.
I gave it a 9 because its already off to a bad start. It deserves a "solid" 7 rating. Acting is top notch, gore is above par, tense moments are everywhere, and an "I really didn't see it coming", twist. What can I say? I loved this movie and I highly recommend it to the REAL die-hard genre fans who can appreciate good REAL independent horror in the tradition of Evil Dead and The Exorcist.
Bravo!
This is a film that could almost be broken into three differently toned parts along the lines of a format similar to "A.I." and "Martyrs." Likewise, the first half seems conventional enough, the second half more dangerous and the third is about as bleak as they come--by the time it finishes, how it began will be a distant memory.
"The Violent Kind" starts out as a cool and sleazy afternoon in Oakland, CA with a posse of three young biker buddies belonging to "The Crew" who are without a care or concern except living up their own impulsive behavior from rough sex, fights to drinking beer. They go to Cody's mother's 50th birthday at an isolated house and instead of finding a bunch of well-behaved and mature adults, everybody celebrates with loud rock 'n' roll, more drinking and strippers. After almost everybody leaves, the real party just gets started, one where their livers aren't going to be the only things on the line.
Cody's ex girlfriend returns a bloodied mess and asks for help. She's brought inside and placed in a bed until the remaining people left over--three guys, two gals--can figure out why their vehicles won't work and their cell phones act glitchy to get help as they're in the middle of nowhere. All the while the audience is shown mysterious others that hang outside in the shadows. They visit the only neighbor around and cryptic symbols are shown written on the walls in blood to allude to something ominous on the horizon. Soon enough things start to get really weird, as the woman on the bed turns Linda Blair-like possessed and with her bare hands mutilates one of the guys trying to get frisky and feel her up.
Soon enough, the mysterious outsiders show up to the house to collect something they need. Though it's like they stepped into another era or some kind of paranormal realm as there are unexplained flashes of light and these new strangers appear to be ripped out of a time warp from the '50s with their distinct attire, tunes and lingo. They've got a dark and condescending sense humor that includes torturing their hostages while playing theme music on the record player and all the while laughing sardonically like they know a big secret their captives don't. They put on a sadistic show and fit their eccentric parts like a glove, though it's a rather pointless game except to show what kind of people they're dealing with: the violent kind.
The first phase is more fleshed out and some perspective is gained of the young gang with some internal conflicts, though it's a different type of knowing as being familiar with their disregard for restraint sets a new bar for comfortable living at the expense of others as well as themselves. Everything is so rebellious, carefree and in-the-moment that it's hard to care of their safety or even their demise because they might have already had it coming. The next phase is going for mystery and cheap thrills by keeping the audience in the dark with only snippets of light to what, how or why these people are there. The ending gave a feeling of hopelessness as it left the audience as well as the characters out to dry. However, they made it too powerful and far reaching without actually showing the big picture and how these select people tie in, even if they seem incidental. It would be like watching "Night of the Living Dead," except where the TV and word of mouth by others are missing, which would leave the focus in one area but not effectively set up for how it all pans out or ties in to a global matter. Otherwise it feels exaggerated to stretch its importance.
"The Violent Kind" isn't going to be for everybody but it's definitely a different type of film which travels over a wide arc of genres and steps on any morals or taboos it can in the process. One of its setbacks is it felt like a condensed mini-series that gives assorted tastes of a little bit of here and there, but not enough to really appreciate and savor everything you just seen. It's entertaining to a degree, and with the change-ups I can't say it was boring, even if everything doesn't line up or is what it is anticipated to be. It gives some homage to other films and had some hiccups though all and all it did seem one of a kind. (Also submitted on http://fromblacktoredfilmreviews.blogspot.com/)
"The Violent Kind" starts out as a cool and sleazy afternoon in Oakland, CA with a posse of three young biker buddies belonging to "The Crew" who are without a care or concern except living up their own impulsive behavior from rough sex, fights to drinking beer. They go to Cody's mother's 50th birthday at an isolated house and instead of finding a bunch of well-behaved and mature adults, everybody celebrates with loud rock 'n' roll, more drinking and strippers. After almost everybody leaves, the real party just gets started, one where their livers aren't going to be the only things on the line.
Cody's ex girlfriend returns a bloodied mess and asks for help. She's brought inside and placed in a bed until the remaining people left over--three guys, two gals--can figure out why their vehicles won't work and their cell phones act glitchy to get help as they're in the middle of nowhere. All the while the audience is shown mysterious others that hang outside in the shadows. They visit the only neighbor around and cryptic symbols are shown written on the walls in blood to allude to something ominous on the horizon. Soon enough things start to get really weird, as the woman on the bed turns Linda Blair-like possessed and with her bare hands mutilates one of the guys trying to get frisky and feel her up.
Soon enough, the mysterious outsiders show up to the house to collect something they need. Though it's like they stepped into another era or some kind of paranormal realm as there are unexplained flashes of light and these new strangers appear to be ripped out of a time warp from the '50s with their distinct attire, tunes and lingo. They've got a dark and condescending sense humor that includes torturing their hostages while playing theme music on the record player and all the while laughing sardonically like they know a big secret their captives don't. They put on a sadistic show and fit their eccentric parts like a glove, though it's a rather pointless game except to show what kind of people they're dealing with: the violent kind.
The first phase is more fleshed out and some perspective is gained of the young gang with some internal conflicts, though it's a different type of knowing as being familiar with their disregard for restraint sets a new bar for comfortable living at the expense of others as well as themselves. Everything is so rebellious, carefree and in-the-moment that it's hard to care of their safety or even their demise because they might have already had it coming. The next phase is going for mystery and cheap thrills by keeping the audience in the dark with only snippets of light to what, how or why these people are there. The ending gave a feeling of hopelessness as it left the audience as well as the characters out to dry. However, they made it too powerful and far reaching without actually showing the big picture and how these select people tie in, even if they seem incidental. It would be like watching "Night of the Living Dead," except where the TV and word of mouth by others are missing, which would leave the focus in one area but not effectively set up for how it all pans out or ties in to a global matter. Otherwise it feels exaggerated to stretch its importance.
"The Violent Kind" isn't going to be for everybody but it's definitely a different type of film which travels over a wide arc of genres and steps on any morals or taboos it can in the process. One of its setbacks is it felt like a condensed mini-series that gives assorted tastes of a little bit of here and there, but not enough to really appreciate and savor everything you just seen. It's entertaining to a degree, and with the change-ups I can't say it was boring, even if everything doesn't line up or is what it is anticipated to be. It gives some homage to other films and had some hiccups though all and all it did seem one of a kind. (Also submitted on http://fromblacktoredfilmreviews.blogspot.com/)
The Violent Kind. After I watched this film I read some of the reviews. It was pretty appalling to see what some people had to say about this movie. Right after I saw it I wanted to purchase it. I felt like it was reviewed pretty harshly. I will say it's definitely not mainstream. If you are bored with the same old plots and twists than give this movie a shot. Personally,I had high expectations for this movie...and it surely delivered! I'm not going to ruin anything by giving a detailed review. I will say that it has bikers, vintage cars, violence,throwbacks to the 1950's and a touch of Lovecraftian twist. The actors and actresses do a very good job here. The effects are better than some you see in the mainstream trash they put out now. The plot itself keeps you guessing at what's going to happen next, which I can't say for most horror movies. Great movie and can't wait for more.
After watching The Hamiltons the night before and finding out this new brain child of the Butcher Brothers was out, I was excited to give it a view! Another original premise for this movie: A biker gang and their girlfriends are tormented when one of the girls becomes savagely possessed and a gang of "Rockabillies" from the fifties descends upon them to collect what is growing inside her. I found the first hour of the movie, actually kind of boring. It was then the "Rockabiliies" emerged on screen that the true potential of the film was shown. They are what should have been expanded more on, their twisted and psychotic personalities made the film.
www.breakawayradio.ca/bigcinema
www.breakawayradio.ca/bigcinema
Lo sapevi?
- ConnessioniReferences Gioventù bruciata (1955)
- Colonne sonoreThe Duke
Written by Low Red Land
Performed by Low Red Land
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Dettagli
Botteghino
- Budget
- 1.000.000 USD (previsto)
- Tempo di esecuzione
- 1h 25min(85 min)
- Colore
- Proporzioni
- 1.85 : 1
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