Saw 3D - Il capitolo finale

The seventh and last installment lays down all its cards... or at least the rest of its cards. The series certainly went out with a bang to say the least. Fans and/or gorehounds will love it, and there's enough entertainment for some of those who aren't overly familiar with the series or forgot a thing or two in the previous six films. It is possibly the most appealing "Saw" film, knowing that it's ACTUALLY the finale. But where does that leave us with quality? For a ninety minute film with numerous returning characters and just as appealing brand new characters, not to mention the burden of trying to keep originality with a redundant back-story, "Saw 3D" does pretty good given the obstacles it's forced to work with. What most people will probably criticize is the lack of twists and turns that made us love the original so much... but lets be honest, has there even been any jaw dropping twists in the series since "Saw IV" or even as far back as "Saw II"? It's up for debate, but the story in the seventh installment is pretty straight forward and that may let some people down. Given that it's a seventh film in a series with impressive continuity, "Saw 3D" is actually a really great film for what it is.

*** (out of four)

It's what you expect. There is no shock factor. Die hard fans that know every little thing about the movie will see this ending coming. I think they should have taken more time to plan out the games and come up with a larger shock. It seemed forced but maybe my expectations were too high for what the final project should have been in my mind. The 3D factor was fun but it seemed that the movie was revolving around the 3D concept more than the story line. Finally it was way too short, it felt like they were already dragging out what they did have. I believe the writers were just in a hurry to tie up all the loose ends, but then again, many liked the "Final Chapter". I Love "Saw" and I always will but by far, this is the worst one.

Jill goes into protective custody, but after trying to kill Hoffman, he sets his sights on getting her. Jigsaw puts survivor and now successful author Bobby Dagen into the game.

I know before I even start that this one is regarded as the weakest in the franchise by many, check out most of the online rankings list, and most are harsh on this one.

I'm glad they toned down the soft focus flashbacks, 4 and 5 are full of them, they're too much, there are a few, but they're tolerable.

For me, this one is still better than Saw 4, and possibly Saw 5. It's trashy, it's tacky, the story doesn't make sense, and some of the games are silly, but there are some pretty cool sequences.

I've always liked the scene with the racist guy and his band of followers, that car seat scene is gross. Some of Bobby's games are pretty cool too.

I loathed that opening game, it seemed so unlikely that Kramer would have put a game on for the public, everything had always been done in closed, shut off spaces, it felt at odds with his character, as did the hugely vindictive vendetta against Dagen, I know he lied, but compared to what some of Jigsaw's targets did, it seemed excessive.

It is great to see a few faces from the show's past, and it was nice to see them play a part in the shocking twist. I also liked the twist from the original Saw movie.

6/10.

It was not a perfect movie by any means, but Saw VI was the first Saw movie that really surprised me. Where the other films quickly became standard exercises in torture and brutality, it was the first film in the series that really made an attempt at building and elaborating the overarching storyline that had been developed over the entire series. Instead of merely hinting at things, we were getting full explanations, things began to make sense, and the movie on the whole was just a very satisfying and very enjoyable film. But much like its predecessors, it ended on a bit of a cliffhanger moment – leading us directly into Saw VII, or as it is more sadly referred to, Saw 3D.

After barely surviving a trap meant to murder him, Hoffman (Costas Mandylor) is out for revenge on Jigsaw's (Tobin Bell) ex-wife Jill (Betsy Russell). But Hoffman is not just out for her blood – he has set-up a new game for Bobby Dagen (Sean Patrick Flanery), a survivor of a Jigsaw trap and self-help guru.

If that does not sound like much, it is because there is not much to Saw 3D. Outside of the long awaited (and unfortunately spoiled) return of Dr. Gordon (Cary Elwes), there is nothing really notable about the film. Jigsaw, a character who must hold some sort of record for remaining the lead despite having died four movies ago, merely appears in an extended cameo. Jill was always a supporting player, but her screen time and presence has been drastically reduced even further. Hoffman's revenge ploy may drive the film, but he too barely appears. So much was tied up, answered and completed in Saw VI that this film feels merely like a film going through the motions to what should be the finale of the series.

Instead of focusing on any of these characters for longer than a few seconds at the time, the film pays attention mostly to Flanery's character and a new detective, Gibson (Chad Donella). Both are described and developed in the quickest and most superfluous of ways (although there could have been a touch more explanation for the importance of Gibson to the storyline), and then help fill in the gaps on the way to the film's conclusion. Neither character or actor is strong enough to carry the movie, and having them help drag the film's running time out just made the film weaker at every interval. Worse yet, the script and story give no reason for the audience to invest any sort of feeling towards either character. Each Saw film hinged on one or an assortment of characters going through some form of game set up by Jigsaw or Hoffman, but there was a grand purpose in the end for why they go through that struggle. Here, the actions of these two characters seem inconsequential. You may hold out hope that there is some reason for their inclusion and participation in the grand finale, but in the end, there is nothing.

The deaths are a bit of a mixed bag. On one hand, the film seems to have wisely amped up the victims "working together" motif for almost every trap scene in the film. It makes for a couple of interesting moments, but inevitably still ends with the requisite brutally gory deaths. And a few of the traps are interesting as well – particularly one involving a love triangle, saws, and a public display. And for fans of the series, one notable death involving a rather specific "device" will undoubtedly give cheers, laughter and nausea all at once. But outside of these notable tidbits, the creativity, originality and even the morbid "fun" that come from these traps and deaths seems to have been sucked out of the film. Much like the storyline, it all felt like filler padded out to fill gaps. It was a disappointment to say the least after the go-for-broke style of Saw VI, and only shows that the filmmakers are really starting to show how exhausted their imaginations are in this once gloriously and creative realm. The much hyped 3D does almost nothing for these traps and death scenes either. It is an amusing addition at first, but after getting a character's innards thrown at you for the third time, it starts to get a bit old and silly.

But for everything else that is done so wrong, and so haphazard, the filmmakers manage to concoct an incredibly satisfying and wild shock of an ending. On one hand, it is without any doubt, the standout sequence of Saw 3D. Remember the awesome twists this franchise was originally known for? This one takes the cake, and brings the film more in line with the original films than the later ones. The sheer surprise and audacity of it all is just too good, and feels like it belongs in a significantly better film. It practically cheats the audience into sitting through such a horribly disappointing film just so they can get to this one moment of sheer greatness. On the other hand, it stands as an awesome conclusion and finale to the entire franchise. If the ads are correct and this is indeed the final chapter of Saw, then this may just be one of the most enjoyable and entertaining endings ever created. It just may force you to rethink everything that has come before it.

I hate to say it, but Saw 3D is the worst and most disappointing film in the franchise. It will leave a rotten taste in your mouth, and just feels rushed, disjointed and convoluted. Saw VI showed a renewed creative vigor that just failed to connect with this film. The ending is the film's only real redeeming moment, and nearly makes up for everything that precedes it. Let's just collectively hope a reboot does not ruin its greatness.

5/10.

(This review also appeared on http://www.geekspeakmagazine.com).

In keeping with the annual Halloween tradition, producers decided to bring their audience this allegedly final installment of the unsettling series, and apparently wanted to go out in style with what has fast become an overused technique in three-dimensional effects. The "story" centers around a self-help author who purportedly survived the deceased Jigsaw's deadly game, and now tries to preach a message of strength to those around him. His newfound strength is put to the test however when he becomes the target of a new game, one which will also determine the fate of those close to him. Meanwhile, the cold-blooded Detective Hoffman tries to settle a score while evading the dogged pursuit of his fellow officers. After so many films, so many traps, and so much of the relentless evisceration, it would be pointless to complain about the film's content, but beyond a few startling 3-D moments, and even despite a relatively short running time, the whole thing feels like a prolonged, protracted, and downright boring exercise in this tired genre. Tries to wrap things up nice and neatly in the end, yet still can't hide the fact that this series has long run out of steam, or that this project is clearly uninspired. *½