Sophie: Un omicidio nel West Cork
Titolo originale: Sophie: A Murder in West Cork
VALUTAZIONE IMDb
6,8/10
6474
LA TUA VALUTAZIONE
Segue le indagini su Sophie Toscan Du Plantier, una produttrice cinematografica e televisiva francese uccisa mentre si trovava nella sua isolata casa per le vacanze a West Cork, in Irlanda, ... Leggi tuttoSegue le indagini su Sophie Toscan Du Plantier, una produttrice cinematografica e televisiva francese uccisa mentre si trovava nella sua isolata casa per le vacanze a West Cork, in Irlanda, nel 1996.Segue le indagini su Sophie Toscan Du Plantier, una produttrice cinematografica e televisiva francese uccisa mentre si trovava nella sua isolata casa per le vacanze a West Cork, in Irlanda, nel 1996.
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I felt incredible sadness for the family of Sophie, and also the betrayal by the judicial system in Ireland. From the DPP who wouldn't prosecute and dismissed domestic violence as "one of those things that happen", to the incompetence and corruption of the Gardia, and even the attitude of the Coroner who didn't arrive on the murder scene until days later. Maybe the murder of a woman didn't warrant a speedy response. Also, the self serving 'key witness' who was out with her ex-boyfriend that night, but felt her own welfare came above the murder of an innocent woman when it came to her conflicting statements. I found the partner of Ian Bailey blinded by the extreme violence and abuse suffered at the hands of the 'poet' and maybe if she hadn't stuck by him for so long, justice would have been served. Mostly, I found the egotistical, angry, self indulgence of Ian Bailey the hardest thing to stomach. Here we have a violent man, with extreme sexual fantasies, lying to the audience in a vain attempt to attract pity. Where is the justice for Sophie, and how can a community life with such a man?
An excellent example of police incompetence coupled with the tendency for male-oriented power structures to protect men guilty of crimes against women. The documentary was generally well done (with one major flaw). The outcome was depressing. Sadly, people don't understand or recognize mental illness. That was the flaw in the series, as the accused's mental illness was plain for many in the audience to see, yet it was never addressed in any way. I will never see Ireland quite the same way.
I really wanted to like this more, but it's two quarts of plot in a five gallon pot.
I should say up front that the cinematography is gorgeous, the soundtrack and music are expertly done, it has all the current tropes of a streaming documentary (though perhaps a bit too much use of the interview gimmick where the subject stares silently into the camera as their voiceover plays on the soundtrack), and within the first fifteen minutes I wanted to visit Schull; after the first hour I wanted to live there.
That said, stretching this documentary out to about three hours of episodes seems more like a contract fulfillment than a need to tell a long story. There are very few cliffhangers; and while Episode 1 ends on a suitably Wow note, the story sort of bumbles along after that, mindful of the need to have long, gorgeous shots of scenery in between interviews so as to not reach present day too quickly.
While the case is practically entirely circumstantial, there is a lot of evidence implicating the chief suspect, with little to none pointing elsewhere and no other plausible suspects to talk about. Our suspect's chief defense seems to be simply saying that he didn't do it, over and over, and as we are now used to seeing how a trace of DNA can nail someone to the wall even decades after the crime occurred, the absence of much new insight into the case now makes one wonder why the film was made. As we moved through Episode 2, it seemed like Episode 3 was going to be the final, modern-day resolution at last. It wasn't.
I should say up front that the cinematography is gorgeous, the soundtrack and music are expertly done, it has all the current tropes of a streaming documentary (though perhaps a bit too much use of the interview gimmick where the subject stares silently into the camera as their voiceover plays on the soundtrack), and within the first fifteen minutes I wanted to visit Schull; after the first hour I wanted to live there.
That said, stretching this documentary out to about three hours of episodes seems more like a contract fulfillment than a need to tell a long story. There are very few cliffhangers; and while Episode 1 ends on a suitably Wow note, the story sort of bumbles along after that, mindful of the need to have long, gorgeous shots of scenery in between interviews so as to not reach present day too quickly.
While the case is practically entirely circumstantial, there is a lot of evidence implicating the chief suspect, with little to none pointing elsewhere and no other plausible suspects to talk about. Our suspect's chief defense seems to be simply saying that he didn't do it, over and over, and as we are now used to seeing how a trace of DNA can nail someone to the wall even decades after the crime occurred, the absence of much new insight into the case now makes one wonder why the film was made. As we moved through Episode 2, it seemed like Episode 3 was going to be the final, modern-day resolution at last. It wasn't.
Netflix new thing is dragging out a 20min criminal storyline into 3h of nature videos and circulating the same 15 photos of the victim.
Such a picturesque town! And a sad story. I felt for her son.
I'm not sure why we didn't get more information about her husband.
There was some missing information but all in all a well done documentary that was interesting from beginning to end. I like that it was only 3 episodes and didn't drag on.
I'm not sure why we didn't get more information about her husband.
There was some missing information but all in all a well done documentary that was interesting from beginning to end. I like that it was only 3 episodes and didn't drag on.
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- ConnessioniFeatured in Zodiac Killer Project (2025)
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