All Is Bright

'ALL IS BRIGHT': Three Stars (Out of Five)

Paul Giamatti and Paul Rudd star in this comedy-drama film that's a lot more serious (and less comedic) than I was expecting (with that pair). It's a Christmas movie about two losers from Canada trying to sell Christmas trees in New York City. It was directed by Phil Morrison (who also directed the 2005 indie critical darling 'JUNEBUG') and written by first time film writer Melissa James Gibson. It's a lot more of a downer than it looks like (in the trailers) and isn't really that funny but it is a somewhat interesting character study.

Giamatti plays an ex-convict named Dennis, who just got out of prison in Quebec, Canada. His wife, Therese (Amy Landecker) is now sleeping with another man, Rene (Rudd). She also told their daughter, Michi (Tatyana Richaud), that Dennis was dead. In order to make enough money to buy Michi a piano for Christmas Dennis agree to sell Christmas trees with Rene in New York City. Neither is especially good at the job and it's a big challenge.

For a Christmas movie and a comedy the film is pretty depressing. It's also surprisingly sad considering it stars Paul Giamatti and Paul Rudd. Giamatti does a lot of serious dramas as well as comedies but it's definitely not Rudd's usual thing (it does mark his second quirky indie film this year though, after 'PRINCE AVALANCHE' from a few moths ago). He is his usual dimwitted and easygoing self in it though and you can't help but love him (and root for him) despite his flaws. Giamatti is definitely less likable in the movie and is pretty hard to like but both of their characters have their hearts in the right place. If you're expecting big laughs this isn't the movie for you but it is a decent emotional buddy film.

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Phil Morrison blazed onto the scene with Junebug (2005) and managed to introduce the cinematic world to the blissful abilities with Oscar- nominated actress Amy Adams. With a near eight year stretch, he has finally taken his directorial chair yet again to bring the whimsical and fascinating Almost Christmas with Paul Giamatti and Paul Rudd.

The film opens up with Dennis (Giamatti), a recently released ex-convict that learns that his now ex-wife has told their daughter that he died in prison. To make matters worse, his partner-in-crime Rene is now dating her with intentions of marriage. With no job, home, or any real place to go, Rene's guilt partners with Dennis' opportunities and the two French Canadians embark on a trip to New York City to sell Christmas trees just before the holidays. During the daily antics and struggle to sell, eat, and sleep out of a wooden trailer, a dentist's wife (Sally Hawkins) presents a possible opportunity for them to learn more than just the meaning of the holidays.

Paul Giamatti continues to elevate himself to one of the greatest working actors today. As Dennis, he's utterly believable and encounters a new side of himself as an actor that is both funny and completely genuine. Giamatti's dedication to the craft allows him to continue to do what he normally achieves with all of his off-beat characters that are dreadful on the inside with a kind core that the audience can easily access.

As Rene, Paul Rudd continues his attempt at off-beat comedies on the independent circuit and presents himself as a very capable and gifted actor. His performance, which naturally brings many of the film's biggest laughs, is one of the Rudd's most surprising portrayals to date. Rudd shows vulnerability, skill, and a promise of a very endearing and powerful performance somewhere in his future. While the role is not a full-out home-run for the actor, he is more than average and presents some of the film's beautiful highlights.

Written by Melissa James Gibson, Almost Christmas is an incredibly original concept with a slight twist on a genre you may feel like you've seen before. The actions and story temperature are unhurried and at times cold, but ultimately is what makes the film succeed. There are some off-beat choices in character behaviors and an unrelated qualm about how someone should act in firm situations, but for a first-time screenwriter, it's a great plateau for her to step off. Gibson has only been credited as a writer on the show, "The Americans." She constructs authentic characterizations and gives them all an identity for the actor's to latch onto.

Golden Globe Winner Sally Hawkins is amazingly charming and wondrous in her role. With her delightful and appealing accent partnered with her cutely delivered monologue about "Fortune of Wheel," it's another strong turn from the gifted actress that has yet to take off in the big Hollywood manner as of yet. Hawkins is absolutely hilarious.

Phil Morrison's direction and choices aren't as bold or as inventive as his styles in Junebug. The story doesn't lend itself to those traits that made him a quiet sensation in the mid-2000s. He lends himself to a more defined genre of filmmaking that doesn't go for the big moments or audience reactions. It's a undemanding yet solid directorial work. The film's narrative is paced at a leisured speed, which may take some out of the story. It does take a minute to lift off but when it gets going, Almost Christmas has you hooked. It's a fine film event for movie-goers and a possible contender for year-end citations by independent groups.

Oscar CHANCES: Lead Actor for Paul Giamatti, Supporting Actress for Sally Hawkins, Original Screenplay for Melissa James Gibson

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I'm a huge Christmas movie buff and I don't normally do dark Christmas movies (like Bad Santa), so I was prepared to hate this movie, especially after seeing the low scores on IMDb and Rotten Tomatoes, but I'm a huge fan of both Pauls, so I decided to see for myself. I didn't hate it, and in fact, I actually enjoyed it - although I'm not sure WHY. Heheh. Paul Giamatti's character is a no-good thief, but that's what was interesting too me - he can't change and doesn't REALLY try to, even though he keeps saying he has (to his estranged wife), but he truly loves his daughter, so he's not ALL bad. In the end, the screenplay isn't very good, the joyful Christmas soundtrack often doesn't fit the dreary scenes, but the three main actors, Paul, Paul and Sally Hawkins are all very good. Paul Rudd still struggles in the drama department, but this MIGHT be the best I've seen him with it. Recommended for fans of the actors and/or dark Christmas movies.

Having never heard of this film but stumbling upon it and decided it looked interesting enough to warrant a view. The plot is relatively simple yet somewhat engaging- we seem to be interested in both lead characters actions from the start.

However this film is not such a covert as people may be expecting. It is not another "Bad Santa" type. It is more so depressing and at times dull. The chemistry is decent as are the acting but the film doesn't seem to go anywhere within its climax. Ultimately what we get is a depressing and disappointing ending.

All is Bright (2013) doesn't really appear to stand out as a great movie in any sense. It has a simple storyline, that is more obscure, but, still has a lot of randomness and boring conclusions.

The acting, especially the main characters (Rudd and Giamatti) were decent. They play ex-thieves who go to New York to sell Christmas trees. The supporting cast (Hawkins and Landecker) were good, and their characters play symbolic roles, and this can be seen in the different ways they behave toward Dennis (Giamatti).

The audio was rather apt, with a variety of piano solo's to indicate the mood, with overlaying images to reinforce said mood. The overall imagery was a bit lacking, but did it's part in trying to arouse sympathy for the main characters.

So far, these were the enjoyable parts of the film. The downside for me was... the plot, the weak connections drawn, the lack of explanation for certain tasks throughout the film, and the simple conclusion at the end. The symbolism of the various characters and of the objects (piano, ringtone) show an attempt at trying to build a deeper film, but sadly did not achieve what I was hoping it would. I wouldn't say the film is disappointing, but it doesn't have anything to make it stand out, very similar to Prince Avalanche (starring Rudd). 6/10, as it could've been something much better, had there been a deeper storyline developed, as well as adequate attention paid to detail.