Space Battleship Yamato

I watched and loved the anime 'Starblazers' as a kid and now 30+ years on I find out they've made a live action version of the series that I knew absolutely nothing about! Well, I just HAD to watch it, not expecting anything great.... putting my hopes as high as a SciFy movie of the week or a campy Godzilla movie.

Boy was I surprised! The movie does leap right into things without the background development of the main 'spaceship' or real character introductions, but to enjoy the movie, especially if you have any familiarity with the source cartoon, it really didn't hinder it that much. When the 'Yamamoto' took off and the special effects were introduced, I almost crapped my pants! It looked FANTASTIC!! Exactly like my 9 year old mind pictured as if it were brought to life!

This movie is FAR from Shakespeare, but for an action space romp, popcorn munching entertainment vehicle... it sure impressed me silly... especially compared to the dreck coming out of Hollywood these days.

If you have fond memories of 'Starblazers', this is a MUST SEE... even if you never saw the cartoon, I'd highly recommend this as a decent time waster.... you could do far worse!

... should have been made by the people who made this "live-action" Space Battleship Yamato (2010) movie-- which is based on the Classic (first major "space opera"-- after Star Trek, before Star Wars) animated TV series of the same name , and much closer in style and content to Star Trek The Original TV Series... since it doesn't devolve into the teen-angst or "slo-mo" action of recent Hollywood blockbusters.

The source material is given many judicious "updates" which largely made sense to me from a story, if not production, stand-point: e.g. the talking robot "Analyzer" is now a "SIM" module which you can load into other devices and the aliens are now truly "alien" with technology and energy signatures which humans have difficulty detecting or understanding.... And the writing is smart enough to make light of the "old-schooled" stuff they keep-- like their costumes ("we're still wearing this?") and one-liners. In fact, there is so little "fan-service" or "sequel baiting" that non-fans probably won't realize that this is an adaptation of a 1970s TV animation series (using the ORIGINAL music)!

P.S. To anyone who thinks that the characters' reactions to the movie's apocalyptic story is unrealistic (taking time to make decisions, say farewells, mourn/salute the dead)-- just look at how real Japanese people deal with their earthquakes and tsunamis.

Owing to the fact that the Japanese "general movie audience" is not that much larger than the Japanese anime/manga audience, there is no faux issue of "re-imagining" the source material for a "new/larger" audience-- and the writers rise to the monumental task of "condensing" many epic, if episodic, story-arcs (which should have taken a trilogy, if not a series of 7/8 movies) into a single feature film... by focusing on the STORY! In fact, this movie is so tightly structured that the only really unexplained or implausible thing in it is probably all of the actors' great hair... and the secret lies in using sci-fi movie tropes (most of it actually originating from their source material), NOT explaining them-- since no amount of techno-babble will turn a plot device into reality.

Which is where, I believe, this movie will divide audiences into fans and non-fans of the source material (or sci-fi/anime in general)-- a downside of all this emphasis on story is, of course, a relative lack of characterization.... Though thankfully, anime stereotypes have at least one more dimension than their Hollywood counterparts and the casting is mostly SPOT-ON (you who believe skinny anime characters with fluffy hair do not exist in Japan, repent!) And some inevitably heavy narration and exposition which might have been risible were thankfully short, focused and well-delivered-- with a touch of self-awareness (*eye-rolling*) by the characters themselves. And as expected, veteran actors deliver their lines and inhabit their characters without batting an eyelid, while younger cast members are less convincing with their histrionics.

So while this might seem like a pretty generic space adventure to "general audiences"; it is and has always been intended as a treat for the fans. And this movie won me over for the simple fact that, after decades of Star Wars and Star Trek, it could still make me go "WOW..." every time an alien or a space-ship appeared, for all of 3/4 of a second-- because it's not what you have, it's how you use it!

For this is low-budget movie-making by Hollywood standards, so there is absolutely no "pimping" of expensive special effects-- which means that the only time you get to see the aliens/space-ships is when they are actually doing something ESSENTIAL to the plot. And sci-fi fans might also note that they got the relative speeds of capital-ships (bigger = slower) vs fighter-ships, missile-fire, warp-effects (almost instantaneous by comparison) RIGHT-- so there is no such rubbish as waiting for "visual confirmation" (which is meaningless in the vastness of space) or capital-ships "dodging" long-range fire (which would hit almost as soon as they are "detected").

All this means going back to the "bridge battles" of submarine/battleship warfare (this Yamato looks/works more like a submarine with a skeletal crew, than some cruise-boat or flying-city) which rely more on having good scripts/actors than special effects-- and people who don't think this can't be nerve-wrecking should see how they "set-up" the Yamato's SPLIT-SECOND "warp-maneouvers"!

The budgetary limits really start showing up near the end of the movie-- but if the money is lacking, the heart is not: the relatively simple yet distinct special effects design (transforming "2-stage" fighter-ships!) is always a pleasure to behold, even when very tight (or wide) shots are used in order to avoid rendering very expensive details. It may be just a few frames of CGI, but the "impact" will leave you re-playing it in your mind...

The real only disappointment for me, if any, would be how the human and environmental issues (Living with irradiated earth? Leaders making up "white lies"?) ever-present in the best of Japanese anime is left in the background-- as both the challenges and solutions presented in the story are essentially alien-related. I mean, I'm ashamed to admit to one of the more touching moments for me was when "Analyzer" finally took on its robot-form (hey, it had more lines than the "red shirts")....

This latest production of Reiji Matsumoto's classic series deserves high ratings for its production value especially considering its low budget of 12 million USD, which is less than a fifth of average Hollywood motion pictures.

In the year 2199 earth is under attack by planet Gamiras and is hopelessly contaminated by radiation. One day they receive a transmission from planet Iskandar with a plan for warp engine and a wave cannon. In their last hope, people of Japan uses this information to transform battleship Yamato - a world war II relic that is now exposed out of a dried up sea bed into a spaceship. They set out to Iskandar which exists in the great Magellan nebula in hopes of finding an answer to earth's problem.

I see touch of Babylon 5 and Battlestar Galactica in the overall looks and feel of the props, ships and the battle sequences, but it's certainly the very best special effects science fiction I've ever seen to come out of Japan. I'd say that Japanese sci-fi have finally come of age in this movie.

The final sequence of this movie is very Japanese in my opinion, and might be over melodramatic for the international audience, but the movie was made for the Japanese viewers, so I don't have any problems there.

Takuya Kimura has a habit of stretching out the ending of a word when calling out orders, and speaking dramatically which sounded odd at times, and the dead pan acting of Meisa Kuroki could have been more charming, but overall things were believable and didn't mess up the story.

Beautifully done movie with real feeling of being out there in space, with unbelievable special effects considering its budget. This is certainly the best sci-fi movie to come out of Japan, and is Toho's new masterpiece.

OK so why Japanese movies don't have higher budgets? These types of movies deserve much more money. What they can do with 20x time less than US movies is amazing.

Excellent work, excellent movie, please film more of such Sci-Fi movies, this is great. More more more ! I just can't believe that we could get for instance 16 movies of such quality e.g. 12 milion per movie = $200 million, and one US movie costs $200 million(Transformers). I could watch 10 movies instead of 1, that would be superb ! Blu-ray's here I come :-)

I mean Transformers for example are ALL about mambo-jumbo folks, some teen "superstars" and we have a movie - WRONG ! Quality movie doesn't requires superstars, it requires good story, great directing and great production. 'Yamato' movie showed us that.

Now about the movie, effects, robotics etc only Japanese can do that, nice stuff guys. Love the sound, and sound effects.

Enjoy watching this !

While I'll grant you similarity in the setting of a space cruiser named after a famed WWII ship in space (USS Enterprise was a famous WWII air craft carrier, senkan Yamato was a famous WWII battleship), beyond that, nothing about Yamato has anything to do with Star Trek other than Matsumoto Reiji may have been inspired by it.

That said, no further invocation of American media landmarks is necessary in discussing this title.

The film was entertaining. I didn't look at the clock until the end. At times, the film was a bit melodramatic but all-in-all the movie was good.

The special effects were very good. I've heard it said this was a low budget film. I can accept that assessment. But the story telling was decent and conveyed the starry-eyed intensity of the comic nicely!

There were some downs but the only one I'd bother with was the romance between the main character and the ace pilot. It hit me like a pizza delivery scooter from outside my peripheral vision. Never saw it coming and didn't quite understand it.

In the end, I enjoyed it and I'd recommend people familiar with the comic/anime series check it out.