Un gruppo di sopravvissuti alla brutalità di Jigsaw cerca il supporto del guru esperto in terapie di Self-help - anche lui superstite - Bobby Dagen. Ma i cupi segreti che Dagen nasconde scat... Leggi tuttoUn gruppo di sopravvissuti alla brutalità di Jigsaw cerca il supporto del guru esperto in terapie di Self-help - anche lui superstite - Bobby Dagen. Ma i cupi segreti che Dagen nasconde scateneranno inevitabilmente una nuova ondata di terrore.Un gruppo di sopravvissuti alla brutalità di Jigsaw cerca il supporto del guru esperto in terapie di Self-help - anche lui superstite - Bobby Dagen. Ma i cupi segreti che Dagen nasconde scateneranno inevitabilmente una nuova ondata di terrore.
- Regia
- Sceneggiatura
- Star
- Premi
- 3 candidature totali
- Dina
- (as Anne Greene)
Recensioni in evidenza
Detective Hoffman is still alive. Jill's attempt to kill him backfired when he found a way out of his supposedly inescapable trap. Whilst Hoffman is out to kill Jill he has to contend with setting up another set of traps for the lying Bobby Dagen and his friends. If Bobby is to make it to the end and save his wife, he will have to push himself to the limit.
Step 1: The plot. Ensure your plot is convoluted and does not make sense in the slightest. If you are worried that it does, then provide meaningless flashbacks. If it ain't broke don't fix it. Why change the format when it worked for Saw IV, V and VI. Just rinse and repeat.
Step 2: The main character. Who wants motivation, plausibility and character development? The answer nobody! Ensure your character is as bland as humanely possible. The make him unlikable, arrogant and self-absorbed. If he possesses any humanity wipe it out immediately!
Step 3: Jigsaw. The main villain is not Jigsaw anymore. To let your audience know this, have Tobin Bell dress as a gangster for one scene so that he can embarrass himself. Then watch the less interesting Hoffman blunder from scene to scene.
Step 4: The script. Make sure your script consists of lines that would make Sylvester Stallone worried. Fill it with profanity and the screams of human beings. When you have ninety pages of Horror clichés, you are almost ready to begin.
Step 5: The Acting. Ensure your actors are human and made of meat and bone; if they can scream louder than a toddler hire them forthwith.
Step 6: The camera work. The reason these films make so much money is because of their budget. You spent it on the traps, so borrow the cheapest hand held camera you can find and film all scenes in one take.
Step 7: The length. Make your film as short as possible, but feel ten times the length. Your audience will wonder how it lasted so long.
Step 8: The traps. Have as many traps as you want; the more the better. Who will notice pink blood? A lack of invention and tension? Nitpickers, that's who. If your audience is not sick within the first five minutes then you have failed them as a Director.
Step 9: Closure. Do not allow for closure. Provide questions with no answers. This will mean that if a sequel is green light then you can slowly divulge the answers in Saw M.
Step 10: The Obligatory Twist Ending. If the climax does not leave you scratching your head then change it again. Have characters you thought dead return, just so that you can destroy the brains of the audience.
If you follow all of these steps, you can guarantee the death of a franchise. Or for a few years at least until, it is re-made, re- envisioned, re-booted or all of the above.
A good storyline with plenty of twists.
Some of the most creative traps to date.
I really liked the scenes outside rather than always being set in the dark dingy rooms (excluding flashbacks) like in the other movies.
Good ending.
Cons:
Some of the acting was a little off, Chad Donella (Who played Gibson) did not do a very good job, I sometimes could not tell if he was trying to be sarcastic or if it was just bad acting before including no... he is just a dodgy actor. The scene during the television interview also displayed some terrible acting from the characters behind the camera crew as well as the woman interviewing 'Bobby'.
The 3D was disappointing.
At times there seemed to be too much going on at once with too many cuts to different locations
After barely surviving a trap meant to murder him, Hoffman (Costas Mandylor) is out for revenge on Jigsaw's (Tobin Bell) ex-wife Jill (Betsy Russell). But Hoffman is not just out for her blood – he has set-up a new game for Bobby Dagen (Sean Patrick Flanery), a survivor of a Jigsaw trap and self-help guru.
If that does not sound like much, it is because there is not much to Saw 3D. Outside of the long awaited (and unfortunately spoiled) return of Dr. Gordon (Cary Elwes), there is nothing really notable about the film. Jigsaw, a character who must hold some sort of record for remaining the lead despite having died four movies ago, merely appears in an extended cameo. Jill was always a supporting player, but her screen time and presence has been drastically reduced even further. Hoffman's revenge ploy may drive the film, but he too barely appears. So much was tied up, answered and completed in Saw VI that this film feels merely like a film going through the motions to what should be the finale of the series.
Instead of focusing on any of these characters for longer than a few seconds at the time, the film pays attention mostly to Flanery's character and a new detective, Gibson (Chad Donella). Both are described and developed in the quickest and most superfluous of ways (although there could have been a touch more explanation for the importance of Gibson to the storyline), and then help fill in the gaps on the way to the film's conclusion. Neither character or actor is strong enough to carry the movie, and having them help drag the film's running time out just made the film weaker at every interval. Worse yet, the script and story give no reason for the audience to invest any sort of feeling towards either character. Each Saw film hinged on one or an assortment of characters going through some form of game set up by Jigsaw or Hoffman, but there was a grand purpose in the end for why they go through that struggle. Here, the actions of these two characters seem inconsequential. You may hold out hope that there is some reason for their inclusion and participation in the grand finale, but in the end, there is nothing.
The deaths are a bit of a mixed bag. On one hand, the film seems to have wisely amped up the victims "working together" motif for almost every trap scene in the film. It makes for a couple of interesting moments, but inevitably still ends with the requisite brutally gory deaths. And a few of the traps are interesting as well – particularly one involving a love triangle, saws, and a public display. And for fans of the series, one notable death involving a rather specific "device" will undoubtedly give cheers, laughter and nausea all at once. But outside of these notable tidbits, the creativity, originality and even the morbid "fun" that come from these traps and deaths seems to have been sucked out of the film. Much like the storyline, it all felt like filler padded out to fill gaps. It was a disappointment to say the least after the go-for-broke style of Saw VI, and only shows that the filmmakers are really starting to show how exhausted their imaginations are in this once gloriously and creative realm. The much hyped 3D does almost nothing for these traps and death scenes either. It is an amusing addition at first, but after getting a character's innards thrown at you for the third time, it starts to get a bit old and silly.
But for everything else that is done so wrong, and so haphazard, the filmmakers manage to concoct an incredibly satisfying and wild shock of an ending. On one hand, it is without any doubt, the standout sequence of Saw 3D. Remember the awesome twists this franchise was originally known for? This one takes the cake, and brings the film more in line with the original films than the later ones. The sheer surprise and audacity of it all is just too good, and feels like it belongs in a significantly better film. It practically cheats the audience into sitting through such a horribly disappointing film just so they can get to this one moment of sheer greatness. On the other hand, it stands as an awesome conclusion and finale to the entire franchise. If the ads are correct and this is indeed the final chapter of Saw, then this may just be one of the most enjoyable and entertaining endings ever created. It just may force you to rethink everything that has come before it.
I hate to say it, but Saw 3D is the worst and most disappointing film in the franchise. It will leave a rotten taste in your mouth, and just feels rushed, disjointed and convoluted. Saw VI showed a renewed creative vigor that just failed to connect with this film. The ending is the film's only real redeeming moment, and nearly makes up for everything that precedes it. Let's just collectively hope a reboot does not ruin its greatness.
5/10.
(This review also appeared on http://www.geekspeakmagazine.com).
I know before I even start that this one is regarded as the weakest in the franchise by many, check out most of the online rankings list, and most are harsh on this one.
I'm glad they toned down the soft focus flashbacks, 4 and 5 are full of them, they're too much, there are a few, but they're tolerable.
For me, this one is still better than Saw 4, and possibly Saw 5. It's trashy, it's tacky, the story doesn't make sense, and some of the games are silly, but there are some pretty cool sequences.
I've always liked the scene with the racist guy and his band of followers, that car seat scene is gross. Some of Bobby's games are pretty cool too.
I loathed that opening game, it seemed so unlikely that Kramer would have put a game on for the public, everything had always been done in closed, shut off spaces, it felt at odds with his character, as did the hugely vindictive vendetta against Dagen, I know he lied, but compared to what some of Jigsaw's targets did, it seemed excessive.
It is great to see a few faces from the show's past, and it was nice to see them play a part in the shocking twist. I also liked the twist from the original Saw movie.
6/10.
Lo sapevi?
- QuizDespite receiving top billing and portraying the main villain, Tobin Bell has only three minutes of screen time in this film.
- Blooper(at around 1h 4 mins) Bobby extracts two teeth to get the combination to the next room. When he looks at the teeth, the numbers are on the tooth root. To do this would be impossible without removing the teeth first.
- Citazioni
Jigsaw: Hello Dr. Gordon. You are perhaps my greatest asset. Without you, my work over the last few years would not have been possible. That having been said, I have a request. Watch over Jill, and should anything happen to her, I want you to act immediately on my behalf. In return for that, I will keep no more secrets from you. I've shown you a lot of places, but there is one that will be perhaps the most meaningful to you.
- Versioni alternativeThe German DVD is cut by one minute to secure a "Not under 18" rating. The unrated DVD (with a SPIO/JK approval) is uncut.
- ConnessioniEdited from Saw - L'enigmista (2004)
I più visti
Dettagli
- Data di uscita
- Paesi di origine
- Sito ufficiale
- Lingua
- Celebre anche come
- Saw - Il capitolo finale
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 20.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 45.710.178 USD
- Fine settimana di apertura Stati Uniti e Canada
- 22.530.123 USD
- 31 ott 2010
- Lordo in tutto il mondo
- 136.151.680 USD
- Tempo di esecuzione1 ora 30 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1