Indiana Jones e il quadrante del destino
Il famoso archeologo e professore Jones torna alle avventure, con nuove sfide, pericoli e avventure, ma questa volta ha il sangue di una nuova generazione ad aiutarlo nelle sue scoperte e ne... Leggi tuttoIl famoso archeologo e professore Jones torna alle avventure, con nuove sfide, pericoli e avventure, ma questa volta ha il sangue di una nuova generazione ad aiutarlo nelle sue scoperte e nella sua lotta contro un nuovo cattivo.Il famoso archeologo e professore Jones torna alle avventure, con nuove sfide, pericoli e avventure, ma questa volta ha il sangue di una nuova generazione ad aiutarlo nelle sue scoperte e nella sua lotta contro un nuovo cattivo.
- Regia
- Sceneggiatura
- Star
- Candidato a 1 Oscar
- 8 vittorie e 36 candidature totali
- Italian Ticket Seller
- (as Alfonso Rosario Mandia)
Recensioni in evidenza
And to be fair, John Williams' fantastic score reminds me that I did walk into the right showing. But instead of a rousing epic, I witnessed a strange concoction of overblown ideas, baffling casting choices, plot conveniences, bad dialogue, and some of the worst written characters I can remember. Especially Helena, who's played by a talented PWB but is written to be an insufferable, pedantic braggart.
There's a strange veneer that makes everything resemble something familiar. But it all feels off. Even the deepfakery produced some chuckles in the theatre.
There's some fun scenes and cameos and I enjoyed the villain. But calling this an Indiana Jones movie? Maybe Illinois Jones.
Take for example the prologue with a de-aged Harrison Ford. The technology used to do it is impressive, and only looked awkward in a couple of shots for me. It's Indy adventuring during the end of World War II, and it almost captures the adventure/action you'd want. However, it's so dimly lit that barely anything can be seen. It's probably to disguise the de-aging, but it's disappointing. The stuff you can see isn't particularly great, but it fares better than the next couple of big action scenes.
These are spaced out over the next 80 to 90 minutes. Said 80 to 90-minute stretch is honestly very boring. Harrison Ford is trying, and John Williams' score is pretty good. I usually like Phoebe Waller-Bridge, but her character didn't work for me. Barely any of the humor landed. The action is incredibly dull and quite often poorly shot. Ford himself isn't in much of the action, which is understandable, but it also begs the question of why they even bothered trying to make an action movie with an 80-year-old man.
I swear characters enter a hotel at night, and they come out the front door five minutes later and it's the middle of the day. Why did they bring John Rhys-Davies back without giving him anything to do? Why was Antonio Banderas in this for like, five minutes? Why do they think audiences will care that Banderas and Toby Jones play "friends" of Indiana Jones, even if they've never been seen or mentioned before this film? Why does Hollywood keep wasting Mads Mikkelsen?
The final half-hour is sort of fun, but it concludes very abruptly and awkwardly. Some people will hate where the movie goes regardless, but I thought it came close to giving the whole thing a pulse. The final scene itself sounds like it should work on paper, but it did nothing for me emotionally. As I walked home, I liked the movie less and less, the more I thought about it.
It's so lifeless and uninspired, and even if maybe a third of it is passable, the rest is a combination of boring and baffling. Even if you're a big fan of the series, I wouldn't bother. This is a good deal worse than the other four.
I've always thought that nobody worse than Shia LeBeouf could be cast in this franchise but Phoebe Waller Bridge... Wow!
Sometimes, as a producer, you should finish the product, then watch it and decide not to release it out of self respect.
Even The Kingdom of the Crystal Skull couldn't ruin the legacy for me but Phoebe Waller Bridge managed to do it in 5 minutes.
A young Harrison Ford CGI dubbed by the actual one was just tragic.
Who Makes Harrison Ford Laugh?
Who Makes Harrison Ford Laugh?
Lo sapevi?
- QuizIn an interview with Stephen Colbert, Harrison Ford explained how the filmmakers digitally de-aged him for the flashback sequence: "They have this artificial intelligence program that can go through every foot of film that Lucasfilm owns. Because I did a bunch of movies for them, they have all this footage, including film that wasn't printed. So they can mine it from where the light is coming from, from the expression. I don't know how they do it. But that's my actual face. Then I put little dots on my face and I say the words and they make [it]. It's fantastic." At 80, he is the oldest actor to be de-aged in a movie, surpassing Al Pacino, who was 79 when he was de-aged in The Irishman (2019).
- BlooperIndy and Helena dive at a shipwreck supposed to be 2,000 years old with its wooden hull clearly visible and recognizable. In most waters, such as the ones of the Aegean Sea, wood does not last more than a couple of decades. In fact, Greek and Roman shipwrecks in the area are found by their non wooden materials, such as bronze, and their cargo, such as vases and ceramics, which is where the actual Antikythera mechanism was found.
- Citazioni
Dr. Voller: You should have stayed in New York.
Indiana Jones: You should have stayed out of Poland.
- Curiosità sui creditiThe Paramount Pictures logo appears normally, and does not fade into a mountain-shaped opening shot, the only film in the Indiana Jones films to do so.
Instead, the Lucasfilm logo fades into a lock on a door in 1944 Germany.
- Versioni alternativeOn the International prints of the film, the original variant of Disney's 100th anniversary logo (with 100 YEARS OF WONDER tagline) was shown as the first logo instead of tagline-less variant of the same logo.
- ConnessioniFeatured in AniMat's Crazy Cartoon Cast: Changing of the Bobs (2020)
- Colonne sonoreLili Marleen
Written by Hans Leip and Norbert Schultze
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'Indiana Jones' Stars Through The Years
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Dettagli
- Data di uscita
- Paese di origine
- Siti ufficiali
- Lingue
- Celebre anche come
- Indiana Jones y el dial del destino
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 387.200.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 174.480.468 USD
- Fine settimana di apertura Stati Uniti e Canada
- 60.368.101 USD
- 2 lug 2023
- Lordo in tutto il mondo
- 383.963.057 USD
- Tempo di esecuzione2 ore 34 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.39 : 1