VALUTAZIONE IMDb
7,9/10
1541
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaRecounting the extraordinary life of author Kurt Vonnegut, and the 25-year friendship with the filmmaker who set out to document it.Recounting the extraordinary life of author Kurt Vonnegut, and the 25-year friendship with the filmmaker who set out to document it.Recounting the extraordinary life of author Kurt Vonnegut, and the 25-year friendship with the filmmaker who set out to document it.
- Regia
- Sceneggiatura
- Star
- Premi
- 4 vittorie e 3 candidature totali
Linda Bates
- Self
- (as Linda Weide)
Kurt Vonnegut Jr.
- Self
- (filmato d'archivio)
Bernard Vonnegut
- Self
- (filmato d'archivio)
Sam Waterston
- Self
- (voce)
Dick Cheney
- Self
- (filmato d'archivio)
- (non citato nei titoli originali)
Recensioni in evidenza
While many are bothered by the interaction of the filmmaker in this film and initially, I too was unsure about it, I finally decided that the many years Weide spent making this film and spending time with Vonnegut made him a central character in his life and therefore he holds a space in this documentary just as Vonnegut's children do. It was a beautiful film and I really enjoyed it!
I enjoyed this documentary which was 40 years in the making. I have read pretty much all of Vonnegut's works and obviously this focuses a lot on Slaughterhouse Five but shows everything from his early short stories and earliest novels such as Player Piano onwards. The other review complains about the producer (Weide - the other "half a lifetime" I mention) who is admittedly a bit self-indulgent.
But since his bits are a side-story of how a biographer "cronkler" became a friend of Kurt - it fits in. I look at it as Weide is James Boswell and Kurt is Samuel Johnson (albeit funnier). You get the occasional "Life of Boswell" mixed in. I enjoyed seeing Kurt's family past and present as it helps put things into perspective as his life and career progressed (or sometimes stalled). Also the location shots in Indianapolis and Barnstable, Cape Cod with Kurt or his kids were great. I personally got a kick out of seeing the stone building of his Saab dealership where he wrote "God Bless You, Mr. Rosewater." I'd say it's a solid 9/10 for Kurt fans and I think entertaining enough of a show for those who may be unfamiliar with his writing.
But since his bits are a side-story of how a biographer "cronkler" became a friend of Kurt - it fits in. I look at it as Weide is James Boswell and Kurt is Samuel Johnson (albeit funnier). You get the occasional "Life of Boswell" mixed in. I enjoyed seeing Kurt's family past and present as it helps put things into perspective as his life and career progressed (or sometimes stalled). Also the location shots in Indianapolis and Barnstable, Cape Cod with Kurt or his kids were great. I personally got a kick out of seeing the stone building of his Saab dealership where he wrote "God Bless You, Mr. Rosewater." I'd say it's a solid 9/10 for Kurt fans and I think entertaining enough of a show for those who may be unfamiliar with his writing.
A must see for any fan of Kurt Vonnegut. Unstick in Time is a labor of love that is over 30 years in the making. Countless hours of never before seen footage made up of not only past interviews and speeches of Vonnegut, but priceless family home films from the 1920's and 1930's make up the glue of what this documentary has to offer its audience. Among this footage includes testimonials from those who knew and loved him in the past, the present and the time to come. This story's message, moral, motivation and meaning are all important to the overall question the filmmaker answers as we are obligated to keep watching all the way to the final credits. A perfect poem to one of the greatest writers of the 20th century.
I gave the documentary 5 stars for the footage of Kurt. It should really be 2.5 stars, considering that Weidie features "Weidie's feelings on KVj," and "Weidie proves he really was friends with Kurt" more than he lets us see the author himself. I swear to god, there were several times when Weidie actually talked OVER film of Vonnegut rather than letting us hear what the supposed subject of the film was saying.
It's not that Weidie couldn't have played a role, put himself in here and there. But he is everywhere. He spends so much time showing himself with Kurt it begins to look like that is his only point - that he was there. I almost stopped after 10/15 minutes because I had heard so little about Kurt and so much about Weidie's subject. He draws parallels to Vonnegut's own years-long struggle to write about WWII. I kid you not.
For lovers of Vonnegut, this film is a struggle. For people who want to hear Weidie on Vonnegut, you've found your movie!
It's not that Weidie couldn't have played a role, put himself in here and there. But he is everywhere. He spends so much time showing himself with Kurt it begins to look like that is his only point - that he was there. I almost stopped after 10/15 minutes because I had heard so little about Kurt and so much about Weidie's subject. He draws parallels to Vonnegut's own years-long struggle to write about WWII. I kid you not.
For lovers of Vonnegut, this film is a struggle. For people who want to hear Weidie on Vonnegut, you've found your movie!
"I didn't want to be in this film, but I felt I had to explain why it took forty years." I guess all the people who review "it's self indulgent of Weide" are too big *s to get this single line explanation.
I fell in love with Vonnegut's writing in high school, which presaged a lifetime of suicidal depression for me. Anyhoo, this film exactly fits Vonnegut's style and philosophy and it just depresses the hell out of me that other reviewers don't grok it. (lol) BTW one of Weide's films made from Vonnegut's books, "Mother Night" was made for $6,000,000 (estimated) and grossed only $403,701, which explains in part it took Weide so long to return to doing material on Vonnegut, (although he doesn't give these numbers in this film), and why few filmmakers have bothered to touch Vonnegut's material since. So it goes. If you haven't read Vonnegut, you're probably not worthy, sorry I mean interested, of watching this. I don't know why you would bother.
I fell in love with Vonnegut's writing in high school, which presaged a lifetime of suicidal depression for me. Anyhoo, this film exactly fits Vonnegut's style and philosophy and it just depresses the hell out of me that other reviewers don't grok it. (lol) BTW one of Weide's films made from Vonnegut's books, "Mother Night" was made for $6,000,000 (estimated) and grossed only $403,701, which explains in part it took Weide so long to return to doing material on Vonnegut, (although he doesn't give these numbers in this film), and why few filmmakers have bothered to touch Vonnegut's material since. So it goes. If you haven't read Vonnegut, you're probably not worthy, sorry I mean interested, of watching this. I don't know why you would bother.
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- Data di uscita
- Paese di origine
- Siti ufficiali
- Lingua
- Celebre anche come
- Kurt Vonnengut. A través del tiempo
- Luoghi delle riprese
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- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Lordo Stati Uniti e Canada
- 60.389 USD
- Fine settimana di apertura Stati Uniti e Canada
- 27.427 USD
- 21 nov 2021
- Lordo in tutto il mondo
- 92.024 USD
- Tempo di esecuzione
- 2h 7min(127 min)
- Colore
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