Blackstone

Great story, well acted, well written. Believable sets and locations. Enough intrigue and sub-stories to keep things interesting. Politics, corruption, and the struggle of the underdog. All good stuff. Then it falls apart because of the camera work. Every single scene shot with shaky hand-held camera and jerky zoom. The end result is a production that looks like it was professionally cast, written and produced, then turned over to a high school class with a cheap camcorder to film. Oh, the shots are clear enough...once your eyes adjust to the constant jerking around. There is a place for hand-held shots. A few of them, scattered here and there, can be a great thing. But for the entire production? Please. Invest in a tripod and a trolley.

I really wanted to watch this series, but I literally could not tolerate the nauseating camera work. Why film directors ever choose this approach is beyond me. Don't they realise that by shaking the camera all over the place, you instantly alienate every single audience member with notion sickness tendencies. Sucj a strange model trend in cinematography.

Many shows decrease in quality with each passing season, Blackstone is the opposite. The show takes a season or so to hit its stride, but incredible character development starts in the first episode. Every character is allowed to have flaws, which allows for nuanced and very real portrayals. The acting on this show is unparalleled, the performers are able to take complex and often very heavy story lines and portray them in a way that is respectful and real. Michelle Thrush and Carmen Moore, often seen in supporting or guest roles in other shows, give career defining lead performances. This show handles sensitive topics incredibly well, and not in an "episode of the week" type fashion. A single issue is often shown from multiple different perspectives. All in all, Blackstone is a riveting, intense, and memorable drama highlighting an incredibly talented cast.

Understand something. I'm not epileptic. Never have been. Could play VirtualBoy hours on end and never get ill. But this show, like with too many productions these days, don't understand how annoying jerking the camera all over the place is. Imagine talking to a person, looking in their face, reading them, but they're quickly swaying back and forth. Won't keep watching. It's broken. Might not even be a bad show. I won't know. Story-wise, it seems decent enough. Not being native, I can't tell you how much of this is theatrical silliness or how much is egregiously "incorrect" to their culture. Regardless... they messed up with the cameras here.

Found this after looking for Eric Schweig vehicles and really wanted to like it. Currently watching Season One Episode Seven.

The 'shaky cam' is distracting and in no way contributes artistically.

The gratuitous vulgarity feels like lazy writing, which is confirmed by dialogue that is often more stilted than insightful.

A lot of the acting is either wooden or heavy-handed.

The actors portraying villains seem to have studied at the "Snidely Whiplash" school of drama - if they had mustachios they would be twisting them.

There is little subtlety or nuance in the dialogue or acting or plot development.

A rape prosecution relies on a non-witness instead of DNA evidence? Vote out the current chief in favor of the one the community knows is corrupt who stole evidence of his corruption and assaulted a council member in the process? Maybe it's me. Maybe people really do interact as portrayed in this series. Maybe people are as illogical as presented here (heck, there are millions still supporting Trump). If so, the situation is even worse than I understood it to be.

The issues are compelling and real and I think deserve better handling than I've seen so far. Hope the series improves.