La lotta tra damigelle d'onore per stabilire chi è la migliore amica della sposa sconvolge la vita di un pasticcere disoccupato.La lotta tra damigelle d'onore per stabilire chi è la migliore amica della sposa sconvolge la vita di un pasticcere disoccupato.La lotta tra damigelle d'onore per stabilire chi è la migliore amica della sposa sconvolge la vita di un pasticcere disoccupato.
- Regia
- Sceneggiatura
- Star
- Candidato a 2 Oscar
- 25 vittorie e 72 candidature totali
Joe Nunez
- Oscar the Security Guard
- (as Joseph A. Nunez)
Recensioni in evidenza
Let's be honest: when we saw the first trailer for Bridesmaids, who among us didn't think it looked like a dismal rehash of The Hangover (only this one, of course, features a "ratpack" of women)? Imagine my surprise, then, when I discovered that Bridesmaids is better than The Hangover. I have yet to see The Hangover Part 2, so I can't comment on any similarities/differences that might or might not exist. But one thing is for sure: Kristen Wiig has proved her worth as a female lead with a serious amount of comedic clout.
The story isn't revolutionary: one of two best friends is getting married, and everything involved with said nuptials is threatening to tear their lifelong friendship apart. At the center of this battle is Helen, a newly acquired "friend"—via the merging of two exclusive social circles—who begins taking over the wedding plans for Lillian (Rudolph). Annie (Wiig) makes it her mission to take out this she-devil, and what follows is the setup for one of the more memorable meltdowns (among a plethora of other things) to come along in quite some time. Bridesmaids is also peppered with the sort of humor that made movies like Superbad and Knocked Up so funny—it's observant and kitschy in that it rightly jabs several other films that have braved similar issues. In fact, the previously mentioned Hangover is, in at least a very minute way, one of these movies. In what initially appears to be a sad "bow" to The Hangover as king of the pre-wedding funnies, the girls decide to go to Vegas for Lillian's bachelorette party. This ends up being a perfectly welcome curve ball, though, as screenwriters Wiig and Mumolo brilliantly utilize the length of the plane trip to said destination to further flesh out their characters and create an impressively humorous string of in-flight mishaps.
There are a number of other contributors who make Bridesmaids work extraordinarily well, but, as is the case with any solid piece of cinema, it's best if you set aside some time to take in the whole thing in one fell swoop and let it unravel of its own volition. Sure, it's extraordinarily raunchy from time to time, but the nuanced, perfectly- timed moments of comedic genius make it a very worthwhile trip.
The story isn't revolutionary: one of two best friends is getting married, and everything involved with said nuptials is threatening to tear their lifelong friendship apart. At the center of this battle is Helen, a newly acquired "friend"—via the merging of two exclusive social circles—who begins taking over the wedding plans for Lillian (Rudolph). Annie (Wiig) makes it her mission to take out this she-devil, and what follows is the setup for one of the more memorable meltdowns (among a plethora of other things) to come along in quite some time. Bridesmaids is also peppered with the sort of humor that made movies like Superbad and Knocked Up so funny—it's observant and kitschy in that it rightly jabs several other films that have braved similar issues. In fact, the previously mentioned Hangover is, in at least a very minute way, one of these movies. In what initially appears to be a sad "bow" to The Hangover as king of the pre-wedding funnies, the girls decide to go to Vegas for Lillian's bachelorette party. This ends up being a perfectly welcome curve ball, though, as screenwriters Wiig and Mumolo brilliantly utilize the length of the plane trip to said destination to further flesh out their characters and create an impressively humorous string of in-flight mishaps.
There are a number of other contributors who make Bridesmaids work extraordinarily well, but, as is the case with any solid piece of cinema, it's best if you set aside some time to take in the whole thing in one fell swoop and let it unravel of its own volition. Sure, it's extraordinarily raunchy from time to time, but the nuanced, perfectly- timed moments of comedic genius make it a very worthwhile trip.
This is the funniest film ever made. Hands down. And it gets funnier every time. I have never laughed so hard, and I quote it almost daily. Just perfection!
The cast are all amazing and are perfectly cast. Kristen Wigg has never been better. There are just too many funny scenes- the plane scene is an absolute classic. If you don't pretend to be Ms Iglesias on your next flight then there is something wrong with you. But all the scenes are hilarious- the wedding speeches, any scene with Annie's mam, any scene with Megan, any scene with Rita... just brilliant. You feel like, somehow, even though they're all completely bonkers, you know them. And you leave the film feeling great.
Watch it... on repeat! You will not regret it!
The cast are all amazing and are perfectly cast. Kristen Wigg has never been better. There are just too many funny scenes- the plane scene is an absolute classic. If you don't pretend to be Ms Iglesias on your next flight then there is something wrong with you. But all the scenes are hilarious- the wedding speeches, any scene with Annie's mam, any scene with Megan, any scene with Rita... just brilliant. You feel like, somehow, even though they're all completely bonkers, you know them. And you leave the film feeling great.
Watch it... on repeat! You will not regret it!
It's a fun one time watch. Directed by Paul Feig. Life of a unsuccessful pastry chef whose best friend moves kn and is ready to get married; the funny competition between herself who is the maid of honor and one of the bridesmaids. The cute love story with the cop who actually loved her cakes when the bakery was in business, and keeps telling her to go back into it. There are good messages at parts, like when she hit rock bottom another friend comes over and tells her the problem is not the world, it's herself, so the solution has to come from her as well. Really good acting by everyone. Also a small message in Helen's story, on how money can't buy friends.
There are many prickly relationship comedies, many wedding related comedies, many gross-out comedies, many my-life-is-a-mess comedies and many comedies that shoe-horn in a romance.
This has all those familiar elements but it works really well. It is well-paced despite the long run time, with a good mix of the various elements that keeps the entertainment and comedy value strong. Importantly the characters and relationships seem believable which makes the comedy parts so much more effective when they happen.
Kristen Wiig plays the lead character and co-wrote (taking care to include romantic associations with two really attractive guys). Wiig is really funny and effective in the role. I also really enjoyed the performances of Rose Byrne and Chris O'Dowd. Melissa McCarthy is good and her bit on the plane was really funny.
This has all those familiar elements but it works really well. It is well-paced despite the long run time, with a good mix of the various elements that keeps the entertainment and comedy value strong. Importantly the characters and relationships seem believable which makes the comedy parts so much more effective when they happen.
Kristen Wiig plays the lead character and co-wrote (taking care to include romantic associations with two really attractive guys). Wiig is really funny and effective in the role. I also really enjoyed the performances of Rose Byrne and Chris O'Dowd. Melissa McCarthy is good and her bit on the plane was really funny.
For this film to work it has to be funny - and it isn't. I'll pretty much laugh at anything - I even thought Tropic Thunder was hilarious, Satan's Alley, now thats funny. But I sat through this and didn't laugh, smirk or smile once. Its not that i don't get Kristen Wiig, in fact I think she steals her scenes in Knocked Up and Forgetting Sarah Marshall, where she is fantastic ("Its not a competition, but you're best"). She's also probably the best thing in Paul as a god bothering hillbilly.
But why doesn't this film work for me? Well it just isn't funny - there's no genuine humour in someone being drugged up and doing bad things on a plane, or people getting food poisoning and needing to defecate on the street. You would expect a lot from the people who put together this movie but they don't deliver.
But why doesn't this film work for me? Well it just isn't funny - there's no genuine humour in someone being drugged up and doing bad things on a plane, or people getting food poisoning and needing to defecate on the street. You would expect a lot from the people who put together this movie but they don't deliver.
Lo sapevi?
- QuizIt was originally intended that Chris O'Dowd's cop would be American, but everyone was so enamored of O'Dowd's native Irish accent that it was decided that he keep it.
- BlooperWhen Annie receives the shower invitation it reads "Sat." as the day. When Annie's car breaks down on the day of the shower, and Ted picks her up, she asks him, "Were you busy?" and he answers, "Well, it is Friday."
- Versioni alternativeThe 131-minute unrated version contains several additional scenes as follows:
- The conversation between Annie (Kristen Wiig) and Mother (Jill Clayburgh) is slightly longer with Mother telling her about Father's "chicken coop" sex act, and it also reveals that Annie's father grew up in a farm.
- Becca (Ellie Kemper) mocks Annie for being single and offers to arrange a date for her.
- The car ride with Lillian (Maya Rudolph) and Annie after the bridal store fiasco is longer and different than the theatrical version. In the new cut, after Lilian admits crapping her wedding dress, Annie starts to feel uncomfortable, gets out of the car and throws up.
- When Annie is at the bathroom, Gil (Matt Lucas) and his sister were in the bathtub together. He asks Annie to hand her the disposable shaver and shaves his sister's armpits.
- There's a new 5-minute scene where Annie has a date with a guy called Pete. While waiting at the living room for Pete to get ready, she has a very uncomfortable conversation with his son Taylor (he's talking about "fear of dying", asking about Annie replacing his mother, etc.). After Annie goes upstairs, she overhears Pete talking on the phone telling his wife how he missed her and describes Annie as unattractive. Shocked by that, she went back downstairs and saw Taylor taking some contraceptive pills before leaving the house hastily.
- The home video of Megan (Melissa McCarthy) and Jon (Ben Falcone) is slightly longer. She sticks a slice of ham on his chest and eats them. However, Jon's reaction doesn't tell whether he likes it or not.
- ConnessioniFeatured in The Tonight Show with Jay Leno: Episodio #19.135 (2011)
- Colonne sonoreRip Her to Shreds
Written by Debbie Harry (as Deborah Harry) and Chris Stein
Performed by Blondie
Courtesy of Capitol Records
Under license from EMI Film & Television Music
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Dettagli
- Data di uscita
- Paese di origine
- Sito ufficiale
- Lingue
- Celebre anche come
- Damas en Guerra
- Luoghi delle riprese
- 2501 South Kinnickinnic Avenue, Milwaukee, Wisconsin, Stati Uniti(Annie's apartment exterior)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 32.500.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 169.106.725 USD
- Fine settimana di apertura Stati Uniti e Canada
- 26.247.410 USD
- 15 mag 2011
- Lordo in tutto il mondo
- 324.840.797 USD
- Tempo di esecuzione2 ore 5 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.39 : 1
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